Theatre Of Sound
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Theatre Sound
Author | : John A. Leonard |
Publsiher | : Psychology Press |
Total Pages | : 212 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 087830116X |
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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Sound and Music for the Theatre
Author | : Deena Kaye,James LeBrecht |
Publsiher | : Taylor & Francis |
Total Pages | : 420 |
Release | : 2015-09-25 |
Genre | : Performing Arts |
ISBN | : 9781317690573 |
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Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with ‘war stores’ describing real-life problems with solutions that you can apply in your own work, whether you’re a sound designer, composer, or sound operator.
The Sound of Theatre
Author | : David Collison |
Publsiher | : Unknown |
Total Pages | : 280 |
Release | : 2008 |
Genre | : Theaters |
ISBN | : 0955703514 |
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Dramaturgy of Sound in the Avant garde and Postdramatic Theatre
Author | : Mladen Ovadija |
Publsiher | : McGill-Queen's Press - MQUP |
Total Pages | : 261 |
Release | : 2013 |
Genre | : Avant-garde (Aesthetics) |
ISBN | : 9780773545885 |
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New insight into the theatrical use of sound in avant-garde and postdramatic performance.
Theatre Noise
Author | : Lynne Kendrick,David Roesner |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 265 |
Release | : 2012-01-24 |
Genre | : Performing Arts |
ISBN | : 9781443837200 |
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This book is a timely contribution to the emerging field of the aurality of theatre and looks in particular at the interrogation and problematisation of theatre sound(s). Both approaches are represented in the idea of ‘noise’ which we understand both as a concrete sonic entity and a metaphor or theoretical (sometimes even ideological) thrust. Theatre provides a unique habitat for noise. It is a place where friction can be thematised, explored playfully, even indulged in: friction between signal and receiver, between sound and meaning, between eye and ear, between silence and utterance, between hearing and listening. In an aesthetic world dominated by aesthetic redundancy and ‘aerodynamic’ signs, theatre noise recalls the aesthetic and political power of the grain of performance. ‘Theatre noise’ is a new term which captures a contemporary, agitatory acoustic aesthetic. It expresses the innate theatricality of sound design and performance, articulates the reach of auditory spaces, the art of vocality, the complexity of acts of audience, the political in produced noises. Indeed, one of the key contentions of this book is that noise, in most cases, is to be understood as a plural, as a composite of different noises, as layers or waves of noises. Facing a plethora of possible noises in performance and theatre we sought to collocate a wide range of notions of and approaches to ‘noise’ in this book – by no means an exhaustive list of possible readings and understandings, but a starting point from which scholarship, like sound, could travel in many directions.
Sound Design for the Stage
Author | : Gareth Fry |
Publsiher | : The Crowood Press |
Total Pages | : 521 |
Release | : 2019-04-08 |
Genre | : Performing Arts |
ISBN | : 9781785005541 |
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Sound Design for the Stage is a practical guide to designing, creating and developing the sound for a live performance. Based on the author's extensive industry experience, it takes the reader through the process of creating a show, from first contact to press night, with numerous examples from high-profile productions. Written in a detailed but accessible approach, this comprehensive book offers key insights into a fast-moving industry. Topics covered include: how to analyze a script to develop ideas and concepts; how to discuss your work with a director; telling the emotional story; working with recorded and live music; how to record, create, process and abstract sound; designing for devised work; key aspects of acoustics and vocal intelligibility; the politics of radio mics and vocal foldback; how to design a sound system and, finally, what to do when things go wrong. It will be especially useful for emergent sound designers, directors and technical theatre students. Focusing on the creative and collaborative process between sound designer, director, performer and writer, it is fully illustrated with 114 colour photographs and 33 line artworks. Gareth Fry is an Olivier and Tony award-winning sound designer and an honorary fellow of the Royal Central School of Speech and Drama. It is another title in the new Crowood Theatre Companions series.
Theatre of Sound
Author | : Dermot Rattigan |
Publsiher | : Unknown |
Total Pages | : 414 |
Release | : 2002 |
Genre | : Art |
ISBN | : UOM:39015056426789 |
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A study of radio drama
The Sound Inside
Author | : Adam Rapp |
Publsiher | : Theatre Communications Group |
Total Pages | : 68 |
Release | : 2020-03-10 |
Genre | : Drama |
ISBN | : 9781559369350 |
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“The closest thing that the American theater currently has to a David Foster Wallace, Rapp can give you the head rush of sophisticated literary allusion and unreliable narrative trickery à la Dostoevsky, and yet talk of Plano, Illinois, and let you know that he knows exactly how it feels…A gripping stunner of a play.” —Chris Jones, Chicago Tribune When Bella Baird, an isolated creative writing professor at Yale, begins to mentor a brilliant but enigmatic student, Christopher, the two form an unexpectedly intense bond. As their lives and the stories they tell about themselves become intertwined in unpredictable ways, Bella makes a surprising request of Christopher. Brimming with suspense, Rapp’s riveting play explores the limits of what one person can ask of another.