Thomas Beecham

Thomas Beecham was one of Britain's greatest conductors of orchestral music and opera as well as an entrepreneur and impresario of exceptional energy and brilliant wit. This new life places him - musically, politically and socially - in the troubled times in which he lived and corrects the stories and myths, many of them Beecham's own making, that have grown up around this uniquely gifted and controversial figure.Drawing upon extensive research, Lucas presents new material on his early years, his complicated private life, his father's catastrophic attempt to buy a large part of Covent Garden - which brought the family to its knees financially - and the orchestras and opera companies that Beecham founded. New light is shed on his visits to Nazi Germany and his view of its leaders, as well as the much misunderstood and previously unchronicled years of the Second World War, which he spent in Australia and America.Thomas Beecham: An Obsession with Music will change the way we view this complex personality and remain the standard biography for years to come.JOHN LUCAS was on the staff of the Observer for 25 years, completed Peter Heyworth's monumental biography of Otto Klemperer, wrote the biography of Reginald Goodall, and is responsible for the current entries on Beecham and Klemperer in the New Grove.BEECHAM IN REHEARSAL: This book will include a full-length CD of Beecham rehearsing the RPO. It features music by Haydn, Mozart, Handel, Liszt and a remarkable movement from Beethoven's 5th Symphony.

Sir Thomas Beecham is often described as having 'championed' the music of Frederick Delius, and this is no exaggeration. From the moment he heard Delius's music as a young man, Beecham was captivated by its strange, romantic beauty, and its hold on him remained firm. During the next 50 years, he promoted Delius's music through a series of unrivalled performances, unearthing early pieces, arranging others and recording most of them, sometimes more than once. Lyndon Jenkins provides the first in-depth study of this extraordinary creative relationship. Starting with the first meeting of the composer and conductor in 1907, Jenkins charts Beecham's gradual introduction of Delius's compositions to British and foreign audiences, the operatic premis and revivals, the Delius festivals that he organized in 1929 and 1946, and the formation of the Delius Trust upon the composer's death in 1934. Also described is Beecham's continuing crusade for Delius's music up to his own death in 1961, which included a model edition of the scores, a biography and an internationally celebrated recorded legacy. The book includes a critical discography. Lyndon Jenkins provides a vivid account of an achievement that remains without parallel in the history of British music.

Rather than retelling all the well-known stories and witticisms, which have been repeated many times elsewhere, Alan Blackwood offers a detailed account of the life and achievements of this figure. A conductor of genius (perhaps the greatest that England has produced), largely self-taught, a musician who enjoyed the affections and respect of almost all his colleagues, Beecham was also an impresario of tireless energy and vision. He was the founder of orchestras and opera companies, and the vigorous promoter of then unfashionable composers like Richard Strauss and Delius. He was also largely responsible for the revival of interest in Mozart after long years of neglect. This chronicle of his eventful life confirms Beecham's place in British musical history, and eminence achieved by few in this century.

A collection of anecdotes, sayings and impressions of Sir Thomas Beecham.

Dorsal Finn is a sleepy town, nestled in a small crescent shaped bay, facing the gleaming Atlantic Ocean. In its one hundred and ninety-eight year history the town has come to know mystery and skullduggery like the dearest of friends, so much so it has now become quite normal to have the odd explosion here or missing person there without many of the townsfolk raising as much as an eyebrow. And it is in the town of Dorsal Finn that one Beatrice Beecham now resides, a girl of remarkable talent amongst which is an absolute, innate gift for finding trouble. Within these pages are all kinds of trouble: witches, shaman, and sea monsters, to name but a few. Yet Beatrice is to find out that of all the terrible things lurking in the shows of Dorsal Finn, the biggest threat may come from the town itself.

Never be stuck for a wicked line again! - the ultimate collection of insults Here is the biggest and best ever collection of insults and sharp retorts for when you just wish you could have thought of something faster. Editor Geoff Tibballs presents over 5000 come-backs, put-downs, snaps, insults, unadmiring quips and quotes, for every occasion. From the most elegant of studied insults to the wickedest of putdowns, from the language of the street to the literary, political, and entertainment worlds, from playground insults to sports, family and marriage jibes - here is every possible barb you could ever need, guaranteed to crack up all those around you. As an outsider, what do you think of the human race? Your mother's so fat, she has her own area code. Are your parents siblings? Anyone who told you to be yourself couldn't have given you worse advice. Is there no beginning to your talents? You'd be out of your depth in a puddle. Don't you need a licence to be that ugly? I'd like to see things from your point of view but I can't get my head that far up my arse. I'd love to go out with you but I have to worm my dog.

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.