They Danced On

Nothing is more important to Jane Darling than her family. She's dedicated her life to raising her children, and they all appear to be doing well. She can finally relax and enjoy life. But when her husband becomes seriously ill, Jane finds herself taking on the most difficult role of her life. Laura Darling moved away to escape the expectations of her family. Ever since she went through rehab, they watch her like a hawk. Now she has a good job, new friends, and no one to criticize her or comment on everything she's doing. But when everything begins to unravel, Laura's heart turns toward home. Follow the Darling family through triumph and tragedy as they struggle with an uncertain future.

A conversation between a Tel Aviv waitress and her elderly customer sparks a journey of healing in this compelling novel by the author of Light Fell. At eighty-four, Teo, one of the world’s most influential choreographers, is ready to withdraw from the bombast and romance surrounding his long and illustrious career. But then he meets Vivi, a waitress at a Tel Aviv café, and the slumbering passions of his youth are rouses once more. Suddenly and unexpectedly, his desire for a woman’s touch, his anguished memories of World War II, and his complex, soulful engagement with dance all come rushing back. Vivi’s life will change, too, as Teo’s affection forces her to confront her guilt over an illicit relationship during her days as a soldier. Soon their interactions with art, their very investment in living, will reawaken ghosts of their painful, suppressed pasts—from Warsaw to Copenhagen, from Berlin to Tel Aviv—that cry out for forgiveness and peace.

“Captivating…equal parts memoir and cultural history, Henry Alford seamlessly interweaves heartwarming and hilarious anecdotes about his deep dive into all things dance” (Misty Copeland, The New York Times Book Review). When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, stress reliever, confidence builder, an excuse to travel, a source of ongoing wonder, and—when he dances with Alzheimer’s patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), Alford’s grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. And Then We Danced “is in one sense a celebration of hoofer in all its wonder and variety, from abandon to refinement. But it is also history, investigation, memoir, and even, in its smart, sly way, self-help…very funny, but more, it is joyful—a dance all its own” (Vanity Fair).

A story of one man's journey from the orphanage to his discovery of Northern Soul. Through the turmoil of violence, racism and drugs he found a love for music and dancing as he swept through the 1970's in England. Finding true love and Soul music helped him erase the torment of his childhood.

The Winter We Danced is a vivid collection of writing, poetry, lyrics, art and images from the many diverse voices that make up the past, present, and future of the Idle No More movement. Calling for pathways into healthy, just, equitable and sustainable communities while drawing on a wide-ranging body of narratives, journalism, editorials and creative pieces, this collection consolidates some of the most powerful, creative and insightful moments from the winter we danced and gestures towards next steps in an on-going movement for justice and Indigenous self-determination.

A collection of legends about the stars from various North American Indian cultures, including explanations of the Milky Way and constellations such as the Big Dipper.

Tess Corona left home thanks to a traumatic experience with the paranormal and has only recently returned home from a secretive military career. Her only desire is to reconnect with her family and find meaningful work. That plan changes when a Texas Ranger lands on her doorstep looking for her twin brother. Thanks to the suspicious actions of a murder victim’s family, Texas Ranger Crock Ward is asked to investigate the twenty-five-year-old case. With the evidence missing and victim’s husband now deceased, Crock seeks alternatives to solve the murder in the form of Dr. Lazaro Corona and his ghost hunting team. Laz has dreamed of combining cold cases with paranormal investigation, but he curses the timing. He can’t stop Tess from resuming her role in his investigation any more than he can stop a tornado or a century-old feud that has already destroyed one family and now threatens his.

An eight-year-old is sent to live in a community of widows in India, and finds a new purpose there, in a novel by “a writer of enormous talent” (Newsday). Set in 1938, against the backdrop of Gandhi’s rise to power, Water follows the life of eight-year-old Chuyia, abandoned at a widow’s ashram after the death of her elderly husband. There, she must live in penitence until her death. Unwilling to accept her fate, she becomes a catalyst for change in the widows’ lives. When her friend Kalyani, a beautiful widow-prostitute, falls in love with a young, upper-class Gandhian idealist, the forbidden affair boldly defies Hindu tradition and threatens to undermine the ashram’s delicate balance of power. This riveting look at the lives of widows in colonial India is ultimately a haunting and lyrical story of love, faith, and redemption. “Sidhwa’s humor and compassion glow in Water.” —Houston Chronicle “A deeply moving story, elegantly told, with all the assurance of a master.” —M.G. Vassanji, author of The In-Between World of Vikram Lall