Three Tales Of Monkey

Three folk tales from the Far East: How music began, from Cambodia; The Pearl Necklace, from Ceylon; and The Monkey and Mr. Janel Sinna, popular in many countries.

A collection of wintertime stories follows George the curious monkey as he wraps a Christmas present, has fun playing in the snow, and tries to hibernate through the cold winter like a bear.

Rediscover the classic fantasy trilogy beginning with Newbery Honor winner My Father's Dragon in this 50th anniversary edition that includes three timeless tales in one, with original illustrations! A perfect family read aloud that has delighted parents and children for generations--this is the perfect gift to share some magic this Father's Day! My Father's Dragon When Elmer Elevator hears about the plight of an overworked and underappreciated baby flying dragon, he stows away on a ship and travels to Wild Island to rescue the dragon. Elmer and the Dragon A stand-alone sequel to My Father's Dragon, in which Elmer Elevator and the flying baby dragon help the king of the canaries find treasure. The Dragons of Blueland In this third and final installment of the classic My Father's Dragon trilogy, Boris, the baby dragon, is excited to be heading home to Blueland and looks forward to reuniting with his family.

Whether you want to become a full time storyteller, expand your storytelling repertoire, or simply hire a storyteller, this guide is for you. Everything you want to know about the profession of storytelling can be found in the book. It will help you sell yourself as a freelance storyteller to schools, libraries, museums, festivals, and other events and organizations. It covers the importance of learning from others; how to organize your time, office, and research; and how to use brochures, business cards, press releases, flyers, mailings, showcases, performer lists, and giveaways to get bookings. She also offers advice on dealing with the competition; preparing yourself for your audience, bookers, and performance area; and problem prevention and solution. Prejudice, censorship, and other issues related to storytelling are highlighted in the final chapter, and an appendix contains How to Host a Freelance Storyteller at Your School or Library. Teachers, librarians, clowns, actors, puppeteers, homemakers, and anyone else interested in storytelling professionally will want this book.

Xiang Kairan, who wrote under the pen name “the Unworthy Scholar from Pingjiang,” is remembered as the father of modern Chinese martial arts fiction, one of the most distinctive forms of twentieth-century Chinese culture and the inspiration for China’s globally popular martial arts cinema. In this book, John Christopher Hamm shows how Xiang Kairan’s work and career offer a new lens on the transformations of fiction and popular culture in early-twentieth-century China. The Unworthy Scholar from Pingjiang situates Xiang Kairan’s career in the larger contexts of Republican-era China’s publishing industry, literary debates, and political and social history. At a time when writers associated with the New Culture movement promoted an aggressively modernizing vision of literature, Xiang Kairan consciously cultivated his debt to homegrown narrative traditions. Through careful readings of Xiang Kairan’s work, Hamm demonstrates that his writings, far from being the formally fossilized and ideologically regressive relics their critics denounced, represent a creative engagement with contemporary social and political currents and the demands and possibilities of an emerging cultural marketplace. Hamm takes martial arts fiction beyond the confines of genre studies to situate it within a broader reexamination of Chinese literary modernity. The first monograph on Xiang Kairan’s fiction in any language, The Unworthy Scholar from Pingjiang rewrites the history of early-twentieth-century Chinese literature from the standpoints of genre fiction and commercial publishing.

Eighteen humorous tales of the macabre and supernatural from W.W. Jacobs, including his classic, “The Monkey’s Paw.” Considered one of the foremost humorists in England at the turn of the century, W.W. Jacobs (1863–1943) is best known for his masterpiece of horror, “The Monkey’s Paw.” He was the author of thirteen volumes of short stories—all of which were commercially successful—and eighteen of these are included together for the first time in this gripping collection of macabre fiction. This book features Gothic narratives, stories of the macabre and supernatural tales. But they are also infused with shrewd and sardonic humor, for which Jacobs was justifiably famous. They demonstrate vividly his masterful instinct for weaving terror and suspense into scenes of ordinary life. His boyhood memories of South Devon Wharf lend authenticity to the many stories with nautical backgrounds or that feature seamen as protagonists. Because of its immense popularity, “The Monkey’s Paw” has tended to overshadow a good deal of Jacobs’ other work, and it is undoubtedly the most readily recognized and by far the most anthologized story in the collection. But readers will be delighted to know that Jacobs’ craftmanship is abundantly apparent in many of his other tales, as they will discover in this volume. Horror and mystery aficionados will be intrigued and delighted by his range of skillful and witty prose; and they will at last come to appreciate a writer whose other work has been for so long “lost” to the general public. “Eighteen of [Jacobs’] admirably rich stories are gathered in this collection, which shows off to advantage his absolute mastery of the form. Obvious in his stories is a vein of humor, regardless of whether they are conventional mysteries or tales of the macabre or the supernatural. . . . These stories will be at home in the hands of any admirer of the form.” —Booklist