Tiddas

A story about what it means to be a friend … Five women, best friends for decades, meet once a month to talk about books … and life, love and the jagged bits in between. Dissecting each other’s lives seems the most natural thing in the world – and honesty, no matter how brutal, is something they treasure. Best friends tell each other everything, don’t they? But each woman harbours a complex secret and one weekend, without warning, everything comes unstuck. Izzy, soon to be the first Black woman with her own television show, has to make a decision that will change everything. Veronica, recently divorced and dedicated to raising the best sons in the world, has forgotten who she is. Xanthe, desperate for a baby, can think of nothing else, even at the expense of her marriage. Nadine, so successful at writing other people’s stories, is determined to blot out her own. Ellen, footloose by choice, begins to question all that she’s fought for. When their circle begins to fracture and the old childhood ways don’t work anymore, is their sense of sistahood enough to keep it intact? How well do these tiddas really know each other? Praise for Tiddas ‘Generous and witty’ Susan Johnson ‘This enjoyable and human story is impressively interwoven with historical and contemporary Aboriginal issues.’ Sun Herald ‘A celebration of female friendships’ Sunday Territorian ‘Will resonate with many readers … a novel that asks whether a strong sense of sisterhood is enough to keep friends together.’ Burnie Advocate

A unique combination of the activist and the academic, Feminist Reviewhas an acclaimed position within women's studies sources and the women's movement. It publishes and reviews work by women, featuring articles on feminist theory, race, class and sexuality, women's studies, cultural studies, black and third world feminism, poetry, photography, letters and much more.

A twentieth-anniversary edition of this tour de force in feminism and Indigenous studies, now with a new preface The twentieth anniversary of the original publication of this influential and prescient work is commemorated with a new edition of Talkin’ Up to the White Woman by Aileen Moreton-Robinson. In this bold book, of its time and ahead of its time, whiteness is made visible in power relations, presenting a dialogic of how white feminists represent Indigenous women in discourse and how Indigenous women self-present. Moreton-Robinson argues that white feminists benefit from colonization: they are overwhelmingly represented and disproportionately predominant, play the key roles, and constitute the norm, the ordinary, and the standard of womanhood. They do not self-present as white but rather represent themselves as variously classed, sexualized, aged, and abled. The disjuncture between representation and self-presentation of Indigenous women and white feminists illuminates different epistemologies and an incommensurability in the social construction of gender. Not so much a study of white womanhood, Talkin’ Up to the White Woman instead reveals an invisible racialized subject position represented and deployed in power relations with Indigenous women. The subject position occupied by middle-class white women is embedded in material and discursive conditions that shape the nature of power relations between white feminists and Indigenous women—and the unjust structural relationship between white society and Indigenous society.

A person in a leadership position frequently navigates through challenging environments and crisis situations. COVID-19’s fast global expansion has quickly surpassed the scale and breadth of other recent epidemics, and people are naturally inclined to look to leaders for direction while seeking authority and certainty. The importance of competent, calm, and trustworthy leadership is greater than ever during unpredictable and turbulent times as leadership effectiveness can be best judged in crisis environments. Global Leadership Perspectives on Industry, Society, and Government in an Era of Uncertainty examines how leaders from industry, society, and government respond to and manage crises such as the COVID-19 pandemic in a variety of cultural and national contexts. This book is poised to address contemporary leadership issues as well as the fundamental issues such as its definition, evolution of leadership theories, its distinction from management, and implications for gender, culture, and different fields of knowledge. Covering topics such as employee retention, leadership skills, and women entrepreneurs, this premier reference source is an excellent resource for leaders, managers, executives, investors, economic analysts, policymakers, human resource managers, entrepreneurs, students and educators of higher education, researchers, and academicians.

Scholars and readers alike need little help identifying the infamous Bridget Jones or Carrie Bradshaw. While it is no stretch to say that these fictional characters are the most recognizable within the chic lit genre, there are certainly many others that have helped define this body of work. While previous research has focused primarily on white American chick lit, Theorizing Ethnicity and Nationality in the Chick Lit Genre, takes a wider look at the genre, by exploring chick lit novels featuring protagonists from a variety of ethnic backgrounds set both within and outside of the US.

An anthology of essays on the new syncretic, or 'fusion', styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity. Its strength lies in the layering up of a sense of community of inquiry, and the fostering of an intertextual head of steam, grounded in a set of empirical, rather than theoretical, concerns. It considers the interrelation between music, popular culture, politics and (national) identity, but also looks at the business aspect of producing and distributing music in the Pacific region.

A powerful memoir from actor, writer, producer and proud Torres Strait Islander Aaron Fa'Aoso Aaron Fa'Aoso has earned a living as a professional footballer, a Kings Cross bouncer, a remote community health worker, an acclaimed actor and—most recently—as the owner and manager of his own media production company. Aaron's story is all about what it means to be a successful Indigenous man in the twenty-first century. With generosity, humour and emotional insight he examines how the death of his father, when Aaron was only six, led to his being raised by his loving but fiery mother and his even fiercer grandmother. How belief in himself as a warrior, and as a descendent of a long line of warriors, made him – literally and metaphorically, for better and for worse – into a fighter. However, Aaron's career, and his role as an emerging leader, were both hard-won in the face of many setbacks and heartaches. In 2008, a month after Aaron married for the second time and just as his acting career was flourishing, his new wife took her own life. In the dark times that followed Aaron eventually found strength and meaning in his family, and in his beloved Torres Strait community. Aaron talks frankly about mental health, racism, the personal impact of alcohol, as well as the consolations of belonging to Country, and the challenges facing remote communities. So Far, So Good is a rich and vivid reflection on life and a celebration of Torres Strait culture.

Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.