Theogony

The Theogony of Hesiod Hesiod - The Theogony is essentially a large-scale synthesis of a vast variety of local Greek traditions concerning the gods and the universe, organized as a narrative that tells about the creation of the world out of Chaos and about the gods that shaped the cosmos. To some extent, it represents the Greek mythology equivalent of the book of Genesis in the Hebrew and Christian "Bible", as it lists the early generations and genealogy of the gods, titans and heroes since the beginning of the universe.Interestingly, Hesiod claims in the work that he (a poet, and not some mighty king) had been given the authority and responsibility of disseminating these stories by the Muses directly, thus putting himself almost in the position of a prophet.In formal terms, the poem is presented as a hymn in 1,022 lines invoking Zeus and the Muses, in the tradition of the hymnic preludes with which an ancient Greek rhapsode would begin his performance at poetic competitions. The final written form of the Theogony was probably not established until the 6th Century BCE, however, and some editors have concluded that a few minor episodes, such as the Typhoeus episode in verses 820-880, is an interpolation (a passage introduced later).It should perhaps be seen not a definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition of myths as it stood at that particular time. Greek mythology continued to change and adapt after this time, and some of the stories and attributes of the various gods have likewise transformed over time.

Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception. In Theogony Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

This book is a sustained focus of on those original human acts that gave us the gods, the human psyche, and the stories about them. Dr. Colavito divides myth into four distinct but inseparable "acts": first is the original power to create; second, the stories about the manifestation; third, the imitation and duplication of the manifested images; and four are the theories regarding the first three. Development of these four "acts" provides the foundation for studying and interpreting myth cross-culturally.

This volume analyzes the narrative structure of the "Theogony" to support the argument that this poem is a didactic poem explaining the position of man in the divine universe. It discusses how Hesiod employs narratological devices to achieve his purposes.

For this eagerly anticipated revised edition, Athanassakis has provided an expanded introduction on Hesiod and his work, subtly amended his faithful translations, significantly augmented the notes and index, and updated the bibliography. --Johns Hopkins University Press.

Lieutenant Commander Shawn 'Calvin' Hobbs and the crew of the Vella Gulf went back in time to find the technology they needed to beat their Enemy in the present, but it doesn't exist. They only have one option.Fight the Enemy in the past and destroy them there.Unfortunately, the Enemy has overwhelming numbers, and-while the Enemy doesn't have the technology the Terrans have-quantity has a quality all its own. And then there is the Enemy's 25-mile-wide command ship. If the Enemy should finish it, they will have an overwhelming force with which to sweep the Terrans from the galaxy.The Terrans must build-must establish the Warrior Cartel Admiral Sheppard has been placed in charge of-if they are to defend the people of the past and destroy the Enemy for all times. The Emperor hasn't funded the Cartel, though, and Sheppard will have to figure out how to do it on his own.Although the Terrans are initially able to hold back the Enemy forces, when the Enemy steals a jumping missile, all bets are off. The ability to run to the Jinn Universe is the only advantage the Terrans have. If the Enemy unlocks the secrets of the Jinn Universe, there will be nowhere else for the Terrans to hide, and no way that they can win the Progenitors' War.

Hesiod, who lived in Boetia in the late eighth century BC, is one of the oldest known, and possibly the oldest of Greek poets. His Theogony contains a systematic genealogy of the gods from the beginning of the world and an account of the struggles of the Titans. In contrast, Works and Days is a compendium of moral and practical advice on husbandry, and throws unique and fascinating light on archaic Greek society. As well as offering the earliest known sources for the myths of Pandora, Prometheus and the Golden Age, Hesiod's poetry provides a valuable account of the ethics and superstitions of the society in which he lived. Unlike Homer, Hesiod writes about himself and his family, and he stands out as the first personality in European literature. This new translation, by a leading expert on the Hesiodic poems combines accuracy with readability. It is accompanied by an introduction and explanatory notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Outstanding translations of five plays, now updated with informative new content for students, teachers, and lovers of the classics. Greek Tragedies, Volume I contains: Aeschylus’s “Agamemnon,” translated by Richmond Lattimore Aeschylus’s “Prometheus Bound,” translated by David Grene Sophocles’s “Oedipus the King,” translated by David Grene Sophocles’s “Antigone,” translated by Elizabeth Wyckoff Euripides’s “Hippolytus,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy they the for which our English versions are famous. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. Each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a collection destined to introduce new generations of readers to these foundational works of Western drama, art, and life.