Three Roses And A Thorn

Three Roses and a Thorn is the stunning debut of an innovative storyteller. It is the story of three generations of Latina women coming to terms with addictive behaviors, dysfunctional traits, and the representational similarities of being fatherless daughters. Rebecca M. Elizondo writes from the heart with an optimistic sarcasm; Alma, the grandmother, an uncompromising 89-year-old woman battling the final stages of Alzheimer’s who aims to make sure her tribe is taken care of after she dies. Esperanza, a carefree, optimistic force, also known as Hope, has diligently journaled her whole life including the struggles of caring for her and realizing her daughter will soon leave the nest. Gabriella, an outspoken, jovial young woman who brings laughter into everyday life must decide whether to begin a new start on a great opportunity as a journalist. From the time Hope was a child, Mother's Day was celebrated at the family beach house. In reminiscence, Alma recalls the days when she was raised in Mazatlán, Mexico, before immigrating with her five sons to the United States. Trying to reconcile what she believes about love her whole life with what she doesn’t know about why family secrets exist. Keeping this balance is essential for Hope when she navigates the inevitable of her mom’s illness and letting her daughter go simultaneously. A realization that they are all in this together will ultimately ensure the pain of the past and future. The turbulent cycle of inherited traits and life complications is dismantled when Rebecca depicts a family of women whose bond is impenetrable and is battling Alzheimer’s. It is through her work she has bridged the old and new, allowing a better understanding of what it means to be a Mexican woman, which is to confront adversity with strength and dignity.

Three Roses and a Thorn is the stunning debut of an innovative storyteller. It is the story of three generations of Latina women coming to terms with addictive behaviors, dysfunctional traits, and the representational similarities of being fatherless daughters. Rebecca M. Elizondo writes from the heart with an optimistic sarcasm; Alma, the grandmother, an uncompromising 89-year-old woman battling the final stages of Alzheimer's who aims to make sure her tribe is taken care of after she dies. Esperanza, a carefree, optimistic force, also known as Hope, has diligently journaled her whole life including the struggles of caring for her and realizing her daughter will soon leave the nest. Gabriella, an outspoken, jovial young woman who brings laughter into everyday life must decide whether to begin a new start on a great opportunity as a journalist. From the time Hope was a child, Mother's Day was celebrated at the family beach house. In reminiscence, Alma recalls the days when she was raised in Mazatlán, Mexico, before immigrating with her five sons to the United States. Trying to reconcile what she believes about love her whole life with what she doesn't know about why family secrets exist. Keeping this balance is essential for Hope when she navigates the inevitable of her mom's illness and letting her daughter go simultaneously. A realization that they are all in this together will ultimately ensure the pain of the past and future. The turbulent cycle of inherited traits and life complications is dismantled when Rebecca depicts a family of women whose bond is impenetrable and is battling Alzheimer's. It is through her work she has bridged the old and new, allowing a better understanding of what it means to be a Mexican woman, which is to confront adversity with strength and dignity.

Elcor Vincent Aragundi lived his career as a professional racing jockey, but as a native from Ecuador born in Quito, he was first inspired with poetry by his mother when he was still a boy. Between then and the moment he had grown, he began to write poetry in Spanish when he was still in school. He continued to write through the years even after he came to the United States back in March of 1954. Not knowing a word of English when he stepped off the plane in Florida, he ended up getting lost at a bus stop to eat. He returned unable to match the bus he was on with that of the number he held. The bus driver had unknowingly left without him. It took two hours before they could find someone that would translate. English has always been a huge struggle for him, though he desperately wanted to learn. It at times would leave him frustrated from the defied opportunities from his inability to communicate and adapt into the language. That was then; now a proud American citizen celebrating his fifty-fifth year in the United States, he is a renowned poet with trophies, medals, and merits awarded to him for his work, his passion, and his art. Recognized by the International Society of Poets in Owings Mills, Maryland, “A Flight in the Night” was published back in 2002 by the International Library of Poetry. He has been writing in English now for twenty-five years. With over a hundred poems written, half of them reside in Spanish, and the other half in English. His work is not only a milestone but an inspiration of the heart that proves yet that nothing can stand in the way of his love for poetry.

1850-1931 (v. 1-40) include reports and papers of the Yorkshire Architectural and York Archaeological Society, and some years, of the Worcestershire Archaeological Society, of the Leicestershire Archaeological Society and of other similar societies.