They Called Me Mama

For over fifty years Margaret Laird has served her Lord in the heart of Africa. She entered French Equatorial Africa in 1922 and recounts in the book some of her many experiences in the school of faith. The stories are unforgettable and, in fact, you will find yourself repeating them to others. While this book is not a biography in the usual sense, it does permit us to look at missionary life through the windows of her experience. You will realize that miracles do happen in this generation and that we have a God who hears and answers prayer. - Foreword.

You’ve Got This, Mama: A Mother’s Guide To Embracing The Chaos And Living An Empowered Life is a beautiful collection of heartwarming and inspiring stories told by the real mamas who experienced them. Let’s face it, motherhood is the hardest job you’ll ever love, and it is not meant to be braved alone. It takes a village, right? There is no greater comfort than knowing you’re not alone. One, if not many, of these gorgeous souls will provide you with that. We can be your village, and lucky for you, we fit in your diaper bag. This book, much like motherhood, is full of emotion, joy, sadness, excitement, hardships, love, and beautiful chaos. Our authors share their most intimate journeys and reflections with you in hopes to empower and provide you the judgment-free support we all deserve. We will help you up when you’ve fallen, shine a light during those dark times, and fan out your cape for you, Supermom. The mama tribe is here to help you take motherhood by the horns and if nothing else, prove to you, yes indeed, you’ve got this!

When Henry Roth published his debut novel Call It Sleep in 1934, it was greeted with considerable critical acclaim though, in those troubled times, lackluster sales. Only with its paperback publication thirty years later did this novel receive the recognition it deserves—--and still enjoys. Having sold-to-date millions of copies worldwide, Call It Sleep is the magnificent story of David Schearl, the "dangerously imaginative" child coming of age in the slums of New York.

A Caldecott and Coretta Scott King Honor Book Mama’s love is brighter than the sun, even on the rainiest of days. This celebration of a mother-daughter relationship is perfect for sharing with little ones! On a rainy day when the house smells like cinnamon and Papa and Luca are still asleep, when the clouds are wearing shadows and the wind paints the window with beads of water, I want to be everywhere Mama is. With lyrical prose and a tender touch, the Caldecott and Coretta Scott King Honor Book Mama and Me is an ode to the strength of the bond between a mother and a daughter as they spend a rainy day together.

A Palestinian activist jailed at sixteen after a confrontation with Israeli soldiers illuminates the daily struggles of life under occupation in this moving, deeply personal memoir. “I cannot even begin to convey the clarity, the intensity, the power, the photographic storytelling of They Called Me a Lioness.”—Ibram X. Kendi, internationally bestselling author of How to Be an Antiracist ONE OF THE BEST BOOKS OF THE YEAR: Kirkus Reviews “What would you do if you grew up seeing your home repeatedly raided? Your parents arrested? Your mother shot? Your uncle killed? Try, for just a moment, to imagine that this was your life. How would you want the world to react?” Ahed Tamimi is a world-renowned Palestinian activist, born and raised in the small West Bank village of Nabi Saleh, which became a center of the resistance to Israeli occupation when an illegal, Jewish-only settlement blocked off its community spring. Tamimi came of age participating in nonviolent demonstrations against this action and the occupation at large. Her global renown reached an apex in December 2017, when, at sixteen years old, she was filmed slapping an Israeli soldier who refused to leave her front yard. The video went viral, and Tamimi was arrested. But this is not just a story of activism or imprisonment. It is the human-scale story of an occupation that has riveted the world and shaped global politics, from a girl who grew up in the middle of it . Tamimi’s father was born in 1967, the year that Israel began its occupation of the West Bank and he grew up immersed in the resistance movement. One of Tamimi’s earliest memories is visiting him in prison, poking her toddler fingers through the fence to touch his hand. She herself would spend her seventeenth birthday behind bars. Living through this greatest test and heightened attacks on her village, Tamimi felt her resolve only deepen, in tension with her attempts to live the normal life of a daughter, sibling, friend, and student. An essential addition to an important conversation, They Called Me a Lioness shows us what is at stake in this struggle and offers a fresh vision for resistance. With their unflinching, riveting storytelling, Ahed Tamimi and Dena Takruri shine a light on the humanity not just in occupied Palestine but also in the unsung lives of people struggling for freedom around the world.

