Third Voice

In this stimulating survey of the entire field of modern English verse drama, William Butler Yeats and T.S. Eliot are regarded as the key figures. Shorter studies are included of Christopher Fry, E.E. Cummings, W.H. Auden, Archibald MacLeish, Ezra Pound, Wallace Stevens, and Richard Eberhart. Differing from some contemporary critics, Mr. Donoghue believes that verse drama is a major creative art-form of our literature, with a vigorous present and promise of a vital future. In a persuasive and perceptive exposition of this belief, he considers such questions as the nature of dramatic verse, the mood play, the relation between dramatic verse and the behavior of speech, the necessity of distinguishing between "verse drama" and “poetic drama” or “theatre poetry.” Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

What makes for powerful preaching? Careful exegesis, logical structure, interesting illustrations, and clear speech can all help. But truly transformative preaching depends on divine power, not human skill alone. Those who would reduce preaching to simple systems or sure-fire strategies for success will find little of interest here. Instead, this book appeals to those (pastors and academics alike) who find themselves confounded by the occasional futility of their best preaching and the unexpected success of their worst. It invites readers to enter more deeply into the uncontrollable mystery that attends all efforts to speak in the name of Christ, above all on the topic of resurrection. Although the gospel always turns our attention to the crucified and risen Lord, preaching about resurrection calls us to trust that the same God who raised Jesus from death will likewise grant life to us as preachers, to our sermons, and to our hearers alike. Drawing on resources as diverse as Luther's understanding of the Christian gospel, Speech Act theory, and Bhabha's concept of "Third Space," Third Voice: Preaching Resurrection argues that the true key to effective preaching is not rhetoric, but spirituality.

Samira is dead. She died last night. But now she is looking down over the roofs of Marseille. She remembers how he strangled her, how he bashed in her skull with an ashtray. How he cut off her head and buried her body in six different places. She hopes someone will find her ... some day. Olivia Ronning is still struggling to come to terms with her brutal entry into the world. Cut from the womb of her murdered mother, with only seconds to spare, she is left with haunting dreams, brutal feelings and guilt. From now on she has resolved to rely solely on herself, and she will restyle herself Olivia Riviera - in homage to her dead mother.

The incomprehensible nature of the sublime emerges through a cast of personalities including Eartha Kitt, Geordi LaForge, Immanuel Kant, W. E. B. Du Bois, Malcolm X and the book's central character, Lacy Neva Igga, an American Studies professor who lives as a minstrel character trapped inside the head of a nameless woman. Kocher uses what T. S. Eliot called the "third voice" of lyric drama as a means for characters to address and interrogate literary culture. Third Voice asserts lyric beyond personal expression and drama beyond the stage, using the spectacle of minstrelsy as a deformation of mastery in an audaciously conceptual yet visceral performance.--Provided by publisher.

The noted music theorist presents a brilliant and sweeping study of Schoenberg’s compositions and his influence on the generations that followed. A pioneering composer and leader of the Second Viennese School, Arthur Schoenberg was one of the most important figures in twentieth-century classical music. In Schoenberg and His School, composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. Leibowitz considers how the influences of all three men have, in turn, created new movements within contemporary music today.

A QUIET CALM Despite their tense pasts, Shoya begins to embrace the friend group that used to terrorize Shoko because she couldn’t hear. Now that summer vacation is in full swing, the crew can work together to film Tomohiro’s eccentric movie. Each fun-filled day lazily passes by, but doubt tugs at Shoya’s heavy heart and he is desperate to cling on to meaningful moments before they are gone…