Thirteen Chairs

A spine-tingling collection of ghost stories When a boy finds himself drawn into an empty house one cold night, he enters a room in which twelve unusual-looking people sit around a table. And the thirteenth chair is pulled out for him.One by one, each of those assembled tells their ownghost story: tales of doom and death; of ghostly creatures and malevolent spirits; of revenge and reward. It is only at the end of the night that the boy starts to understand what story he must tell . . .

The legendary Edna O'Brien's tale of a mysterious stranger spellbinding an Irish village is 'the kind of masterpiece that reminds you why you read books in the first place' ( Observer). ONE OF THE SUNDAY TIMES' TOP 100 NOVELS OF THE TWENTY-FIRST CENTURY 'Magnificent' ( Sunday Times) 'Beautiful' ( Financial Times) ' Enthralling' ( Times) 'Extraordinary' ( Independent) ' Astonishing' ( New Yorker) When a man who calls himself a faith healer arrives in a small, west-coast Irish village, the community is soon under the spell of this charismatic stranger from the Balkans. One woman in particular, Fidelma McBride, becomes enthralled in a fatal attraction that leads to unimaginable consequences. 'One of the most interesting and ambitious [books] ever written by an Irish author.' ( Irish Times) 'One of the greatest Irish writers, of this or any era.' (Sunday Independent)

'He came on the shortest day of the year between the storms that carried the sea twenty miles inland and the great snow of that winter. But before his arrival there was an equally mysterious disappearance...' The first in a trilogy, THE MASTER OF THE FALLEN CHAIRS sees thirteen-year-old orphan Kim living with his elusive guardian, surly tutor and various servants in a grand but dilapidated old house called Skirl. When one of the servant girls goes missing, a dark cloud descends on the house. The arrival of a stranger in the dead of night plunges everything further into mystery, and introduces a bit of magic to the mix too...

In a cold, gloomy castle where all the clocks have stopped, a wicked Duke amuses himself by finding new and fiendish ways of rejecting the suitors for his niece, the good and beautiful Princess Saralinda.

A boy and a bear go to sea, equipped with a suitcase, a comic book and a ukulele. They are only travelling a short distance and it really shouldn't take long. But their journey doesn't quite go to plan . . . Faced with turbulent storms, a terrifying sea monster and the rank remains of a very dangerous sandwich, the odds are against our unlikely heroes. Will the Harriet, their trusted vessel, withstand the violent lashings of the salty waves? And will anyone ever answer their message in a bottle? Brilliantly funny and tender, this beautiful book maps the growth of a truly memorable friendship and explores how, when all else is lost, the most unexpected joys can be found.

"..."The Stick Chair Book" is divided into three sections. The first section, "Thinking About Chairs," introduces you to the world of common stick chairs, plus the tools and wood to build them. The second section - "Chairmaking Techniques" - covers every process involved in making a chair, from cutting stout legs, to making curved arms with straight wood, to carving the seat. Plus, you'll get a taste for the wide variety of shapes you can use. The chapter on seats shows you how to lay out 14 different seat shapes. The chapter on legs has 16 common forms that can be made with only a couple handplanes. Add those to the 11 different arm shapes, six arm-joinery options, 14 shapes for hands, seven stretcher shapes and 11 combs, and you could make stick chairs your entire life without ever making the same one twice. The final section offers detailed plans for five stick chairs, from a basic Irish armchair to a dramatic Scottish comb-back. These five chair designs are a great jumping-off point for making stick chairs of your own design. Additional chapters in the book cover chair comfort, finishing and sharpening the tools. From the author: "When I first wrote 'The Stick Chair Book' in 2021, I was also fighting cancer. So I hammered out the text with urgency and the desire to record every fragment of information I knew about chairmaking. "To be fair, that's usually how I go about writing all my books. But then I typically take a couple months off, put the manuscript aside, then revisit it with fresh eyes and a sharpened pen. My final revisions remove about 10-20 percent of the original material. The stuff I cut is usually chapters that don't match the tone of the rest of the text. Or I snip sections that aren't as relevant as when I first wrote them. I also smooth out the writing and add bits of information I'd forgotten during the first brain-to-fingers dump. "And that's exactly what I've done for this revised edition. As a result, the text is 10.1 percent shorter than the first edition. It's more to the point. And it's where the manuscript would have ended up under normal conditions..."--Publisher's website.

Siobhan Vivian's sparkling YA debut... now in paperback!Ruby's turning sixteen . . . but the day doesn't turn out to be as sweet as it's supposed to be. Her long-lost father shows up, and Ruby doesn't want to have anything to do with him. Instead, she wants to hang out with her friends--loyal Beth, dangerous Katherine, and gossipy Maria. They have plenty of advice for her--about boys, about her dad, about how she should look and what she should be feeling. But really, Ruby doesn't know what to think or feel. Especially when a new boy comes into the picture . . . and Ruby discovers some of her friends aren't as truthful as they say.