Things Of The House

Discussing multiple aspects of material culture and domestic consumption, this book tackles the relationship between the trajectories and biographies of people, families, houses and objects and how they intertwine and produce each other. Focusing on the life stories of a group of European and Catholic Brahmin Goan families of the colonial elite who left Mozambique after the country's independence in 1975, the book shows how material culture interferes with structuring dimensions of migratory experiences, in the management of family memories, ties and networks of belonging, as well as in the social dynamics of positioning, hierarchy and distinction.

The Wonderful Things About A House

Everyone wants a home that is beautiful and clutter free. But most of us are unsure how to get there without breaking the bank. Popular interior designer Shannon Acheson takes the guesswork out of creating a lovely home. Home Made Lovely is a mind-set: decorating should be about those who live there, rather than making your home into a magazine-worthy spread. Shannon walks you through how to · decorate in a way that suits your family's real life · declutter in seven simple steps · perform a house blessing to dedicate your home to God · be thankful for your current home and what you already have · brush up on hospitality with more than 20 actionable ideas that will make anyone feel welcome and loved in your home In Home Made Lovely, Shannon meets you right where you are on your home-decorating journey, helping you share the peace of Christ with family members and guests.

Profiles a range of common household objects--from soap and scissors to keys and toilets--to explain the basic principles of how they function.

A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews--pillars of an embattled community--invested their fortunes in France's cultural artifacts, sacrificed their sons to the country's army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt--the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers--McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of "invading" France's cultural patrimony. The collections these families left behind--many ultimately donated to the French state--were their response, tragic attempts to celebrate a nation that later betrayed them.

A guidebook for every home delivers practical solutions--regardless of income, size, style or location--to maximize a reader's investment while minimizing expensive disasters, providing a dazzlingly illustrated road map for navigating the subjective world of home design and decoration, room by room, subject by subject. Original.

Fusing an intimate memoir with an outspoken critique of organized religion's failure to welcome all into its community, The House Where the Hardest Things Happened is the moving story of one woman's search for a sense of belonging. Growing up in a small town in New Hampshire, Kate Young Caley attends a strong community church where everyone is treated like family, members selflessly help one another, and all the kids are made to feel special. Then, suddenly, everything changes. Her father is hospitalized for many months and her mother is forced to take a job as a waitress to support the family. But the job requires Kate's mother to serve alcohol, which goes against the church's covenant, and the family, banned from attending services, soon finds itself emotionally ostracized from the community. In The House Where the Hardest Things Happened, Caley recounts the hurt and confusion she felt as a young girl and her long search for a religious community that would comfort her spiritually, support her emotionally, and respect her intellectual ideals. As she chronicles her journey, she candidly discusses her problems with the way the Christian faith is expressed and with the people who lay claim to it. Her exploration of religious teachings on homosexuality is especially powerful as she explains why she is unwilling, and unable, to deny the love she has for her gay brother. At once the story of a family profoundly transformed by tragedy and an incisive exploration of the meaning of spirituality, The House Where the Hardest Things Happened will appeal to readers of Joyce Carol Oates’s We Were the Mulvaneys and Anne Lamott’s Traveling Mercies. Beautifully written, it brings to life Caley's inspiring determination to reclaim her right to practice her beliefs–the most basic human right of all.

A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.