Thessaly

The volume investigates the Thessalian particularities of the evidence and the role of religion in giving the inhabitants of this land a sense of their identity and place in the wider Greek world, as well as the role of Thessaly in the ancients' and moderns' understanding of Greekness.

Thessaly was a region of great importance in the ancient Greek world, possessing both agricultural abundance and a strategic position between north and south. It presents historians with the challenge of seeing beyond traditional stereotypes (wealth and witches, horses and hospitality) that have coloured perceptions of its people from antiquity to the present day. It also presents a complex and illuminating interaction between polis and ethnos identity. In daily life, most Thessalians primarily operated within, and identified with, their specific polis; at the same time, the regional dimension – being Thessalian – was rarely out of sight for long. It manifested itself in stories told, in deities worshipped, in modes of political co-operation, in language, rituals, sites and objects. Chapter by chapter, this book follows the emergence, development and adaptation of Thessalian regional identity from the Archaic period to the early second century BC. In so doing, rather than rejecting ancient stereotypes as a mere inconvenience for the historian, it considers the constant dialogue between Thessalian self-presentation and depictions of the Thessalian character by other Greeks. It also confronts some of the prejudices and assumptions still influencing modern approaches to studying the region. All in all, the reader is invited to see Thessaly not as a region of marginal significance in Greek history, but as occupying a central role in many aspects of ancient cultural and political discourse.

This book explores the territorial expansion of the Thessalian League ca. 196-27 BCE, the development of the state religion of the League, and the tension between regional political identity and local cult tradition.

Finalist for 2017 Mythopoeic Fantasy Award for Adult Literature For the first time, Jo Walton’s critically acclaimed, genre-defying trilogy Thessaly—The Just City, The Philosopher Kings, and Necessity—is available in softcover, in a single-volume trade paperback omnibus The goddess Athena thought she was creating a utopia. Populate the island of Thera with extraordinary men, women, and children from throughout history, and watch as the mortals forge a harmonious society based on the tenets of Plato’s Republic. Meanwhile, following his famous spurning by a nymph, Athena's ever-curious brother Apollo has decided to live a mortal human life on the island, in an effort to gain a better understanding of humanity. But as both Athena and Apollo soon discover, even the Just City is susceptible to the iron law that nothing ever happens as planned. And there are sins in Paradise, mortal and divine, far graver than the everyday ones. In an epic encompassing sandy Mediterranean shores and the farthest reaches of the galaxy, Victorian England and Renaissance Italy, gods and humans argue, fight, love, and most of all, learn from one another, in critically-acclaimed author Jo Walton's unique exploration of the human condition,Thessaly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This book treads new paths through the labyrinths of our human thought. It meanders through the darkness to encounter the monsters at the heart of the maze: Minotaurs, Centaurs, Automata, Makers, Humans. One part of our human thought emerges from classical Ionia and Greek civilisation more generally. We obsessively return to that thought, tread again its pathways, re-enact its stories, repeat its motifs and gestures. We return time and time again to construct and re-construct the beings which were part of its cosmology and mythology - stories enacted from a classical world which is itself at once imaginary and material. The "Never Never Lands" of the ancient world contain fabulous beasts and humans and landscapes of desire and violence. We encounter the rioting Centaurs there and never again cease to conjure them up time and time again through our history. The Centaur mythologies display a fascination with animals and what binds and divides human beings from them. The Centaur hints ultimately at the idea of the genesis of civilisation itself. The Labyrinth, constructed by Daedalus, is itself a prison and a way of thinking about making, designing, and human aspiration. Designed by humans it offers mysteries that would be repeated time and time again - a motif which is replicated through human history. Daedalus himself is an archetype for creation and mastery, the designer of artefacts and machines which would be the beginning of forays into the total domination of nature. Centaurs, Labyrinths, Automata offer clues to the origins and ultimately the futures of humanity and what might come after it. Martyn Hudson is the coordinator of the Co-Curate North East digital archives and machines project at Newcastle University in the School of Arts and Cultures, as well as a Lecturer in Art and Design History. He has published widely in landscape, history, music, and archives. His book The Slave Ship, Memory and the Origin of Modernity was published by Routledge in 2016, and he has two other books forthcoming from Routledge: Ghosts, Landscapes and Social Memory and Species and Machines: The Human Subjugation of Nature.

In Taxing Freedom Rachel Zelnick-Abramovitz examines manumission inscriptions from Hellenistic and Roman Thessaly, which record payments made to the poleis by manumitted slaves. In this original study the author explores the purpose of and the motivation behind these payments, apparently exacted as a federal impost, and places them in a wider historical and economic context. Based on a close examination of the epigraphic and literary evidence, Taxing Freedom offers important insights into the nature and extent of slavery and manumission in Hellenistic and Roman Thessaly, the Thessalian fiscal machinery, and the ways by which Thessalian poleis intervened in the economic life of their citizens to secure revenues.

"Here in the Just City you will become your best selves. You will learn and grow and strive to be excellent." Created as an experiment by the time-traveling goddess Pallas Athene, the Just City is a planned community, populated by over ten thousand children and a few hundred adult teachers from all eras of history, along with some handy robots from the far human future—all set down together on a Mediterranean island in the distant past. The student Simmea, born an Egyptian farmer's daughter sometime between 500 and 1000 A.D, is a brilliant child, eager for knowledge, ready to strive to be her best self. The teacher Maia was once Ethel, a young Victorian lady of much learning and few prospects, who prayed to Pallas Athene in an unguarded moment during a trip to Rome—and, in an instant, found herself in the Just City with grey-eyed Athene standing unmistakably before her. Meanwhile, Apollo—stunned by the realization that there are things mortals understand better than he does—has arranged to live a human life, and has come to the City as one of the children. He knows his true identity, and conceals it from his peers. For this lifetime, he is prone to all the troubles of being human. Then, a few years in, Sokrates arrives—the same Sokrates recorded by Plato himself—to ask all the troublesome questions you would expect. What happens next is a tale only the brilliant Jo Walton could tell. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.