They Write Their Dream On The Rocks Forever

"...an invaluable record...of a vanishing culture". -- Toronto Star "...a combination of academic exposition and plain-folks narrative that entertains while it educates". -- Georgia Straight

"The first comprehensive study of North American Indigenous languages as the basis of textualized orality in Indigenous literatures in English. Drawing on a significant Indigenous language structure -- the holophrase (one-word sentence) -- Neuhaus proposes "holophrastic reading" as a culturally specific reading strategy for orality in Indigenous writing. In readings of works by Ishmael Alunik (Inuvialuit), Alootook Ipellie (Inuit), Richard Van Camp (Dogrib), Thomas King (Cherokee), and Louise Bernice Halfe (Cree), she demonstrates that (para)holophrases -- the various transformations of holophrases into English-language discourse -- textualize orality in Indigenous literatures by grounding it in Indigenous linguistic traditions. Neuhaus's discussion points to the paraholophrase, the functional equivalent of the holophrase, as a central discourse device in Indigenous writing and as a figure of speech in its own right. Building on interdisciplinary research, this groundbreaking study not only links oral strategies in Indigenous writing to Indigenous rhetorical sovereignty, but also points to ancestral language influences and Indigenous rhetoric more generally as areas for future research"--Cover.

Impressive in its scope and depth of scholarship, this first volume of the History of the Book in Canada is a landmark in the chronicle of writing, publishing, bookselling, and reading in Canada.

This study provides a concrete example of how foraging societies enculturate and transform the natural environment and, through the use of material objects, create sacred spaces and sites. Using ethnographic and ethnohistorical information about the Khanty of Siberia, Jordan shows the shortcomings of both interpretive and materialist anthropological theorizing about hunters and gatherers. He focuses on the rich and complex relationship between the symbolism of the Khanty, their material culture, and the bringing of meaning to physical places. His examination looks at the topic in both historical and contemporary contexts, and in scales from the core-periphery model of Russian colonialism to the portrait of a single yurt community. Jordan's work will be of importance to those studying cultural anthropology, archaeology, and comparative religion.

The Nlha7kápmx people are among the original inhabitants of the Fraser, Thompson, and Nicola river valleys in southwestern British Columbia. In this collection of traditional oral narratives and legends, which have been passed from generation to generation for centuries, the elders tell the story of their people. Put together entirely by Nlha7kápmx people, Our Tellings reveals how they perceive their own history. It is their hope that through sharing these stories, they will inspire others to continue to create stories and to contribute to the cultural revitalization of Canada's Native peoples.

The purpose of Seeing and Knowing is to demonstrate the depth and wide geographical impact of David Lewis-Williams’ contribution to rock art research by emphasizing theory and methodology drawn from ethnography. Contributors explore what it means to understand and learn from rock art, and a contrast is drawn between those sites where it is possible to provide a modern, ethnographic context, and those sites where it is not. This is the definitive guide to the interplay between ethnography and rock art interpretation, and is an ideal resource for students and researchers alike.

A vital collection of writings about First Nations people and culture as it existed in the Depression-era Pacific Northwest.

This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses