Three Connecticut Composers

First Published in 1997. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American com posers in accurate editions for both performance and study. This volume presents the music of three composers who were active and influential in northwestern Connecticut during the 1780s and 1790s: Oliver Brownson, Alexander Gillet, and Solomon Chandler.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1997. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American com posers in accurate editions for both performance and study. This volume presents the music of three composers who were active and influential in northwestern Connecticut during the 1780s and 1790s: Oliver Brownson, Alexander Gillet, and Solomon Chandler.

Part of the Music of the NEW AMERICAN NATION Sacred Music From 1780 To 1820 series. The collected works of Lewis Edson (1748-1820) Lewis Edson Jr. (1771-1845) and Nathaniel Billings (fl. 1794-1795

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1996. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents the collected works of Joseph Stone (1758-1837), one of the most interesting and prolific of American psalmodists

This is the first modern edition of the collected works of Supply Belcher, Maine's most celebrated early composer, who was known in his day as the Handel of Maine. During the late eighteenth and early nineteenth centuries, Maine was part of the northeastern frontier, a sparsely settled area that held to the old ways. Thus, its compilers reprinted and singers sang the music of Billings, Read, Swan, Holden, and other Yankee psalmodists long after a reform movement had swept them from the galleries of southern New-England churches. Belcher was a man much honored in the region as a musician, a public servant, and a civic leader. Following military service in the Revolutionary War, he opened Belcher's Tavern, where local musicians frequently gathered for sings. In addition to being a composer, Belcher was also a singer, a violinist, and a prominent member of the Stoughton Musical Society. He published seventy-four works between l788, when his first tune appeared in print, and 1819, when his final contributions to psalmody were issued. As this edition of his collected works reveals, his vigorous and skillful pieces show him to have been an original and creative spirit in psalmody, and even today are worthy of attention and performance.

First Published in 1998. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents selected music by one of the best known and most prolific composers of New England psalmody during the late eighteenth and early nineteenth centuries. Oliver Holden was a native and life-long resident of Massachusetts.