Things Seen And Unseen

"Gracefully written and moving ... Things Seen and Unseen starts with Nora Gallagher entering the labyrinth of her life ... and ultimately it leads to the center of her being."--The Boston Globe It started with an occasional Sunday, a "tourist's" visit to a local church. Eventually Nora Gallagher entered into a yearlong journey to discover her faith and a relationship with God, using the Christian calendar as her compass. Whether writing about her brother's battle against cancer, talking to homeless men about the World Series, or questioning the afterlife ("One world at a time"), Gallagher draws us into a world of journeys and mysteries, yet grounded in a gritty reality. She braids together the symbols of the Christian calendar, the events of a year in one church, and her own spiritual journey, each strand combed out with harrowing intimacy. Thought provoking and profoundly perceptive, Things Seen and Unseen is a remarkable demonstration that "the road to the sacred is paved with the ordinary." "Like Kathleen Norris in Amazing Grace, Gallagher is renewing the language of ultimate concerns."--San Francisco Chronicle "The deep serenity that suffuses Gallagher's work, the lyrical cadences in which she writes, do not blunt the sharp edges of what she discovered in her quest for meaning."--Los Angeles Times

This long-awaited work explores the place of kokugaku (rendered here as "nativism") during Japan's Tokugawa period. Kokugaku, the sense of a distinct and sacred Japanese identity, appeared in the eighteenth century in reaction to the pervasive influence of Chinese culture on Japan. Against this influence, nativists sought a Japanese sense of difference grounded in folk tradition, agricultural values, and ancient Japanese religion. H. D. Harootunian treats nativism as a discourse and shows how it functioned ideologically in Tokugawa Japan.

The philosophy of Maurice Merleau-Ponty was developing into a radical ontology when he died prematurely in 1961. Merleau-Ponty identified this nascent ontology as a philosophy of incarnation that carries us beyond entrenched dualisms in philosophical thinking about perception, the body, animality, nature, and God. What does this ontology have to do with the Catholic language of incarnation, sacrament, and logos on which it draws? In this book, Orion Edgar argues that Merleau-Ponty's philosophy is dependent upon a logic of incarnation that finds its roots and fulfillment in theology, and that Merleau-Ponty drew from the Catholic faith of his youth. Merleau-Ponty's final abandonment of Christianity was based on an understanding of God that was ultimately Kantian rather than orthodox, and this misunderstanding is shared by many thinkers, both Christian and not. As such, Merleau-Ponty's philosophy suggests a new kind of natural theology, one that grounds an account of God as ipsum esse subsistens in the questions produced by a phenomenological account of the world. This philosophical ontology also offers to Christian theology a route away from dualistic compromises and back to its own deepest insight.

"Gracefully written and moving ... Things Seen and Unseen starts with Nora Gallagher entering the labyrinth of her life ... and ultimately it leads to the center of her being."--The Boston Globe It started with an occasional Sunday, a "tourist's" visit to a local church. Eventually Nora Gallagher entered into a yearlong journey to discover her faith and a relationship with God, using the Christian calendar as her compass. Whether writing about her brother's battle against cancer, talking to homeless men about the World Series, or questioning the afterlife ("One world at a time"), Gallagher draws us into a world of journeys and mysteries, yet grounded in a gritty reality. She braids together the symbols of the Christian calendar, the events of a year in one church, and her own spiritual journey, each strand combed out with harrowing intimacy. Thought provoking and profoundly perceptive, Things Seen and Unseen is a remarkable demonstration that "the road to the sacred is paved with the ordinary." "Like Kathleen Norris in Amazing Grace, Gallagher is renewing the language of ultimate concerns."--San Francisco Chronicle "The deep serenity that suffuses Gallagher's work, the lyrical cadences in which she writes, do not blunt the sharp edges of what she discovered in her quest for meaning."--Los Angeles Times

An incisive reflection on identity and wealth, and a refreshing racial queer story of survival All Things Seen and Unseen follows Alex Nguyen, an isolated, chronically ill university student in her early 20s. After a suicide attempt and subsequent lengthy hospitalization, she finds herself without a job, kicked out of campus housing, unable to afford school, and still struggling in the aftermath of a relationship’s dissolution. Hope comes in the form of a rich high school friend who offers Alex a job housesitting at her family’s empty summer mansion on a gulf island. Surrounded by dense forest and ocean, in the increasingly oppressive heat of a 2010s summer, Alex must try to survive as an outsider in a remote, insular community; to navigate the awkward, unexpected beginnings of a possible new romance; and to live through the trauma she has repressed to survive, even as the memories — and a series of increasingly unnerving events — threaten to pull her back under the surface.

“This literary thriller's complex narrative involves a cursed house, an unsolved murder and impeccable writing.” —The New York Times Book Review • The basis for the Netflix film Things Heard and Seen Recent transplants to the small town of Chosen, New York, the Clares have not received the warmest welcome; once a thriving dairy farm, their home is haunted by the tragedy that left the former owner’s three sons orphaned and adrift. Late one winter afternoon, professor George Clare knocks on his neighbor’s door with terrible news: he returned from work to find his wife, Catherine, murdered in their bed. Someone took an ax to her head while their three-year-old daughter, Franny, played alone in her room across the hall. As one dark secret peels away to reveal others—and as the Clare marriage reveals itself to have a sinister darkness that rivals the farm’s history—Elizabeth Brundage offers a rich and complex portrait of the scars that can haunt a community for generations and the dark longings inside each and every one of us that drive us to do inexplicable things.

This poetic novel, by the acclaimed author of John Dollar and Properties of Thirst, describes America at the brink of the Atomic Age. In the years between the two world wars, the future held more promise than peril, but there was evidence of things unseen that would transfigure our unquestioned trust in a safe future. Fos has returned to Tennessee from the trenches of France. Intrigued with electricity, bioluminescence, and especially x-rays, he believes in science and the future of technology. On a trip to the Outer Banks to study the Perseid meteor shower, he falls in love with Opal, whose father is a glassblower who can spin color out of light. Fos brings his new wife back to Knoxville where he runs a photography studio with his former Army buddy Flash. A witty rogue and a staunch disbeliever in Prohibition, Flash brings tragedy to the couple when his appetite for pleasure runs up against both the law and the Ku Klux Klan. Fos and Opal are forced to move to Opal’s mother’s farm on the Clinch River, and soon they have a son, Lightfoot. But when the New Deal claims their farm for the TVA, Fos seeks work at the Oak Ridge Laboratory—Site X in the government’s race to build the bomb. And it is there, when Opal falls ill with radiation poisoning, that Fos’s great faith in science deserts him. Their lives have traveled with touching inevitability from their innocence and fascination with "things that glow" to the new world of manmade suns. Hypnotic and powerful, Evidence of Things Unseen constructs a heartbreaking arc through twentieth-century American life and belief.

The Resonance of Unseen Things offers an ethnographic meditation on the “uncanny” persistence and cultural freight of conspiracy theory. The project is a reading of conspiracy theory as an index of a certain strain of late 20th-century American despondency and malaise, especially as understood by people experiencing downward social mobility. Written by a cultural anthropologist with a literary background, this deeply interdisciplinary book focuses on the enduring American preoccupation with captivity in a rapidly transforming world. Captivity is a trope that appears in both ordinary and fantastic iterations here, and Susan Lepselter shows how multiple troubled histories—of race, class, gender, and power—become compressed into stories of uncanny memory. “We really don’t have anything like this in terms of a focused, sympathetic, open-minded ethnographic study of UFO experiencers. . . . The author’s semiotic approach to the paranormal is immensely productive, positive, and, above all, resonant with what actually happens in history.” —Jeffrey J. Kripal, J. Newton Rayzor Professor of Religion, Rice University “Lepselter relates a weave of intimate alien sensibilities in out-off-the-way places which are surprisingly, profoundly, close to home. Readers can expect to share her experience of contact with complex logics of feeling, and to do so in a contemporary America they may have thought they understood.” —Debbora Battaglia, Mount Holyoke College “An original and beautifully written study of contemporary American cultural poetics. . . . The book convincingly brings into relief the anxieties of those at the margins of American economic and civic life, their perceptions of state power, and the narrative continuities that bond them to histories of violence and expansion in the American West.” —Deirdre de la Cruz, University of Michigan