Three Drops Of Blood

The title story, Three Drops of Blood, follows the protagonist's increasingly unstable mental state through the repeated occurrence of three drops of blood, while 'Hadji Murat' depicts an almost Joycean epiphany in classically understated terms, as a man mistakes another woman for his wife. These are stories which, though set in a distinctive milieu, deal with universal truths and cut to the very essence of humanity.

Meghianna was chosen as the next Queen of Snows before she was born. Megassa, her sister, should never have been born. Mrillis watches both daughters of the Warhawk as they grow up and choose the paths of their lives. They could be part of the fulfillment of the prophecy of the Three Drops of Blood-but which one will wait, and which one will abominate? The choices the sisters and their teachers make could affect the destiny of the World for centuries to come.

Mercenary King Chen Yang returned to the city to protect his comrade's sister, the goddess. In the bustling city, Chen Yang was like a fish in water, carefree and at ease. And to see how the previous generation's soldiers would use their iron fists and wits to build a business empire...

Writing in a clear and readable style, two leading women of the Jungian school of psychology present this legend as a living myth that is profoundly relevant to modern life. 17 illustrations.

The chapters in this study cover the four major Middle Eastern languages (Arabic, Hebrew, Persian, and Turkish) and are authored by experts in these literatures, who read and engage with these texts in their original languages. Their intimate knowledge of the linguistic and cultural contexts of the works they analyse provides readers access to nuances in the texts and, ultimately, to a more profound understanding of them. This is the first cohesive collection addressing the Gothic in the geographic/linguistic context of the Middle East region. There has been increased interest not only in global iterations of the Gothic but also in Middle Eastern writing, particularly when it intersects with the Gothic (i.e. Frankenstein in Baghdad). The Introduction of the volume offers a new theorisation of Gothic literature, proposing the "transnational region" as a frame for reading literary texts that cross national and linguistic boundaries.

A Good Girls Guide to Murder meets Hitchcock in this novel from celebrated author Gretchen McNeil. A mundane office job takes a dark turn when a girl witnesses a double murder through the window. Being an actress, Kate is no stranger to drama. And when her chance at a leading role gets cancelled, she is willing to do whatever it takes to get her acting career back on track even if that means getting a boring office job at her best friend's father's law firm so she can prove to her parents she can to support herself rather than go back to high school. Now, rather than living life on the big screen, she is stuck filing mundane contracts and watching the people in the office across from hers live their equally boring lives. But when Kate sees things heat up between a woman and her assistant, her new source of entertainment take a turn for the worse when she witnesses a double murder. Now, she must get anyone to believe her and find out who this mystery woman is to get answers. But as she learns more and more about the circumstances leading to the gruesome act, she begins to realize there is a bigger mystery under the surface... In this voyeuristic thriller filled with twists and turns, can Kate get anyone to believe her before she becomes the next victim?