They Were Still Dancing

Currier brings together 20 short stories spanning three decades of the impactof the AIDS epidemic on the gay community.

In this extraordinary, inspirational, non-fiction memoir you won't meet a celebrity but a person like you; who left for work one morning filled with love and happiness only to learn later that day about her husband's death in a plane crash.

The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.

The first in a sumptuous slow-burn romantasy duology from a stunning new voice 'Enchanting.' Katharine Corr, co-author of Daughter of Darkness Deep in the desert, a storm is brewing. Deep in the desert, under the blazing sun, an elite troupe of dancers are trained to harness their magic. They are the queen’s most formidable assassins. Aasira has one of the rarest talents – for she is a flame-wielder. Feared by all and envied by some, she uses her power to execute enemies of the crown. Aasira’s greatest wish is to serve her queen. But on the eve of her graduation, with tensions rising among the dancers and secrets stirring in the shifting sand dunes, she begins to question whether she was truly born to kill… ‘A sweeping adventure of secrets, betrayals and alternate histories.’ Kendare Blake, author of Champion of Fate ‘Completely addictive. An absolute must read.’ Rosie Talbot, author of Sixteen Souls