Theater And Politics In Plutarch S Parallel Lives

An orator turns to an actor for advice, citizens expect assemblies to unfold like dramas, and a theater-goer cries at a play thinking of his fallen enemy: no Life escapes the mention of theatrical imagery in Plutarch’s paralleled biographies. And yet this is the first book not only to examine Plutarch’s consistent and coherent use of this imagery but also to argue that it is systematically employed to describe, explore, and evaluate politics in action. The theater becomes Plutarch’s invitation for us to question and uncover key moments of Athenian, Spartan, and Roman history as it unfolds.

The first major work to uncover Plutarch's deliberate and sophisticated use of theatrical imagery in the Parallel Lives as a means to explore the mechanisms and ethics of politics and civic life across Greco-Roman history.

The final volume of D'Artagnan Romances: it is usually split into four parts, The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and the final portion is entitled The Man in the Iron Mask.

This edition will be of interest to all Greek scholars, ancient historians, and also the students of English literature since the relevant discussions require no knowledge of Greek.

Plutarch's Lives, written at the beginning of the second century A.D., is a brilliant social history of the ancient world by one of the greatest biographers and moralists of all time. In what is by far his most famous and influential work, Plutarch reveals the character and personality of his subjects and how they led ultimately to tragedy or victory. Richly anecdotal and full of detail, Volume I contains profiles and comparisons of Romulus and Theseus, Numa and Lycurgus, Fabius and Pericles, and many more powerful figures of ancient Greece and Rome. The present translation, originally published in 1683 in conjunction with a life of Plutarch by John Dryden, was revised in 1864 by the poet and scholar Arthur Hugh Clough, whose notes and preface are also included in this edition. "From the Trade Paperback edition.

Plutarch's Lives, written at the beginning of the second century A.D., is a brilliant social history of the ancient world by one of the greatest biographers and moralists of all time. In what is by far his most famous and influential work, Plutarch reveals the character and personality of his subjects and how they led ultimately to tragedy or victory. Richly anecdotal and full of detail, Volume I contains profiles and comparisons of Romulus and Theseus, Numa and Lycurgus, Fabius and Pericles, and many more powerful figures of ancient Greece and Rome. The present translation, originally published in 1683 in conjunction with a life of Plutarch by John Dryden, was revised in 1864 by the poet and scholar Arthur Hugh Clough, whose notes and preface are also included in this edition.

When the Greek historian PLUTARCH (c. 46 A.D. 120 A.D.) set out to tell the tales of the famous figures from Greek and Roman history, he was more concerned with illuminating their characters than enumerating their deeds, more interested in exploring their moral failings and triumphs than in listing their conquests. The result: Plutarch s Lives. Though Plutarch is known to have taken some liberties with his Lives his comparisons of certain Greek and Roman figures are often more fanciful than strictly accurate his words are, in many instances, the only sources of information that have survived for some personages. And in the aggregate, his radical approach to biography exerted a profound influence on the literature to come, particularly throughout the Renaissance and Enlightenment. Shakespeare lifted some passages verbatim from the Lives, and other writers inspired by Plutarch range from James Boswell to Alexander Hamilton to Cotton Mather. Ralph Waldo Emerson called the Lives a bible for heroes. Across the five volumes, Plutarch explores the stories of such notables as: Romulus Pericles Coriolanus Pyrrhus Lysander Pompey Alexander Caesar Cicero Antony and others. Cosimo is proud to present these handsome new editions, based on the classic 17th-century translations by English poet and playwright JOHN DRYDEN (1631 1700), and revised and edited in the 19th century by Oxford scholar ARTHUR HUGH CLOUGH (1819 1861).