Then Arthur Fought Colour

The historical Arthur, if he existed, was a battle-leader of the dark-age (5th-6th century) Britons against the invading Anglo-Saxons. It was Geoffrey of Monmouth in the 12th century who created the familiar figure of King Arthur - King of all Britain and much beyond. Although presented, and long accepted, as history, Geoffrey's work is rightly described as a pseudohistory (false history). In Then Arthur Fought, Howard Wiseman has created something new: a quasi-history (as-if-it-were history) of Arthur - a plausible chronicle of dark-age Britain and Europe compatible with known history. Drawing upon hundreds of ancient and medieval texts, and his own inventions, Dr Wiseman has forged a unique conception of Arthur and his times. Carefully annotated, with 20 maps, Then Arthur Fought will appeal to anyone interested in the scope of possible dark-age histories, in the potential roots of medieval Arthurian pseudohistories, or in new frameworks for Arthurian fiction.

Relive the magic of the old times when fairies used to walk on earth, land, water and air. Immerse yourself in the aura of unforgettable tales of adventure, intrigue and supernatural. Share the joy of reading these stories with your loved ones. Good Press presentsto you this meticulously edited collection of Andrew Lang's Complete Fairy Tales whichis formatted to the highest digital standards and adjusted for readability on all devices for your magical reading experience. The Blue Fairy Book The Red Fairy Book The Green Fairy Book The Yellow Fairy Book The Pink Fairy Book The Grey Fairy Book The Violet Fairy Book The Crimson Fairy Book The Brown Fairy Book The Orange Fairy Book The Olive Fairy Book The Lilac Fairy Book

This vintage book contains Sir Thomas Malory's 1485 reworking of the King Arthur legend, "Le Morte Darthur". It is the most famous work of Arthurian literature in the English language and constitutes a must-read for those with an interest in the legendary tale. Contents include: "From the Marriage of King Uther unto King Arthur that Reigned After Him and Did Many Battles", "The Noble Tale Between King Arthur and Lucius the Emperor of Rome", "The Noble Tale of Sir Launcelot Du Lac", "The Tale of Sir Gareth of Orkney", et cetera. Sir Thomas Malory (c. 1415-18 - 1471) was an English writer. Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.

Restores Gawain of Camelot to his true role as the foremost representative and servant of the Goddess. • The full story of Gawain of Camelot that restores a lost piece of the great Arthurian tapestry. • Traces the historical trends that demoted Gawain from the foremost knight of the Round Table to a villain and womanizer. • The result of more than 20 years of research by one of the world's leading scholars of Arthurian mythology. Sir Gawain, the nephew of King Arthur, was once the most important knight at Arthur's court, a shining example of all that was best in chivalry. He even outranked the famous Lancelot. Yet as the popularity of the Arthurian romances grew, the character of Gawain became increasingly diminished in popular literature. John Matthews explores the phenomenon that influenced the recasting of Gawain from hero to womanizing villain, providing a scholarly context through which Gawain's role as the representative of the Goddess upon Earth--the real Green Knight of Camelot and Sovereignty's Champion--may be restored. In addition, the author presents a unique view of the mythology of Britain and its connections with the historical changes that took place over many hundreds of years in the religious and mystical traditions of the country.

Andrew Lang's 'The Fairy Books of All Colours - Complete Series' is a collection of fairy tales from various cultures, each compiled into a distinct colored book set. Known for his wide-ranging intellectual interests and folkloric expertise, Lang presents these timeless stories in a beautifully written and engaging manner, making them accessible to readers of all ages. The books are not only entertaining but also serve as a valuable resource for studying the similarities and differences in folklore across different traditions. Lang's literary style is both elegant and informative, bringing life to these magical tales in a way that captivates the imagination of readers. With its extensive coverage of folklore and fairy tales, this collection stands as a seminal work in the field of comparative mythology and children's literature. Andrew Lang, a Scottish writer and folklorist, was deeply passionate about preserving and sharing traditional folk tales. His dedication to compiling and retelling these stories stems from his belief in the importance of passing down cultural heritage through oral and written traditions. Lang's scholarly background and love for storytelling are evident in 'The Fairy Books of All Colours', showcasing his commitment to preserving the richness of world folklore for generations to come. I highly recommend 'The Fairy Books of All Colours - Complete Series' to readers interested in exploring the enchanting world of fairy tales from different cultures. Andrew Lang's comprehensive collection offers a captivating journey into the realm of folklore, making it a must-read for those fascinated by myths, legends, and the universal themes found in fairy tales.

King Arthur and the Battle for Britannia is the last in a series of three books. The first, King Arthur: Man or Myth, weighed the evidence for and against a historical figure. The second, The Battles of King Arthur, looked in detail at the famous battle list from the Historia Brittonum. Having looked at the questions of whether and where, this final book takes on the different question of who was Arthur? The book is intended to save readers time and money wading through the scores of competing theories. It explains the problems with many of these theories to date, their failure to gain widespread support and why many historians remain sceptical about the existence of a historical Arthur. There is however a reasonable consistency in medieval genealogies and a good reason why Arthur does not appear in any of the list of kings of early kingdoms. Instead he is placed in the context of a fragmenting post-Roman provincial structure, alongside the emergence of petty kingdoms with new cultural identities. A heroic Brythonic culture in the west and north and a Germanic culture in the east and south. The book looks at the evolution of the legend comparing the chivalric French Romances with the Arthur of the darker Welsh tradition. A mythical figure may have emerged from the mead halls and war band culture of the sixth century. However the book describes how a historical figure may have been mythologised and who such a warrior may have been.