The Wrong Kind Of Woman

“A smart and thoughtful” women’s fiction novel about a widow’s coming into her own during the social changes of the seventies is “engrossing reading” (Publishers Weekly). In late 1970, Oliver Desmarais drops dead in his front yard while hanging Christmas lights. In the year that follows, his widow, Virginia, struggles to find her place on the campus of the elite New Hampshire men’s college where Oliver was a professor. While Virginia had always shared her husband’s prejudices against the four outspoken, never-married women on the faculty—dubbed the Gang of Four by their male counterparts—she now finds herself depending on them, even joining their work to bring the women’s movement to Clarendon College. Soon, though, reports of violent protests across the country reach this sleepy New England town, stirring tensions between the fraternal establishment of Clarendon and those calling for change. As authorities attempt to tamp down “radical elements,” Virginia must decide whether she’s willing to put herself and her family at risk for a cause that had never felt like her own. Told through alternating perspectives, The Wrong Kind of Woman is an absorbing story about finding the strength to forge new paths, beautifully woven against the rapid changes of the early ’70s. “A glorious debut filled with characters grasping to find a place to belong in a world on the edge of change.” —Carol Rifka Brunt, New York Times–bestselling author Tell the Wolves I’m Home “Powerful.” —Amy Meyerson, author of The Bookshop of Yesterdays “The story we need now.” —T. Greenwood, author of Keeping Lucy “Graceful, solid, and beautifully rendered.” —Abby Frucht, author of Maids

You never forget your wedding day. Or the moment your twin sister pukes on your bouquet and confesses she’s pregnant . . . with your fiancé’s baby. I wanted to get away, to hide until my heart mended. I found myself in a strange town with a mysterious stranger whose talented mouth and hands almost made me forget it was supposed to be my wedding night. Afraid to go home to face my broken life, I pretend to be my twin so I can take her job in Jackson Harbor caring for a six-year-old girl. Imagine my surprise when I find out my new boss is my mysterious stranger—Dr. Ethan Jackson. I never meant for Ethan to discover my secrets. I never meant for them to matter. But the longer I work with him and his sweet daughter, the harder I fall, and the clearer it becomes that I’m not the only one carrying a secret that could tear us apart. Get ready to fall for the boys of Jackson Harbor in Lexi Ryan’s sexy new contemporary romance series. These books can all be read as standalones, but you’ll enjoy reading them as a series! The Wrong Kind of Love (Ethan’s story) Straight Up Love (Jake’s story – coming May 2018) Dirty, Reckless Love (Levi’s story – coming August 2018)

Eileen is nine and too smart for the third grade, but when the clownish school psychologist tries to gain her trust with an offer of Oreos, she refuses. After all, she doesn't accept gifts from strangers! This is the start of a love-hate relationship with the rules as they were laid out for a girl in 1960s upstate New York--and as they persist in some form today. As she ascends from her rural public high school, where she wasn't allowed to take the advanced courses in science and math because she was female, through a physics degree at Yale, to a post-graduate summer that leaves her "peed on, shot at, and kidnapped," to a marriage where both careers theoretically are respected but, as the wife, she is expected to do all the housework and child-rearing, pay the taxes, and make sure the Roto-Rooter guy arrives on time, Pollack shares with poignant humor and candid language the trials of being smart and female in a world that is just learning to imagine equality between the sexes. Maybe It's Me is a question all smart women have asked themselves. Pollack's autobiographical essays take us on a roller-coaster ride from gratifyingly humorous street-level stories of innocent curiosity to the calculated meanness of tweeny girls to the defensive strategies of threatened men to the 20,000-foot overview of how we all got here. In the end, Pollack's message is one of human connection and tenacity because even in her sixth decade, still searching for love, acceptance, and equality, she is still very much in the game.

NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.

She's the wrong kind of girl... Jessica Wakefield knows that "Easy Annie" is bad for the Sweet Valley High cheering squad. Annie Whitman may have the looks, talent, and spirit to be a cheerleader, but she also has the worst reputation in school. She goes out with a different boy every night, and Jessica isn't about to sully her squad's image by letting Annie on the team. But Elizabeth, Jessica's twin, knows that there is more to Annie than just her reputation. But can she change her sister's mind before Jessica shatters Annie's dreams? From bestselling author Francine Pascal.

The past is never far behind, as a string of murders threatens to unleash long-buried secrets in this pulse-pounding thriller for fans of Melinda Leigh and T. R. Ragan. The only survivor of Denver’s notorious “Reaper” serial murders, FBI Special Agent Kendall Beck grapples with the ghosts of her past by seeking justice for victims of abuse. She’s neck deep in a particularly ugly case involving the disappearance of five-year-old Emily Williams—but her investigation is derailed when her best friend and roommate, Gwen Tavich, turns up dead floating in a nearby lake. Devastated by the news of Gwen’s death, Kendall teams up with Denver detective Adam Taylor to find the killer. Gwen’s fiancé, Ty Butler, is being evasive about the last time he saw Gwen, and as the evidence mounts against him, he’s arrested for the murder. With every new clue, Kendall questions how well she really knew her friend. And when Gwen’s dark secrets begin spilling out one by one, she begins to understand the devastating magnitude of her murder. The Reaper has returned to Denver—and he’s not stopping at just one victim. As the trauma of Kendall’s past comes roaring back, she and Adam have no time to spare before more bodies start piling up. And then Kendall makes a shocking discovery that reveals the horrifying truth behind Emily Williams’s disappearance. Now, Kendall must confront her darkest fears as she and the Reaper face off one more time.