The Yugoslav Drama

The updated second edition provides an evaluation of events over the last two years and the prospects for a lasting peace following the Dayton Accord.

Discusses four aspects of the situation in the former Yugoslavia: the realities of the Bosnian situation including military factors that could influence events and change in Serbian strategy in Bosnia-Herzegovina; civil-military relations in the Federal Republic of Yugoslavia with an inside view of the interaction of Serb politics and politicians with the Yugoslav army and police force; the strategic role of the eastern Adriatic coast in the 20th century; and a comparison between the conflict situation which preceded and surrounded the Berlin Congress of 1878 and the current situation in Bosnia.

This book assembles texts by renowned academics and theatre artists who were professionally active during the wars in former Yugoslavia. It examines examples of how various forms of theatre and performance reacted to the conflicts in Serbia, Croatia, Bosnia and Herzegovina, Slovenia, and Kosovo while they were ongoing. It explores state-funded National Theatre activities between escapism and denial, the theatre aesthetics of protest and resistance, and symptomatic shifts and transformations in the production of theatre under wartime circumstances, both in theory and in practice. In addition, it looks beyond the period of conflict itself, examining the aftermath of war in contemporary theatre and performance, such as by considering Ivan Vidić’s war trauma plays, the art campaigns of the international feminist organization Women in Black, and Peter Handke’s play Voyage by Dugout. The introduction explores correlations between the contributions and initiates a reflection on the further development of the research field. Overall, the volume provides new perspectives and previously unpublished research in the fields of theory and historiography of theatre, as well as Southeast European Studies.

In Researching Yugoslavia and its Aftermath, a common thread is the authors’ path through the time and space context in which fieldwork has taken place. Accordingly, this collection tackles problems that have always existed but have not been dealt with in a single volume. In particular, it examines a range of methodological questions arising from the contributors’ shared concerns, and thus the obstacles and solutions characterising the relationship between researchers and their objects of study. Being an interdisciplinary project, this book brings together highly regarded historians, sociologists, anthropologists, political scientists, cultural and social theorists, as well as experts in architecture and communication studies. They share a belief that the awareness of the researcher’s own position in fieldwork is a precondition of utmost significance to comprehend the evolution of objects of study, and hence to ensure transparency and ultimate credibility of the findings. Moreover, the contributors come from diverse backgrounds, including authors from the former Yugoslavia and others who have made their way to the region after starting their research careers; some from universities in the area, others from institutions in the Global North. Here, they explore cross-cutting issues such as the repercussions of gender, nationality, institutional affiliation and the consequences of their entry into the field. This is examined in terms of the results of the research and the ethical aspect of the relationship with the object of study, as well as the implications of the chosen time framework in the methodological design and the clash between this decision and the interests of the actors studied.

Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability

By looking through the prism of the West's involvement in the breakup of Yugoslavia, this book presents a new examination of the end of the Cold War in Europe. Incorporating declassified documents from the CIA, the administration of George H.W. Bush, and the British Foreign Office; evidence generated by The Hague Tribunal; and more than forty personal interviews with former diplomats and policy makers, Glaurdić exposes how the realist policies of the Western powers failed to prop up Yugoslavia's continuing existence as intended, and instead encouraged the Yugoslav Army and the Serbian regime of Slobodan Milosević to pursue violent means.The book also sheds light on the dramatic clash of opinions within the Western alliance regarding how to respond to the crisis. Glaurdić traces the origins of this clash in the Western powers' different preferences regarding the roles of Germany, Eastern Europe, and foreign and security policy in the future of European integration. With subtlety and acute insight, "The Hour of Europe" provides a fresh understanding of events that continue to influence the shape of the post-Cold War Balkans and the whole of Europe.

The Social Construction of Man, the State, and War is the fist book on conflict in the former Yugoslavia to look seriously at the issue of ethnic identity, rather than treating it as a given, an unquestionable variable. Combining detailed analysis with a close reading of historical narratives, documentary evidence, and first-hand interviews conducted in the former Yugoslavia, Wilmer sheds new light on how ethnic identity is constructed, and what that means for the future of peace and sovereignty throughout the world.