Thirty One Nil

WINNER OF THE FOOTBALL BOOK OF THE YEAR AT THE BRITISH SPORTS BOOK AWARDS The story of the immense struggle to qualify for the World Cup, Thirty-One Nil roams from American Samoa to Zambia in a remarkable and insightful journey that gets under the skin of world football. In a tiny, decaying aluminium smelting town in southern Tajikistan, a short drive from a raging war zone, Afghanistan take on Palestine in the first Asian qualifier for the World Cup. Every player on both teams is risking something by playing: their careers, their families, even their lives. Yet, along with thousands of other footballers backed by millions of supporters, they all dream of snatching one of the precious 32 places at the finals; and so begins a three-year epic struggle – long before the usual suspects start their higher-profile qualifying campaigns under the spotlight. Named after the greatest victory (and defeat) that the World Cup qualifiers have ever seen (Australia's 31-0 victory over American Samoa), Thirty-One Nil is the story of how footballers from all corners of the globe begin their journey chasing a place at the 2014 World Cup Finals. It celebrates the part-time priests, princes and hopeless chancers who dream of making it to Brazil, in defiance of the staggering odds stacked against them. It tells the story of teams who have struggled for their very existence through political and social turmoil, from which they will very occasionally emerge into international stardom. From the endlessly humiliated San Marino to lowly Haiti; from war-torn Lebanon to the oppressed and fleet-footed players of Eritrea, in Thirty-One Nil James Montague gets intimately and often dangerously close to some of the world's most extraordinary teams, and tells their exceptional stories.

The story of the immense struggle to qualify for the 2014 Brazilian World Cup, Thirty-One Nil roams from American Samoa to Zambia in a remarkable and insightful journey that gets under the skin of world football.

You can see them, but you don't know them. Ultras are football fans like no others. A hugely visible and controversial part of the global game, their credo and aesthetic replicated in almost every league everywhere on earth, a global movement of extreme fandom and politics is also one of the largest youth movements in the world. Yet they remain unknown: an anti-establishment force that is transforming both football and politics. In this book, James Montague goes underground to uncover the true face of this dissident force for the first time. 1312: Among the Ultras tells the story of how the movement began and how it grew to become the global phenomenon that now dominates the stadiums from the Balkans and Buenos Aires. With unprecedented insider access, the book investigates how ultras have grown into a fiercely political movement, embracing extremes on both the left and right; fighting against the commercialisation of football and society – and against the attempts to control them by the authorities, who both covet and fear their power.

'When Friday Comes' is an insightful, humorous account of James Montague's journey through the Middle East, during which he encounters a rioting group of fanatical young Jews who do a passable line in mockney, and the Iraqi national team, who strip him and make him dance for them on their team bus.

A compelling examination of football club ownership in the era of the super-rich Once upon a time football was run by modest local businessmen. Today it is the plaything of billionaire oligarchs, staggeringly wealthy from oil and gas, from royalty, or from murkier sources. But who are these new masters of the universe? Where did all their money come from? And what do they want with our beautiful game? While almost cloaked in secrecy, the billionaire owner has to raise his head above the bunker when it comes to football ownership – a rare Achilles heel that allows access to worlds normally off limits journalists and outsiders. In the Billionaires Club James Montague delves deeper than anyone ever dared, to tell this story for the first time. He criss-crosses the world – from Dhaka to Doha, from China to Crewe, from St Louis to London, from Bangkok to Belgium – to profile this new elite, their network of money and their influence that defies geographic boundaries. The Billionaires Club is part history of club ownership, part in-depth investigation into the money and influence that connects the super-rich around the globe, and part travel book as he follows the ever-shifting trail around the globe in an attempt to reveal the real force behind modern-day football. At its heart The Billionaires Club is a football book, about some of the biggest clubs in the world. But it is also about something bigger: the world around us, the global economy, where the world is headed and how football has become an essential cog in this machine. The book discusses the dawn European Super League, and the repercussions for the future of the game.

Friendship, deceit, fear, and persecution at an elite boarding school for young women in Rwanda, fifteen years before the 1994 genocide of the Tutsi . . . “Mukasonga’s masterpiece” (Julian Lucas, NYRB) Scholastique Mukasonga drops us into an elite Catholic boarding school for young women perched on the edge of the Nile. Parents send their daughters to Our Lady of the Nile to be molded into respectable citizens and to escape the dangers of the outside world. Fifteen years prior to the 1994 Rwandan genocide, we watch as these girls try on their parents’ preconceptions and attitudes, transforming the lycée into a microcosm of the country’s mounting racial tensions and violence. In the midst of the interminable rainy season, everything unfolds behind the closed doors of the school: friendship, curiosity, fear, deceit, prejudice, and persecution. With masterful prose that is at once subtle and penetrating, Mukasonga captures a society hurtling towards horror.

Two people search for connection in a world of fractured identities and aliases, global finance, big data, intelligence bureaucracies, algorithmic logic, and terror. Jeremy Jordan and Alexandra Chen hope to make a quiet home together but struggle to find a space safe from their personal secrets. For Jeremy, this means leaving behind his former life as an intelligence operative during The Troubles in Northern Ireland. For Alexandra, a high-powered job in image management for whole countries cannot prepare her for her missing brother’s sudden reappearance. In a culture of limitless surveillance, Jeremy and Alexandra will go to great lengths to protect what is closest to them. Spanning decades and continents, their saga brings them into contact with a down-and-out online journalist, shadowy security professionals, and jockeying technology experts, each of whom has a different understanding of whether information really protects us, and how we might build a world worth trusting in our paranoid age.

A witty and charming account of the wildly entertaining Elsie de Wolfe in 1950s Hollywood, recounted by her dear friend, the beloved creator of Madeline Ludwig Bemelmans’ charming intergenerational friendship with the late-in-life “First Lady of Interior Decoration” provides an enormously enjoyable nostalgia trip to the sun-soaked glamour of Los Angeles, where de Wolfe surrounded herself with classic movie stars and a luminous parade of life's oddities. With hilarity and mischief that de Wolfe would no doubt approve, To the One I Love the Best lifts the curtain on 1950s Hollywood--a bygone world of extravagance and eccentricity, where the parties are held in circus tents and populated by ravishing movie stars. Bemelmans, who was working at MGM, had originally come to the California home of de Wolfe just for cocktails but by the end of the night, he was firmly established as a member of the family: given a bedroom in their sumptuous house, invitations to the most outrageous parties in Hollywood, and the friendship of the larger-than-life woman known to her closest friends simply as 'Mother'. To the One I Love the Best (which refers to de Wolfe’s dog) is a touching tribute to a fabulously funny woman and an American icon. Be pretty if you can, be witty if you must, but be gracious if it kills you. - Elsie de Wolfe