Through Us With Us In Us

Skookum, cultus, hyack, saltchuck, klahowya, tillicum: It is in words like these that the last vestiges of a lost British Columbian language remain. It was known as Chinook. Its use today is mainly confined to colloquialisms, and place names like Boston Bar, Canim Lake, Illahee Mountain, Snass Creek, and Skookumchuck. It began as a trading jargon, but it soon evolved into a distinct West Coast tongue. Down through the years, as many as a quarter of a million people relied on it. Chinook was an everyday necessity.A Voice Great Within Us consists of an introductory essay by Glavin exploring the development and spread of Chinook throughout the West Coast, and the place it continues to have in our history; the Chinook poem, Rain Language; Lillard's own essay on the part that Chinook played in his own life and exploration of British Columbia. In addition, A Voice Great Within Us includes a lexicon containing hundreds of Chinook words and expressions and a map and gazetteer of British Columbia, showing eighty Chinook place names in this province.A Voice Great Within Us is Number 7 in the Transmontanus series of books edited by Terry Glavin.

James Charlton has produced a ringing indictment of disability oppression, which, he says, is rooted in degradation, dependency, and powerlessness and is experienced in some form by five hundred million persons throughout the world who have physical, sensory, cognitive, or developmental disabilities. Nothing About Us Without Us is the first book in the literature on disability to provide a theoretical overview of disability oppression that shows its similarities to, and differences from, racism, sexism, and colonialism. Charlton's analysis is illuminated by interviews he conducted over a ten-year period with disability rights activists throughout the Third World, Europe, and the United States. Charlton finds an antidote for dependency and powerlessness in the resistance to disability oppression that is emerging worldwide. His interviews contain striking stories of self-reliance and empowerment evoking the new consciousness of disability rights activists. As a latecomer among the world's liberation movements, the disability rights movement will gain visibility and momentum from Charlton's elucidation of its history and its political philosophy of self-determination, which is captured in the title of his book. Nothing About Us Without Us expresses the conviction of people with disabilities that they know what is best for them. Charlton's combination of personal involvement and theoretical awareness assures greater understanding of the disability rights movement.

The Assiniboia school is unique within Canada’s Indian Residential School system. It was the first residential high school in Manitoba and one of the only residential schools in Canada to be located in a large urban setting. Operating between 1958 and 1973 in a period when the residential school system was in decline, it produced several future leaders, artists, educators, knowledge keepers, and other notable figures. It was in many ways an experiment within the broader destructive framework of Canadian residential schools. Stitching together memories of arrival at, day-to-day life within, and departure from the school with a socio-historical reconstruction of the school and its position in both Winnipeg and the larger residential school system, Did You See Us? offers a glimpse of Assiniboia that is not available in the archival records. It connects readers with a specific residential school and illustrates that residential schools were often complex spaces where forced assimilation and Indigenous resilience co-existed. These recollections of Assiniboia at times diverge, but together exhibit Survivor resilience and the strength of the relationships that bond them to this day. The volume captures the troubled history of residential schools. At the same time, it invites the reader to join in a reunion of sorts, entered into through memories and images of students, staff, and neighbours. It is a gathering of diverse knowledges juxtaposed to communicate the complexity of the residential school experience.

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World-renowned New Testament scholar offers a straightforward examination of what the Bible says about the Holy Spirit. Who exactly is the Holy Spirit? What does he do in our lives? How can we know him more deeply, and is it possible to tap into his power? Should we pray to the Holy Spirit? Is it possible to be aware of his promptings and speaking into our lives? Dr. Scot McKnight answers these questions and more in this comprehensive examination of what the Bible says about this divinely important, but often confusing member of the Trinity. This is the third work in a three-part series examining some of the more mysterious components of the Christian faith. Scot's The Heaven Promise examines the afterlife. The Hum of Angels elucidates the Bible's teaching on God's supernatural messengers and protectors. Now, Open to the Spirit examines the most mysterious member of the Trinity. Scot blogs at Patheos, a large multi-perspective blog format. It serves many influential voices from many faith and non-faith traditions. Scot's blog draws primarily a Christian readership; one that is looking for intellectual engagement and thoughtful analysis of Scripture, Theology, and Culture.

Winner of the 2014 Scotiabank Giller Prize A beautiful, haunting novel inspired by the true life and loves of the famed Russian scientist, inventor and spy Lev Termen – creator of the theremin. Us Conductors takes us from the glamour of Jazz Age New York to the gulags and science prisons of the Soviet Union. On a ship steaming its way from Manhattan back to Leningrad, Lev Termen writes a letter to his “one true love”, Clara Rockmore, telling her the story of his life. Imprisoned in his cabin, he recalls his early years as a scientist, inventing the theremin and other electric marvels, and the Kremlin’s dream that these inventions could be used to infiltrate capitalism itself. Instead, New York infiltrated Termen – he fell in love with the city’s dance clubs and speakeasies, with the students learning his strange instrument, and with Clara, a beautiful young violinist. Amid ghostly sonatas, kung-fu tussles, brushes with Chaplin and Rockefeller, a mission to Alcatraz, the novel builds to a crescendo: Termen’s spy games fall apart and he is forced to return home, where he’s soon consigned to a Siberian gulag. Only his wits can save him, but they will also plunge him even deeper toward the dark heart of Stalin’s Russia. Us Conductors is a book of longing and electricity. Like Termen’s own life, it is steeped in beauty, wonder and looping heartbreak. How strong is unrequited love? What does it mean when it is the only thing keeping you alive? This sublime debut inhabits the idea of invention on every level, no more so than in its depiction of Termen’s endless feelings for Clara – against every realistic odd. For what else is love, but the greatest invention of all? “Michaels’ book is based on the life of Lev Termen, the Russian-born inventor of the Theremin, the most ethereal of musical instruments. As the narrative shifts countries and climates, from the glittery brightness of New York in the 1920s to the leaden cold of the Soviet Union under Stalin, the grace of Michaels’s style makes these times and places seem entirely new. He succeeds at one of the hardest things a writer can do: he makes music seem to sing from the pages of a novel.” —Giller Prize Jury Citation