Thoreau S Botany

Thoreau’s last years have been the subject of debate for decades, but only recently have scholars and critics begun to appreciate the posthumous publications, unfinished manuscripts, and Journal entries that occupied the writer after Walden (1854). Until now, no critical reader has delved deeply enough into botany to see how Thoreau’s plant studies impact his thinking and writing. Thoreau’s Botany moves beyond general literary appreciation for the botanical works to apply Thoreau’s extensive studies of botany—from 1850 to his death in 1862—to readings of his published and unpublished works in fresh, interdisciplinary ways. Bringing together critical plant studies, ecocriticism, and environmental humanities, James Perrin Warren argues that Thoreau’s botanical excursions establish a meeting ground of science and the humanities that is only now ready to be recognized by readers of American literature and environmental literature.

The first collection of Thoreau's writings on the flowering plants of Concord, with more than 200 drawings by renowned artist Barry Moser Some of Henry David Thoreau's most beautiful nature writing was inspired by the flowering trees and plants of Concord. An inveterate year-round rambler and journal keeper, he faithfully recorded, dated, and described his sightings of the floating water lily, the elusive wild azalea, and the late autumn foliage of the scarlet oak. This inviting selection of Thoreau's best flower writings is arranged by day of the year and accompanied by Thoreau's philosophical speculations and his observations of the weather and of other plants and animals. They illuminate the author's spirituality, his belief in nature's correspondence with the human soul, and his sense that anticipation--of spring, of flowers yet to bloom--renews our connection with the earth and with immortality. Thoreau's Wildflowers features more than 200 of the black-and-white drawings originally created by Barry Moser for his first illustrated book, Flowering Plants of Massachusetts. This volume also presents "Thoreau as Botanist," an essay by Ray Angelo, the leading authority on the flowering plants of Concord.

Henry David Thoreau went alone to Walden Pond in 1845 and observed the ferns and turtleheads, the sundrops and spatterdocks, and the other beautiful native plants that formed a natural garden around his cabin. He walked the woods and fields and penned his observations in his journals. Noted plantsman Peter Loewer combines excerpts from Thoreau's diaries with his own botanical illustrations and comments.

Some of Henry David Thoreau’s most beautiful nature writing was inspired by the flowering trees and plants of Concord. An inveterate year-round rambler and journal keeper, he faithfully recorded, dated, and described his sightings of the floating water lily, the elusive wild azalea, and the late autumn foliage of the scarlet oak. This inviting selection of Thoreau’s best flower writings is arranged by day of the year and accompanied by Thoreau’s philosophical speculations and his observations of the weather and of other plants and animals. They illuminate the author’s spirituality, his belief in nature’s correspondence with the human soul, and his sense that anticipation—of spring, of flowers yet to bloom—renews our connection with the earth and with immortality. Thoreau’s Wildflowers features more than 200 of the black-and-white drawings originally created by Barry Moser for his first illustrated book, Flowering Plants of Massachusetts. This volume also presents “Thoreau as Botanist,” an essay by Ray Angelo, the leading authority on the flowering plants of Concord.

Faith in a Seed contains the hitherto unpublished work The Dispersion of Seeds, one of Henry D. Thoreau's last important research and writing projects, and now his first new book to appear in 125 years. With the remarkable clarity and grace that characterize all of his writings, Thoreau describes the ecological succession of plant species through seed dispersal. The Dispersion of Seeds, which draws on Charles Darwin's theory of natural selection, refutes the then widely accepted theory that some plants spring spontaneously to life, independent of roots, cuttings, or seeds. As Thoreau wrote: "Though I do not believe a plant will spring up where no seed has been, I have great faith in a seed. Convince me that you have a seed there, and I am prepared to expect wonders." Henry D. Thoreau's Faith in a Seed, was first published in hardcover in 1993 by Island Press under the Shearwater Books imprint, which unifies scientific views of nature with humanistic ones. This important work, the first publication of Thoreau's last manuscript, is now available in paperback. Faith in a Seed contains Thoreau's last important research and writing project, The Dispersion of Seeds, along with other natural history writings from late in his life. Edited by Bradley P. Dean, professor of English at East Carolina University and editor of the Thoreau Society Bulletin, these writings demonstrate how a major American author at the height of his career succeeded in making science and literature mutually enriching.

Thoreau presents information about the "'unnoticed wild berry whose beauty annually lends a new charm to some wild walk, '" along with what "may be considered Thoreau's last will and testament, in which he protests our desecration of the landscape, reflects on the importance of preserving wild space 'for instruction and recreation, ' and envisions a new American scripture."--Jacket.

Thoreau's Living Ethics is the first full, rigorous account of Henry Thoreau's ethical philosophy. Focused on Walden but ranging widely across his writings, the study situates Thoreau within a long tradition of ethical thinking in the West, from the ancients to the Romantics and on to the present day. Philip Cafaro shows Thoreau grappling with important ethical questions that agitated his own society and discusses his value for those seeking to understand contemporary ethical issues. Cafaro's particular interest is in Thoreau's treatment of virtue ethics: the branch of ethics centered on personal and social flourishing. Ranging across the central elements of Thoreau's philosophy--life, virtue, economy, solitude and society, nature, and politics--Cafaro shows Thoreau developing a comprehensive virtue ethics, less based in ancient philosophy than many recent efforts and more grounded in modern life and experience. He presents Thoreau's evolutionary, experimental ethics as superior to the more static foundational efforts of current virtue ethicists. Another main focus is Thoreau's environmental ethics. The book shows Thoreau not only anticipating recent arguments for wild nature's intrinsic value, but also demonstrating how a personal connection to nature furthers self-development, moral character, knowledge, and creativity. Thoreau's life and writings, argues Cafaro, present a positive, life-affirming environmental ethics, combining respect and restraint with an appreciation for human possibilities for flourishing within nature.