The Yellow Wall Paper And Other Writings

The first volume to contain both gothic stories 'The Unwatched Door' and 'Clifford's Tower' since their first publication in 1894. Two great pieces of literature lost until now. Both stories were re-discovered by the filmmakers of The Yellow Wallpaper feature film. This Official Motion Picture book includes an excerpt from the screenplay, as well as integrated film images throughout. The Gothic Collection comprises most of Charlotte Perkins Gilmans' gothic work, with a few cross-over selections.

"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

The story details the descent of a young woman into madness. Her supportive, though misunderstanding husband, John, believes it is in her best interests to go on a rest cure after experiencing symptoms of "temporary nervous depression". The family spends the summer at a colonial mansion that has, in the narrator's words, "something queer about it". She and her husband move into an upstairs room that she assumes was once a nursery. Her husband chooses for them to sleep there due to its multitude of windows, which provide the air so needed in her recovery. In addition to the couple, John's sister Jennie is present; she serves as their housekeeper. Like most nurseries at the time the windows are barred, the wallpaper has been torn, and the floor is scratched. The narrator attributes all these to children, as most of the damage is isolated to their reach. Ultimately, though, readers are left unsure as to the source of the room's state, leading them to see the ambiguities in the unreliability of the narrator.The narrator devotes many journal entries to describing the wallpaper in the room - its "yellow" smell, its "breakneck" pattern, the missing patches, and the way it leaves yellow smears on the skin and clothing of anyone who touches it. She describes how the longer one stays in the bedroom, the more the wallpaper appears to mutate, especially in the moonlight. With no stimulus other than the wallpaper, the pattern and designs become increasingly intriguing to the narrator. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. Believing she must try to free the woman in the wallpaper, the woman begins to strip the remaining paper off the wall.After many moments of tension between John and his sister, the story climaxes with the final day in the house. On the last day of summer, she locks herself in her room to strip the remains of the wallpaper. When John arrives home, she refuses to unlock the door. When he returns with the key, he finds her creeping around the room, circling the walls and touching the wallpaper. She excitedly exclaims, "I've got out at last... in spite of you and Jane", causing her husband to faint as she continues to circle the room, creeping over his inert body each time she passes it, believing herself to have become the personification of the woman trapped behind the yellow wallpaper.

In the Longsellers collection, you will find the most read and loved books of all time.Published in 1892, The Yellow Wallpaper, became a classic whenever we talk about feminist literature.The story, told in the format of a diary, tells the story of a woman confined to a room in a country house, under the pretext of treating a condition of "depression and hysteria. Lonely and having her life closely controlled by her husband, she begins to obsess over the wallpaper in her room.Charlotte Perkins Gilman is regarded as pioneer in American feminism. Also known for the utopian feminist novel Herland and its sequel, With Her in Ourland.This book includes 10 short stories by the author, including The Yellow Wallpaper and an essay by the author about her creative process, called "Why I Wrote The Yellow Wallpaper."We hope you'll love this book as much we do, and don't forget to check the rest of the collection for more beloved classics.

Herland is a utopian women's fiction novel written by feminist Charlotte Perkins Gilman in 1915. The genre fiction classic Herland describes an isolated society composed entirely of women, who reproduce via parthenogenesis also known as asexual reproduction. The result is an ideal social order: free of war, conflict, and domination. Herland is a classic in literature & fiction and genre fiction, it is also an important feminist work. In addition to writing women's fiction, Charlotte Perkins Gilman was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer of social reform. In addition to Herland, this anthology volume also includes The Yellow Wallpaper, which is a semi-autobiographical short story also written by Charlotte Perkins Gilman and is considered by many to be her best work.

Charlotte Perkins Gilman’s progressive views on feminism and mental health are powerfully showcased in her two most famous stories. The Yellow Wallpaper skillfully charts one woman's struggle with depression whilst Herland is an entertaining imagining of an all female utopia. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by journalist and author Lucy Mangan. Confined to her attic bedroom and isolated from her newborn baby, the nameless narrator of The Yellow Wallpaper keeps a secret diary in which she records the sprawling and shifting patterns of the room’s lurid yellow wallpaper as she slowly sinks into madness. This chilling story is based on the author’s own experience of depression. In Herland, a trio of men set out to discover an all-female community rumoured to be hidden deep in the jungle. What they find surprises them all; they’re captured by women who, for two thousand years, have lived in a peaceful and prosperous utopia without men.

‘The Yellow Wallpaper’, by Charlotte Perkins Gilman, is a short story first published in January 1892. The psychological thriller by the renowned US women’s rights writer and campaigner is an autobiographical-inspired novella based upon her own experience of severe postnatal depression, leading to post-natal psychosis. At the time, women with PND (known in America as postpartum depression) were seen as hysterical and were often dismissed by doctors who overlooked treatment options through lack of understanding of the condition. In Perkins’ short story, written tellingly from the first-person perspective, the nameless female protagonist is forced to sleep in an attic with yellow wallpaper and is driven mad by her enforced imprisonment following the birth of her first child. The book describes in detail how she sees imagined beings and ghostly sightings in the house. Disturbing in its nature yet utterly realistic to the heroine, the protagonist offers a diary-style narrative detailing her experience as a new mother suffering with severe mental illness: "I don’t know why I should write this. I don’t want to. I don’t feel able. And I know John would think it absurd. But I must say what I feel and think in some way—it is such a relief! But the effort is getting to be greater than the relief." Evoking gothic themes of Charlotte Bronte’s 'Jane Eyre', in both Jane Eyre’s own tortuous and notorious Red Room and Bertha Mason's confinement in her loft prison, the book was made into a film in 2011 – directed by Logan Thomas and starring Aric Cushing and Juliet Landau. Charlotte Perkins Gilman, also known as Charlotte Perkins Stetson, was born on 3rd July 1860 in Connecticut, USA. Her early family life was troubled, with her father abandoning his wife and family; a move which strongly influenced her feminist political leanings and advocator of women’s rights. After jobs as a tutor and painter, Perkins – a self- declared humanist and ‘tom boy’ – began to work as a writer of short stories, novels, non-fiction pieces and poetry. Her best known work is her semi-autobiographical short story, inspired by her post-natal depression, entitled ‘The Yellow Wallpaper’ which was published in 1892 and made into a film in 2011. A member of the American National Women's Hall of Fame, Charlotte Perkins Gilman was a strong believer that "the domestic environment oppressed women through the patriarchal beliefs upheld by society". A believer in euthanasia, she was diagnosed with incurable breast cancer in January 1932 and chose to take her own life in August 1935, writing in her suicide note that she "chose chloroform over cancer".