This Is A Classic

“Anyone who spends time with Cilla Lee-Jenkins will look forward to reading her in the future.” –Booklist, starred review, on Cilla Lee-Jenkins: Future Author Extraordinaire Priscilla “Cilla” Lee-Jenkins has just finished her (future) bestselling memoir, and now she’s ready to write a Classic. This one promises to have everything: Romance, Adventure, and plenty of Drama—like Cilla’s struggles to “be more Chinese,” be the perfect flower girl at Aunt Eva’s wedding, and learn how to share her best friend. In Cilla Lee-Jenkins: This Book Is a Classic, author Susan Tan seamlessly weaves experiences as a Chinese American with universal stories about being a big sister, making friends, and overcoming fears. Cilla Lee-Jenkins will bulldoze her way into your heart in this winning middle grade novel about family, friendship, and finding your voice.

A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.

“Meeting Cilla felt like making a new best friend.” —Grace Lin, bestselling author of Newbery Honor book Where the Mountain Meets the Moon Priscilla "Cilla" Lee-Jenkins is on a tight deadline. Her baby sister is about to be born, and Cilla needs to become a bestselling author before her family forgets all about her. So she writes about what she knows best—herself! Stories from her bestselling memoir, Cilla Lee-Jenkins: Future Author Extraordinaire, include: - How she dealt with being bald until she was five - How she overcame her struggles with reading - How family traditions with her Grandma and Grandpa Jenkins and her Chinese grandparents, Nai Nai and Ye Ye, are so different Debut author Susan Tan has written a novel bursting with love and humor, as told through a bright, irresistible biracial protagonist who will win your heart and make you laugh. A Chicago Public Library Best Book of 2017 2017 Asian Pacific American Library Association Honor Book

This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

Explores the relationship between the contemporary world and the ancient one.

What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Ankhi Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.

This innovative study explores the emergence, survival, and continued cultural importance of historical texts considered to be 'classics'.

The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.