Tibetan Art Calendar 2020

The Tibetan Calendar New Year is the most important festival for Tibetan people. This book introduces the origin, development, dissemination and traditions of the Tibetan Calendar New Year festival.Tibet is a less explored region in China and its traditional New Year is mysterious and less known to the rest of the world. This book aims to introduce the traditions of their New Year to global readers. This book will bring a new image of Tibetan people celebrating their unique New Year to global readers. CONTENTSHistory of the Tibetan New YearConventions of Tibetan New YearCelebrations During Tibetan New YearConventions of Tibetan New Year in the Tibetan AreasInheritance and Transition of Tibetan New YearThe book includes illustrations, tables and graphics.

The rich artistic heritage of Tibet reveals the depths of meditations of great masters, translated into the majestic abundance of iconic symbols that take the form of three-dimensional images or two-dimensional thankas. Tibetan Art is a comprehensive introduction to the complex iconography of thankas. It provides a glimpse of the mindground of this art and the land where it flourished. Although Tibetan Art portrays the historic Buddha Sakyamuni, the arhats, spiritual masters, great lamas, and founders of different religious lineages, the preponderance of its images depict supramundane beings. Predominantly these are: the Buddhas, Bodhisattvas, female deities, protectors or tutelary gods (yi-dams), defenders of the faith, guardians of the four cardinal points, minor deities and supernatural beings.

Find out what's going on any day of the year, anywhere across the globe! The world’s date book since 1957, Chase's is the definitive, authoritative, day-by-day resource of what the world is celebrating and commemorating. From national days to celebrity birthdays, from historical anniversaries to astronomical phenomena, from award ceremonies and sporting events to religious festivals and carnivals, Chase's is the must-have reference used by experts and professionals—a one-stop shop with 12,500 entries for everything that is happening now or is worth remembering from the past. Completely updated for 2020, Chase's also features extensive appendices as well as a companion website that puts the power of Chase's at the user's fingertips. 2020--a leap year--is packed with special events and observances, including National days and public holidays of every nation on Earth The total solar eclipse The 100th anniversary of US women's suffrage (19th Amendment passed) The 75th anniversary of the end of WWII and the atomic bombings of Hiroshima and Nagasaki The 250th birth anniversary of Ludwig van Beethoven The 100th birth anniversary of Ray Bradbury The 50th anniversary of the Beatles' break up The Tokyo Olympic Games Scores of new special days, weeks and months, such as International Go-Kart Week, National Goat Yoga Month or National Catch and Release Day Birthdays of new world leaders, office holders, and breakout stars And much more! All from the reference book that Publishers Weekly calls "one of the most impressive reference volumes in the world."

From the highly respected authors of Abrams' acclaimed Wisdom and Compassion: The Sacred Art of Tibet comes a new volume devoted to 200 sublime Tibetan thangka paintings from the premier New York collection of Shelley and Donald Rubin. The works span the 12th through 20th centuries and the spectrum of Tibetan artistic schools; each one is reproduced in color and most are published here for the first time.This magnificent volume presents an analysis of each painting in terms of iconography and religious meaning, style, regional lineage, and sources. In addition, David Jackson discusses the paintings of the Kagyupa order in the Rubin Collection.This volume continues the authors' groundbreaking efforts to understand the complexity of Tibetan art, and seeks to make these splendid and profound works accessible to a wider public.

Constructed between 1945 and 1947 by Jacques Marchais (the professional name of Jacqueline Klauber), the Jacques Marchais Museum of Tibetan Art in Staten Island houses more than 1200 pieces of Tibetan Buddhist art from China and Mongolia, dating from the 17th to the 19th centuries. Two essays about the history of the museum and the history of Tibetan Buddhism open the catalogue, which contains 169 objects from the museum's collections.

Color fifty illustrations along with a master Tibetan artist in this book for all ages. Tibetan Buddhists have long seen art as a powerful meditative practice, but you need not be Buddhist to enjoy coloring the fifty illustrations here. Through deep symbolism, Tibetan imagery of enlightenment depicts the qualities of wisdom and compassion, and the mindful focus evoked by coloring them can not only still agitation, it can connect us to deeper meaning. Images inside include the Buddha, several different bodhisattvas, major symbols, decorative motifs, important figures from Tibetan history, mythical creatures, and scenes from nature. Each illustration is accompanied with a brief description.

This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.

This volume originates in a conference session that took place at the 2018 International Council of Archaeozoology conference in Ankara, Turkey, entitled "Humans and Cattle: Interdisciplinary Perspectives to an Ancient Relationship." The aim of the session was to bring together zooarchaeologists and their colleagues from various other research fields working on human cattle interactions over time. The contributions in this volume reflect well the breadth of work being undertaken on the ancient relationship between humans and cattle across the continents of Europe, Africa and Asia, and from the late Pleistocene to postmedieval period. Almost all involve the study of archaeological cattle remains and use different zooarchaeological methods, but the combination of these approaches with that of ethnography, isotopes and genetics is also featured. Author Interview