There S A Witch In The Word Machine

This new book, The Witch in the Word Machine, is a collection that underpins Jenni Fagan's entire approach to words. Her spell poems are portraits of people, lovers and cities: Paris, New York, Edinburgh, Detroit, LA, and San Francisco. The excerpts of her Truth poem are a political response to great uncertainty in the world right now. This collection is an exploration of words as spells, incantations, curse and solace.

This new book, The Witch in the Word Machine, is a collection that underpins Jenni Fagan's entire approach to words. Her spell poems are portraits of people, lovers and cities: Paris, New York, Edinburgh, Detroit, LA, and San Francisco. The excerpts of her Truth poem are a political response to great uncertainty in the world right now.This collection is an exploration of words as spells, incantations, curse and solace.

What do we mean by 'Scottish literature'? Why does it matter? How do we engage with it? Bringing infectious enthusiasm and a lifetime's experience to bear on this multi-faceted literary nation, Alan Riach, Professor of Scottish Literature at the University of Glasgow, sets out to guide you through the varied and ever-evolving landscape of Scottish literature. A comprehensive and extensive work designed not only for scholars but also for the generally curious, Scottish Literature: an introduction tells the tale of Scotland's many voices across the ages, from Celtic pre-history to modern mass media. Forsaking critical jargon, Riach journeys chronologically through individual works and writers, both the famed and the forgotten, alongside broad overviews of cultural contexts which connect texts to their own times. Expanding the restrictive canon of days gone by, Riach also sets down a new core body of 'Scottish Literature': key writers and works in English, Scots, and Gaelic. Ranging across time and genre, Scottish Literature: an introduction invites you to hear Scotland through her own words.

Taking a break from her job at Enchantments, Stony Mill's finest mystical antique shop, Maggie O'Neill visits a carnival where she senses some bad spirits. And when a construction worker is suspected of killing a young woman, it's up to Maggie and the N.I.G.H.T.S. ghosthunting team to uncover the dark spiritual energy leaking into their town before it spoils everyone's fun.

Machine Translation and the Information Soup! Over the past fty years, machine translation has grown from a tantalizing dream to a respectable and stable scienti c-linguistic enterprise, with users, c- mercial systems, university research, and government participation. But until very recently, MT has been performed as a relatively distinct operation, so- what isolated from other text processing. Today, this situation is changing rapidly. The explosive growth of the Web has brought multilingual text into the reach of nearly everyone with a computer. We live in a soup of information, an increasingly multilingual bouillabaisse. And to partake of this soup, we can use MT systems together with more and more tools and language processing technologies|information retrieval engines, - tomated text summarizers, and multimodal and multilingual displays. Though some of them may still be rather experimental, and though they may not quite t together well yet, it is clear that the future will o er text manipulation systems that contain all these functions, seamlessly interconnected in various ways.

Introduction by Adrian Shaughnessy. Text by Simon Worthington, Damian Jaques, Pauline van Mourik Broekman.

Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima’s film Sankofa, images of women in the Black Panther Party, Pam Grier’s roles in the blaxploitation films of the early 1970s, F. Gary Gray’s film Set It Off, and Kasi Lemmons’s Eve’s Bayou.

From bestselling and award-winning author Kathryn Lasky comes an explosive adventure following the teen girl fighter pilots who took on Hitler's army . . . and won. 16-year-old Valya knows what it feels like to fly. She's a pilot who's always felt more at home soaring through the sky than down on earth. But since the Germans surrounded Stalingrad, Valya's been forced to stay on the ground and watch her city crumble.When her mother is killed during the siege, Valya is left with one burning desire: to join up with her older sister, a member of the famous and feared Night Witches-a brigade of young female pilots. Using all her wits, Valya manages to get past the German blockade and find the Night Witches' base . . . and that's when the REAL danger starts. The women have been assigned a critical mission. If they succeed, they'll inflict serious damage on the Nazis. If they fail, they'll face death . . . or even worse horrors.Historical fiction master Lasky sheds light on the war's unsung heroes-daredevil girls who took to the skies to fight for their country-in an action-packed thrill ride that'll leave you electrified and breathless.