Through The Daemon S Gate

This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.

This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed considerable popularity among medieval authors, including Geoffrey Chaucer, Dante, John of Salisbury, Macrobius, and Alan of Lille. He examines the generic conventions of the cosmic dream, also studying the poetic and theological sensibilities underlying the categories of dreams formulated by Macrobius and Artemidorus that were widely used to interpret specific symbols in dreams and to assess their overall reliability. Swinford develops a key claim about the form of the Somnium as it relates to early science: Kepler relies on a genre that is closely connected to a Ptolemaic, or earth-centered, model of the cosmos as a way of explaining and justifying a model of the cosmos that does not posit the same connections between the individual and the divine that are so important for the Ptolemaic model. In effect, Kepler uses the cosmic dream to describe a universe that cannot lay claim to the same correspondences between an individual’s dream and the order of the cosmos understood within the rules of the genre itself. To that end, Kepler’s Somnium is the first example of science fiction, but the last example of Neoplatonic allegory.

This book is about the weird and wonderful lesser-known ‘spirit’ entities of ancient Egypt –daemons, the mysterious and often fantastical creatures of the Egyptian ‘Otherworld’ – and the closely related spirits of the dead, which together conjure the excitement of all things otherworldly. Daemons and spirits are generally defined in Egyptology as creatures not of this world, which do not have their own cult centre, and both groups are frequently listed together in protective spells. This volume explores the general nature of daemons and spirits in ancient Egypt and discusses a selection in more detail: it uses artefacts from Wales’s important collection of Egyptian objects at the Egypt Centre at Swansea University, in which are to be found a dwarf daemon with sticking out tongue; several guardian daemons of the Otherworld; creatures who are part snake and part feline; spirits of deceased humans; and a Greek satyr Silenus, companion to the wine god Dionysus.

There is a new Saviour in the Land - but the people may come to regret the 'peace' he offers ... Lord Isak is dead, his armies and entire tribe in disarray. It falls to King Emin to continue the war alone, and the Menin are only too happy to meet his challenge. In Byora, Ruhen is developing his 'Saviour' persona. The Harlequins start preaching in his name and many of the pilgrims who flock to him are recruited to be 'Children', disciples who spread Ruhen's message. All over the Land people are starting to see Ruhen as the answer to their troubles. A showdown is coming: battle lines are finally drawn and the atrocities quickly mount. The spectre of the Great War looms, but in this age the Gods cannot and will not come to King Emin's aid. With the peoples of the Land turning against Emin and his few remaining allies, their only chance for survival lies in the hands of a dead man.

Prince Snarmis is a giant of a man, one of the strongest in the kingdom of Psykoria. But although he towers above his peers, Snarmis’s skill at fighting fails to impress his father, whose approval he seeks. His close friend Celtor, leader of a mysterious and hermetic group of forest-dwellers, advises him to seek help from werewolves. Before he sets off, Serenity, a young, enthusiastic and naïve member of the tribe, pleads with him to take her with him to give her a taste of life beyond the forest. He is giving Serenity a tour of Psykoria’s capital, when the country is invaded by the daemons – terrifying, blood-thirsty monsters set only on death and destruction. Snarmis realises he must become a great warrior or die in the attempt, and accept help from anyone willing to offer it – including Serenity. Snarmis’s quest is no longer just about proving himself, for if he fails now, Psykoria will be reduced to ruins. If you like action-packed fantasy with lots of character development set in a world filled with almost every magic creature you can think of, then you'll love this heroic fantasy tale. Get Champion’s Rising now and witness Psykoria’s greatest stand.

A complete history and theory of internet daemons brings these little-known—but very consequential—programs into the spotlight We’re used to talking about how tech giants like Google, Facebook, and Amazon rule the internet, but what about daemons? Ubiquitous programs that have colonized the Net’s infrastructure—as well as the devices we use to access it—daemons are little known. Fenwick McKelvey weaves together history, theory, and policy to give a full account of where daemons come from and how they influence our lives—including their role in hot-button issues like network neutrality. Going back to Victorian times and the popular thought experiment Maxwell’s Demon, McKelvey charts how daemons evolved from concept to reality, eventually blossoming into the pandaemonium of code-based creatures that today orchestrates our internet. Digging into real-life examples like sluggish connection speeds, Comcast’s efforts to control peer-to-peer networking, and Pirate Bay’s attempts to elude daemonic control (and skirt copyright), McKelvey shows how daemons have been central to the internet, greatly influencing everyday users. Internet Daemons asks important questions about how much control is being handed over to these automated, autonomous programs, and the consequences for transparency and oversight.

This book offers detailed readings of relevant works by Blake, Shelley and Keats, to bring together what is loosely termed as Hermetic tradition, British Romantic poetry and responses to the present crises regarding our life on the planet, including those linked to the notion of posthumanism. This conjunction of forces, so to speak, points beyond the boundaries erected by general sociological complacency and the acceptance of humankind as the centre of existence on Earth, to affirm the value of the non-human world and the possibilities inherent in an awareness of its subtler manifestations. Although the idea of spiritual agency might stretch the bounds of credulity, for centuries the inspired imagination has been considered daemonic; that is, it brings to artists and poets (and certain scientists, indeed) a sense of heightened consciousness, seemingly from beyond the self. Whatever causality may be at play here, it is clear that instances of an exalted outlook on life exist in abundance in the poetry of Blake, Shelley and Keats. The present book explores them and their implications.

'A remarkable series' SFFANZ She's the Empress of the Fall . . . and her empire is falling apart. Represents modern epic fantasy at its best - Fantasy Book Critic Lyra, Queen of Rondelmar, has fought enemies without and within, dealt with grief and loss, embraced forbidden magic, found her father and borne a child - and still it isn't enough. Her enemies are on the march and the Rondian Empire is collapsing. But a more dangerous adversary is out there . . . and he is winning. Ervyn Naxius, amoral genius, has unleashed war on two continents and is now laughing as the world of Urte tears itself apart. Kings and priests dance to his tune and his daemonic followers are spreading through the lands, but still he isn't satisfied. His ultimate goal - absolute control of all life - is finally within his reach . . . Are these the Last Days, when the daemons rise up to claim the world? From snowbound Mollachia to the beleaguered walls of Norostein, from the poisonous court of the new sultan to the deadly intrigues of Pallas, the omens are clear. Only Lyra and a handful of other heretical dwymancers have grasped the true danger - and they won't give up until every last hope is buried . . .