THE TERM "REDNECK" ORIGINATED FROM THE RED SUNBURNED NECKS OF FARMERS THAT WORKED IN THE FIELDS. SOMEWHERE ALONG THE WAY IT WAS CHANGED TO DESIGNATE SCUMMY LOW-LIFE POOR WHITE TRASH. THEN ALONG ABOUT THE MID-SIXTIES IT MIRACULOUSLY TOOK ON A DIFFERENT TERMINOLOGY. THAT OF A CULTURED INTELLECTUAL AND PHILOSOPHICAL ERUDITE. TO BE REFERRED TO AS A "REDNECK" WAS THEN TRULY A COMPLIMENT. 1967-MAMA'S PLACE, A SLEAZY BEER JOINT NEAR SMACKOVER, ARKANSAS WILL FOREVER HAVE THE FAME OF BEING THE BIRTHPLACE OF THE CULTURED ERUDITE "REDNECK". WARNING: If you are offended by crude, obscene, vulgar and downright sinful language. DO NOT read this book.

When Jordanian student Siwar Salaiha is murdered on her birthday in College Park, Maryland, her consciousness survives, finding refuge in the body of a Seattle baby boy. Stuck in this speech delayed three-year old body, Siwar tries but fails to communicate with Wyatt's parents, instead she focuses on solving the mystery behind her murder. Eventually, her consciousness goes into a dormant state after Wyatt undergoes a major medical procedure. Natasha Tynes had only recently sold her novel They Called Me Wyatt when she ran afoul of cancel culture for snitching on a rail worker who was breaking the rules by eating on a train. Look it up on Goodreads and—as of this writing—you’ll discover nearly 2,000 one-star ratings and over a thousand reviews—many, if not most of them, from people who give the book one star despite admitting they never read it, parroting the lie that “Natasha Tynes hates black women.” As a publisher myself, it’s personally distressing that a book’s reputation can be tanked by a horde of people who’ve never even seen the novel in question when so many authors struggle to generate even triple-digit reviews from people who’ve actually taken the time to sit down and read the book they’re reviewing. Tynes’ work suffered for her bad behavior—unjustly, unfairly, and unread. Almost two thousand negative reactions—when only a few hundred copies were even ordered, and when Tynes’ previous publisher stopped shipment on books after her tweet went viral. Tynes—again, a woman of color, mother of three, and immigrant to the United States with journalistic bylines under her belt in a variety of publications around the world—had her career ended before it began because the demons of outrage so decreed it. The problem is that They Called me Wyatt is a good book—a compelling, original thriller that, under other circumstances, would instead be praised for its unique and original voice, weaving together the stories and lives of people from a multitude of cultures and backgrounds for a one-of-a-kind espionage thriller. Tynes’ literary voice captures a woman caught between multiple worlds: first, as a teenage immigrant to the US, and then as an adult woman trapped in the body of a young boy after her murder results in reincarnation. Growing up with an identity not her own—and struggling with what her identity even is—Tynes’ protagonist goes on a journey fantastically reminiscent of so many immigrants to the United States who attempt to forge a new identity while remaining faithful to their own culture. All of this was lost, though, amidst the outrage. Readers were never given the opportunity to discover Tynes’ work on its own terms, to be judged on its own merits. Until now. I’ve decided to publish They Called Me Wyatt because I believe in second chances. Natasha Tynes has since apologized for her tweet and acknowledged her bad behavior. I respect that. I believe in forgiveness and growth. I believe that people can learn from their past mistakes and move beyond them. I do not believe in the one-and-done brutality of Twitter’s outrage police. I do not believe that one ignorant tweet should brand an individual forever and ruin their career. I do not believe an artist’s work should be judged on the basis of one act of stupidity on the part of its creator. That’s why, just like its protagonist, I’ve decided to reincarnate They Called me Wyatt as the first entry in the REBELLER literary imprint. REBELLER is about bucking the system—about seeing a good idea, being told it can’t be done, and doing it anyway. It’s about judging art on its merits and turning our backs on a Hollywood system and elitist mindset that would determine the worth—or worthlessness—of something based on arbitrary rules. It’s about remaining calm in the face of certain fury that will be leveled on us by those most insecure and apoplectic from our confidence in our convictions. It’s about something being dangerous and doing it anyway.

Following the abduction of 15 year old Lucy Mears, her mother Brenda, a self made business woman, President of Mears Empire expects a ransom demand. Weeks go by, and when no such demand materialises, alarm bells ring for family and friends. The investigators realise that normal criminal motives have been replaced by more worrying and potentially sinister motivations. Attention changes rapidly from one character to another, focusing on present and former employees of Mears Empire, to the household staff, to Lucy's music tutor and to complete strangers caught up in the mystery of a child's abduction, while all the time the perpetrator of the crime remains undetected. The terrified child and her strange captors encounter countless difficulties and unimaginable dangers as they journey across several states of America to their ultimate destination where their mysterious purpose is finally revealed. 'Call Mama' explores the extremes of human nature and the corrosive nature of revenge. It is an examination of our humanity, the good, the bad and the really ugly in a very human story of crime, in which two prominent detectives, Tony Harvey and Carole Carr almost lose their careers. A crime with tentacles with the potential to reach almost to the White House and throwing the Presidential election into turmoil.