The World Of Quest

In the land of Odyssia, former hero Quest unwittingly becomes the body guard to Prince Nestor a young smart-alec who knows the whereabouts of a mystic dagger that is key to ultimate power. Together, they'll face creatures, bounty hunters and other evils vying for the weapon. In the meantime, they'll have to deal with each other.

As Quest begrudgingly comes to terms with having to care for a spoiled princeling, the pair make their way into the deadly Forest of Edj to seek out the Rocks - the oldest, wisest, and most boring beings in all of Odyssia - to find "The Dagger of the Way" before the forces of evil do. But the two are separated while facing the perils of the forest. While Quest is pursued by an angry mob of Snarls, Nestor meets up with the wily griffin, Graer, who may have his own agenda. With Lord Spite gathering his most fierce minions, a mysterious new ally may be the key to tipping the scales in favor of our heroes.

In the land of Odyssia, fomer hero Quest unwittingly becomes the body guard to Prince Nestor a young smart-alec who knows the whereabouts of a mystic dagger that is key to ultimate power. Together, they'll face creatures, bounty hunters and other evils vying for the weapon. In the meantime, they'll have to deal with each other.

Young Prince Nestor needs a banished hero named Quest to look after him. It seems the forces of evil- including the inept Katastrophe Brothers, who, when doused with water, combine into the giant monstrosity, Katastrophe-believe that Nestor has knowledge of the whereabouts of a certain enchanted dagger. Quest, however, bitter from banishment, refuses to help. But when Katastrophe and the deadly Snarls close in on the young hero, Quest is forced to guard the prince, and their journey for the enchanted dagger begins.

Follows the adventures of a young prince who teams up with a brave, but reluctant knight, to battle evil.

Combining theory and practice, this updated new edition provides a complete overview of how to create deep and meaningful quests for games. It uses the Unity game engine in conjunction with Fungus and other free plugins to provide an accessible entry into quest design. The book begins with an introduction to the theory and history of quests in games, before covering four theoretical components of quests: their spaces, objects, actors, and challenges. Each chapter also includes a practical section, with accompanying exercises and suggestions for the use of specific technologies for four crucial aspects of quest design: • level design • quest item creation • NPC and dialogue construction • scripting This book will be of great interest to all game designers looking to create new, innovative quests in their games. It will also appeal to new media researchers, as well as humanities scholars in the fields of mythology and depth-psychology that want to bring computer-assisted instruction into their classroom in an innovative way. The companion website includes lecture and workshop slides, and can be accessed at: www.designingquests.com

What happens when a woman dares to imagine herself a hero? Questing, she sets out for unknown regions. Lighting a torch, she elicits from the darkness stories never told or heard before. The woman hero sails against the tides of great legends that recount the adventures of heroic men, legends deemed universal, timeless, and essential to our understanding of the natural order that holds us and completes us in its spiral. Yet these myths and rituals do not fulfill her need for an empowering self-image nor do they grant her the mobility she requires to imagine, enact, and represent her quest for authentic self-knowledge. The Feminization of Quest-Romance proposes that a female quest is a revolutionary step in both literary and cultural terms. Indeed, despite the difficulty that women writers face in challenging myths, rituals, psychological theories, and literary conventions deemed universal by a culture that exalts masculine ideals and universalizes male experience, a number of revolutionary texts have come into existence in the second half of the twentieth century by such American women writers as Jean Stafford, Mary McCarthy, Anne Moody, Marilynne Robinson, and Mona Simpson, all of them working to redefine the literary portrayal of American women's quests. They work, in part, by presenting questing female characters who refuse to accept the roles accorded them by restrictive social norms, even if it means sacrificing themselves in the name of rebellion. In later texts, female heroes survive their "lighting out" experiences to explore diverse alternatives to the limiting roles that have circumscribed female development. This study of The Mountain Lion, Memories of a Catholic Girlhood, Coming of Age in Mississippi, Housekeeping, and Anywhere but Here identifies transformations of the quest-romance that support a viable theory of female development and offer literary patterns that challenge the male monopoly on transformative knowledge and heroic action.

A deep sense of social consciousness is an intrinsic tenet of Arthur Miller s tragic stance but beyond that his plays are universal tragedies. Miller makes the allegorical theatre creating the protagonist in search , his Everyman in whom be dramatizes the struggle of contemporary man with the forces of his age . With this basic contention in view, Dr. Kumar s The Allegory of Quest analyses and explicates Miller s dramatic corpus as an allegory of quest, as an appropriate structure for a moral exploration of modem man s dilemma. The present book seeks to examine Miller s plays as a continuation of the metaphysical tradition of American dramatic literature which began with Eugene O Neill. In fact, Miller is concerned with the existential dilemma of human life and the relevance of values to human beings. In the process his plays make powerful explorations into the depth of human misery, the crisis of human identity and the vast panorama of immense anarchy and futility. Allegorically divided into seven chapter, the book is, in fact, an in-depth study of Miller s drama as an allegory of quest, as a kind of Morality theatre tracing its roots into the 15th century drama and into the international tradition emerging form various part of the west in the modern times.