Theopoetics And Religious Difference

"Why are interreligious encounters and relations both more troubling and more promising than typically assumed, and how can this be embraced? In engaging the contemporary theological discourse of "theopoetics," Marius van Hoogstraten offers a way of approaching religious difference that, while perhaps unusual to readers familiar with more conventional theology, may be especially fitting for this age."--Provided by publisher

"This book compares two mystical works central to the Christian Discalced Carmelite and the Hindu Bhakti traditions: the sixteenth-century Spanish Cántico espiritual (Spiritual Canticle), by John of the Cross, and the Sanskrit Rāsa Līlā, originated in the oral tradition. These texts are examined alongside theological commentaries: for the Cántico, the Comentarios written by John of the Cross on his own poem; for Rāsa Līlā, the foundational commentary by Srīdhara Swāmi along with commentaries by the sixteenth-century theologian Jīva Goswāmī, from the Gauḍīya Vaiṣṇava school, and other Gauḍīya theologians. The phrase "savoring God" in the title conveys the Spanish gustar a Dios (to savor God) and the Sanskrit madhura bhakti rasa (the sweet savor of divine love). While "savoring" does not mean exactly the same thing for these theologians, they use the term to define a theopoetics at work in their respective traditions. The book's methodology transposes their notions of "savoring" to advance a comparative theopoetics grounded in the interaction of poetry and theology. The first chapter explains in detail how theopoetics is regarded considering each text and how they are compared. The comparison is then laid out across Chapters 2, 3, and 4, each of which examines one of the three central moments of the theopoetic experience of savoring that is represented in the Cántico and Rāsa Līlā: the absence and presence of God, the relationship between embodiment and savoring, and the fulfilment of the encounter between the divine and the lovers"--

Many today have difficulty in relating to religious language. This can happen when we reduce religious meaning to a specific kind of spiritual experience or give undue importance to one aspect of human life. The reduction of life to human will or intellect is often accompanied by the turn to mystical practices and cults. Amos Wilder calls for a renewal of our deep religious imagination as we reflect on biblical faith and on the basic needs and longings of contemporary persons. This requires a new appreciation for mystery and for deep speaking to deep. Wilder assumes that the depths of biblical truth have scarcely begun to be plumbed and have untapped power to renew life even in our technological Western societies. This requires that we go beyond the objective, surface meaning to the deeper orientation: Before the message, the vision; before the sermon, the hymn; before the prose, the poem. --Amos Wilder Chapter titles: 1.Theology and Theopoetic 2.The Recovery of the Sacred 3.Contemporary Mythologies and Theological Renewal 4.Traditional Pieties and the Religious Imagination 5.Ecstasy, Imagination, and Insight 6.Theopoetic and Mythopoetic Sparks of wit and insight make Theopoetic a notable monument to the ongoing vitality of Wilder's lifelong determination to remain faithful both to the biblical witness and the imperatives of the imagination. -- Journal of the American Academy of Religion This is a wise and unpretentious book. . .it offers no fancy programs or catchy formulas. Its prescription for our spiritual illness, far from being some esoteric pilgrimage, is the long and unspectacular remedy of developing spiritual health. -- The Christian Century For most of his career, Amos Niven Wilder taught at Harvard Divinity School. A former president of the Society of Biblical Literature, his books remain influential in bringing together the disciplines of biblical studies, theology, literature, and mythical imagination.

Underground rap is largely a subversive, grassroots, and revolutionary movement in underground hip-hop, tending to privilege creative freedom as well as progressive and liberating thoughts and actions. This book contends that many practitioners of underground rap have absorbed religious traditions and ideas, and implement, critique, or abandon them in their writings. This in turn creates processural mutations of God that coincide with and speak to the particular context from which they originate. Utilising the work of scholars like Monica Miller and Alfred North Whitehead, Gill uses a secular religious methodology to put forward an aesthetic philosophy of religion for the rap portion of underground hip-hop. Drawing from Whiteheadian process thought, a theopoetic argument is made. Namely, that it is not simply the case that is God the "poet of the world", but rather rap can, in fact, be the poet (creator) of its own form of quasi-religion. This is a unique look at the religious workings and implications of underground rap and hip hop. As such, it will be of keen interest to scholars of Religious Studies, Hip-Hop Studies and Process Philosophy and Theology.

In complex philosophical ways, theology is, should, and can be a "theopoetics" of multiplicity. The ambivalent term theopoetics is associated with poetry and aesthetic theory; theology and literature; and repressed literary qualities, myths, and metaphorical theologies. On a more profound basis, it questions the establishment of the difference between philosophy and theology and resides in the dangerous realm of relativism. The chapters in this book explore how the term theopoetics contributes to cutting-edge work in theology, philosophy, literature, and sociology.

Literature and Ecotheology: From Chaos to Cosmos challenges us in a time of climate crisis to find more common ground between the dual projects of ecocriticism and ecotheology. This book argues that in our postsecular age, literature has become an important repository of theological wisdom that can, like formal work in ecotheology, provide the moral grounds for environmental care. However, for any cosmological understanding to be adequate to the challenges before us, it must be responsive to the often-painful contingencies and uncertainties that inhere in the cosmos, something that both ecocriticism and ecotheology have often neglected. After a treatment of the ecocritical and ecotheological questions that pertain to the religious/secular divide, the study then turns to four contemporary American writers—Annie Dillard, Cormac McCarthy, Marilynne Robinson, and David James Duncan—as examples. Each uses the contingency of literary form and its promise of wholeness in order to imagine reasons for hope in light of the unpredictability and untold human and more-than-human suffering that lie at the heart of nature. The book will be of interest to students, scholars and researchers interested in ecotheology, religious studies, environmental literature, the environmental humanities, and environmental studies more broadly. It offers a needed paradigm shift in how Western societies have tended to misuse both secularity and religion.

His Hiding Place is Darkness explores the uncertainties of faith and love in a pluralistic age. In keeping with his conviction that studying multiple religious traditions intensifies rather than attenuates religious devotion, Francis Clooney's latest work of comparative theology seeks a way beyond today's religious and interreligious uncertainty by pairing a fresh reading of the absence of the beloved in the Biblical Song of Songs with a pioneering study of the same theme in the Holy Word of Mouth (9th century CE), a classic of Hindu mystical poetry rarely studied in the West. Remarkably, the pairing of these texts is grounded not in a general theory of religion, but in an engagement with two unexpected sources: the theopoetics, theodramatics, and theology of the 20th-century Catholic theologian Hans Urs von Balthasar, and the intensely perceived and written poetry of Pulitzer Prize winner Jorie Graham. How we read and write on religious matters is transformed by this rare combination of voices in what is surely a unique and important contribution to comparative studies and religious hermeneutics.