They Did Not Stop At Eboli

The analysis of UNESCO’s audio-visual archives for their digitization has brought to light a forgotten album of 38 contact sheets and accompanying texts by Magnum photographer, David “Chim” Seymour – a reportage made in 1950 for UNESCO on the fi ght against illiteracy in Italy’s southern region of Calabria. A number of his photographs appeared in the March 1952 issue of UNESCO Courier in an article written by Carlo Levi, who had gained worldwide fame with his novel Christ Stopped at Eboli (1945). L’analyse des archives audio-visuelles de l’UNESCO en vue de leur numérisation a permis de découvrir un album oublié comprenant 38 planches-contact et des textes d’accompagnement du photographe de Magnum David « Chim » Seymour – un reportage réalisé en 1950 pour l’UNESCO sur la bataille contre l’analphabétisme en Calabre, une région du sud de l’Italie. Un certain nombre de ses photographies ont été publiées dans le numéro de mars 1952 du Courrier de l’UNESCO avec un article de Carlo Levi, dont le roman Le Christ s’est arrêté à Eboli (1945) lui avait valu une renommée internationale

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The first fifty years of the twentieth century were a time of ferment in American anthropology. American ethnographic work evolved from the "salvage" work of professionals affiliated with museums who undertook to document with artifacts and testimony the threatened traditional way of life among the Native American tribes, to the establishment of anthropology as a science, represented in university departments, that sought to describe the "ethnographic present" of isolated primitive peoples, often in distant parts of the world. By the beginning of the 1950s, cultural anthropology discovered the peasant. Robert Redfield, himself a leading figure in this paradigm shift, challenged anthropology's focus on a static model of the isolated primitive community, pointing out the dynamic nature of the "little communities" he studied in Mesoamerica. These were not isolated communities, but rather local, traditional cultures located well within the sphere of a complex urban culture. In order to distinguish the "great tradition" deriving from urban centers from the "little tradition" of a more primitive culture, Redfield believed anthropology needed to refer to other disciplines, such as theology, philosophy, economics, and sociology. In other words, anthropology had to develop from the collection of material artifacts to a concern with the immaterial realm of values and ideas. This collection of essays and previously unpublished papers, The Ethnographic Moment, tells the story of a remarkable chapter in Redfield's pioneering efforts on what was then an anthropological frontier. The present volume covers the years from 1952 to 1958, the last of Redfield's life. It focuses solely on his study of peasant communities. At the core of the book is his correspondence with the philosopher-humanist F. G. Friedmann, who played an important role in Redfield's conceptualization of the complex urban-rural continuum that characterizes the peasant's world. The volume also includes an autobiographical introduction by Friedmann that illuminates both his own writings and the humanistic background that motivated his study of peasantry.

"This book reconstructs the complex of ritual behaviour and attitudes towards the sacred of a Mediterranean society over the two hundred and fifty years following the close of the Council of Trent (1563), using sources like episcopal court records and trials for the canonisation of local saints."--Acknowledgements, page ix.

This volume offers an open, transdisciplinary living space (also green) through which to explore the different connections between Basilicata and Southern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives that may all be grouped under the key term film ecocriticism, offering the reader a thorough analysis not only of the different ways of representing reality but also of the processes of signification through which reality itself can be understood, rethought, and transformed. This is the general framework within which the authors consider film as a proper, effective medium for ecocritical and ecophilosophical reflections concerning not only Basilicata (to which the greater part of the volume is dedicated) but also Southern Italy and, therefore, its history and its territories, communities, and identities. Furthermore, in an even more general sense, Basilicata and Southern Italy reconnects with the very idea of the South, and of all Souths, to which this volume is dedicated.

This volume discusses a broad range of themes and methodological issues around images, photography and film. It is about sharing a fascination about the visual history of education and how images became the most influential (circulating) media within the field of education on local, regional, national and international levels. Within this volume images are primarily analyzed as presenters, mediators, and means of observation. Images are seen as mobile reproducible media which play an active role within the public and educational sphere. They are means of observation and storytelling, they shape identities by presenting models of how we should act in and perceive the world, they circulate though different contexts and media, all of which impacts their meanings.

"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism’s famous cooperative Magnum Photos. Weaving Chim’s life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum’s 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe’s children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel’s beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century.

Ancient West & East is a peer-reviewed (bi-)annual devoted to the study of the history and archaeology of the periphery of the Graeco-Roman world, concentrating on local societies and cultures and their interaction with the Graeco-Roman, Near Eastern and early Byzantine worlds. The chronological and geographical scope is deliberately broad and comprehensive, ranging from the second millennium BC to Late Antiquity, and encompassing the whole ancient Mediterranean world and beyond, including ancient Central and Eastern Europe, the Black Sea region, Central Asia and the Near East. Ancient West & East aims to bring forward high-calibre studies from a wide range of disciplines and to provide a forum for discussion and better understanding of the interface of the classical and barbarian world throughout the period. Ancient West & East will reflect the thriving and fascinating developments in the study of the ancient world, bringing together Classical and Near Eastern Studies and Eastern and Western scholarship. Each volume will consist of articles, notes and reviews. Libraries and scholars will appreciate to find so much new material easily accessible in one volume.