The Writing Of Violence In The Middle East

Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a powerful conversation on questions of cruelty, evil, rage, vengeance, madness, and deception. Beyond the narrow judgment of violence as a purely tragic reality, these writers (in states of exile, prison, martyrdom, and war) come to wager with the more elusive, inspiring, and even ecstatic dimensions that rest at the heart of a visceral universe of imagination. Covering complex and controversial thematic discussions, Jason Bahbak Mohaghegh forms an extreme record of voices, movements, and thought-experiments drawn from the inner circles of the Middle Eastern region. By exploring the most abrasive writings of this vast cultural front, the book reveals how such captivating outsider texts could potentially redefine our understanding of violence and its now-unstoppable relationship to a dangerous age.

Violence has been a central political issue in the Middle East during the past two decades, either episodically (Syria, Iran), or continually (Turkey, Egypt, Algeria, Iraq, Afghanistan, and Israel/Palestine). This groundbreaking new study sheds light on the dynamics of this phenomenon by going beyond factors usually cited as the root causes'economy, religion, and culture'and investigating the political structure that actually triggers this violence. Initially, violence seems to be a rational instrument in contested power relations, but it often evolves into fragmented and privatized forms, such as warlords, or to nihilistic, sacrificial, or messianic forms.This book explores the ways in which the criminalization of political, ethnic, and sectarian identities has contributed to the formation of a ?tragic mind? that perceives violence as the surest provider of justice and hope. Only this in-depth research combining the cognitive, social, and religious sciences, as well as different problematiques such as the emergence of new religiosity, can allow us to understand the logic behind those attacks and the self-sacrificing forms of violence.Hamit Bozarslan, Ecole des Hautes Etudes en Sciences Sociales, Paris, is the author of several books, including La question kurde: Etats et Minorities au Moyen-Orient.

Violence has been a central political issue in many Middle Eastern countries during the past two decades, either episodically (Syria, Iran) or continually (Turkey, Egypt, Algeria, Iraq, Afghanistan, and Israel/Palestine). This groundbreaking new study sheds light on the dynamics of this phenomenon by going beyond factors usually cited as the root causes - economy, religion, and culture - and investigating the political structure that actually triggers this violence. Violence seems to be treated by some groups during their initial stages as a rational instrument for changing contested power relations. In their later stages, these movements often weaken and spawn fragmented and privatized forms of violence - warlords are one example - and in some situations the violence metamorphoses into nihilistic, sacrificial, and/or messianic forms.

This book explores violence in the public lives of modern Middle Eastern cities, approaching violence as an individual and collective experience, a historical event, and an urban process. Violence and the city coexist in a complicated dialogue, and critical consideration of the city offers an important way to understand the transformative powers of violence—its ability to redraw the boundaries of urban life, to create and divide communities, and to affect the ruling strategies of local elites, governments, and transnational political players. The essays included in this volume reflect the diversity of Middle Eastern urbanism from the eighteenth to the late twentieth centuries, from the capitals of Cairo, Tunis, and Baghdad to the provincial towns of Jeddah, Nablus, and Basra and the oil settlements of Dhahran and Abadan. In reconstructing the violent pasts of cities, new vistas on modern Middle Eastern history are opened, offering alternative and complementary perspectives to the making and unmaking of empires, nations, and states. Given the crucial importance of urban centers in shaping the Middle East in the modern era, and the ongoing potential of public histories to foster dialogue and reconciliation, this volume is both critical and timely.

Explores the relation between histories of violence and their contemporary commemoration.

The history of the modern riot parallels the development of the modern novel and the modern lyric. Yet there has been no sustained attempt to trace or theorize the various ways writers over time and in different contexts have shaped cultural perceptions of the riot as a distinctive form of political and social expression. Through a focus on questions of voice, massing, and mediation, this collection is the first cross-cultural study of the interrelatedness of a prevalent mode of political and economic protest and the variable styles of writing that riots inspired. This volume will provide historical depth and cultural nuance, as well as examine more recent theoretical attempts to understand the resurgence of rioting in a time of unprecedented global uncertainty. One of the key contentions of this collection is that literature has done more than merely record riotous practices. Rather literature has, in variable ways, used them as raw material to stimulate and accelerate its own formal development and critical responsiveness. For some writers this has manifested in a move away from classical norms of propriety and accord, and toward a more openly contingent, chaotic, and unpredictable scenography and cast of dramatis personae, while others have moved towards narrative realism or, more recently, digital media platforms to manifest the crises that riots unleash. Keenly attuned to these formal variations, the essays in this collection analyse literature's fraught dialogue with the histories of violence that are bound up in the riot as an inherently volatile form of collective action.

An examination of the violence perpetrated against women in politically conflicted or militarized areas.

Presenting an engaging reflection on the work of prominent modern Iranian literary artists in exchange with contemporary Continental literary criticism and philosophy, this book tracks the idea of silence – through the prism of poetics, dreaming, movement, and the body – across the textual imaginations of both Western and Middle Eastern authors. Through this comparative nexus, it explores the overriding relevance of silence in modern thought, relating the single concept of "the radical unspoken" to the multiple registers of critical theory and postcolonial writing. In this book, the theoretical works of Georges Bataille, Maurice Blanchot, Gaston Bachelard, Antonin Artaud, and Gilles Deleuze are placed into a charged global dialogue with the literary-poetic writings of Sadeq Hedayat, Ahmad Shamlu, Nima Yushij, Esmail Kho’i, and Forugh Farrokhzad. It also examines a vast spectrum of thematic dimensions including disaster, exhaustion, eternity, wandering, insurrection, counter-history, abandonment, forgetting, masking, innocence, exile, vulnerability, desire, excess, secrecy, formlessness, ecstasy, delirium, and apocalypse. Providing comparative criticism that traces some of the most compelling intersections and divergences between Western and Middle Eastern thought, this book is of interest to academics of modern Persian literature, postcolonial studies, Continental philosophy, and Middle Eastern studies.