Tijuana Straits

From Kem Nunn, the National Book Award-nominated author of Tapping the Source and The Dogs of Winter, comes an exquisitely written tale of loss and redemption. Nunn renders the dangerous beaches and waters of California's borderland as only the critically acclaimed poet laureate of surf noir can, and Tijuana Straits confirms his reputation as a master of suspense and a novelist of the first rank. When Fahey, once a great surfer, now a reclusive ex-con, meets Magdalena, she is running from a pack of wild dogs along the ragged wasteland where California and Mexico meet the Pacific Ocean -- a spot once known to the men who rode its giant waves as the Tijuana Straits. Magdalena has barely survived an attack that forced her to flee Tijuana, and Fahey takes her in. That he is willing to do so runs contrary to his every instinct, for Fahey is done with the world, seeking little more than solitude from this all-but-forgotten corner of the Golden State. Nor is Fahey a stranger to the lawless ways of the border. He worries that in sheltering this woman he may not only be inviting further entanglements but may be placing them both at risk. In this, he is not wrong. An environmental activist, Magdalena has become engaged in the struggle for the health and rights of the thousands of peasants streaming from Mexico's enervated heartland to work in the maquilladoras -- the foreign-owned factories that line her country's border, polluting its air and fouling its rivers. It is a risky contest. Danger can come from many directions, from government officials paid to preserve the status quo to thugs hired to intimidate reformers. As Magdalena and Fahey become closer, Magdalena tries to discover who is out to get her, attempting to reconstruct the events that delivered her, battered and confused, into Fahey's strange yet oddly seductive world. She examines every lead, never guessing the truth. For into this no-man's-land between two countries comes a trio of killers led by Armando Santoya, a man beset by personal tragedy, an aberration born of the very conditions Magdalena has dedicated her life to fight against, yet who in the throes of his own drug-fueled confusions has marked her for death. And so will Fahey be put to the test, in a final duel on the beaches of his Tijuana Straits.

Tijuana Straits, frontière de la Californie et du Mexique. Repris de justice, Sam Fahey mène là une vie solitaire et recluse. Cet ex-surfer, en proie à de fréquents accès de panique, est bien décidé à ne plus se mêler des affaires humaines. Lorsqu’il recueille une jeune femme mexicaine, Magdalena, qu’on a essayé d’assassiner près de chez lui, son existence paisible et solitaire vole en éclats. Activiste en lutte contre les injustices économiques de la région, où les grands groupes étrangers n’hésitent pas à exploiter les travailleurs mexicains et à polluer sans vergogne l’air et les rivières, Magdalena entraîne Sam à la recherche de ceux qui veulent sa mort. Dans ce no-man’s-land qu’est la frontière, patrie désolée de la corruption, de l’immigration clandestine, des trafiquants de drogue, où toute apparence s’avère trompeuse, Sam devra aller au bout de lui-même pour, peut-être, trouver la rédemption.

NATIONAL BOOK AWARD FINALIST Kem Nunn’s “surf noir” classic is a thrilling plunge into the seedy underbelly of a Southern California beach town—the inspiration for the film Point Break. People go to Huntington Beach in search of the endless parties, the ultimate highs, and the perfect waves. Ike Tucker has come to look for his missing sister and for the three men who may have murdered her. In that place of gilded surfers and sun-bleached blonds, Ike’s search takes him on a journey through a twisted world of crazed Vietnam vets, sadistic surfers, drug dealers, and mysterious seducers. He looks into the shadows and finds parties that drift toward pointless violence, joyless vacations, and highs you may never come down from...and a sea of old hatreds and dreams gone bad. And if he’s not careful, his is a journey from which he will never return.

This collection reclaims public intellectuals and scholars important to the foundational work in American Studies that contributed to emerging conceptions of an "ecological citizenship" advocating something other than nationalism or an "exclusionary ethics of place." Co-editors Adamson and Ruffin recover underrecognized field genealogies in American Studies (i.e. the work of early scholars whose scope was transnational and whose activism focused on race, class and gender) and ecocriticism (i.e. the work of movement leaders, activists and scholars concerned with environmental justice whose work predates the 1990s advent of the field). They stress the necessity of a confluence of intellectual traditions, or "interdisciplinarities," in meeting the challenges presented by the "anthropocene," a new era in which human beings have the power to radically endanger the planet or support new approaches to transnational, national and ecological citizenship. Contributors to the collection examine literary, historical, and cultural examples from the 19th century to the 21st. They explore notions of the common—namely, common humanity, common wealth, and common ground—and the relation of these notions to often conflicting definitions of who (or what) can have access to "citizenship" and "rights." The book engages in scholarly ecological analysis via the lens of various human groups—ethnic, racial, gendered, coalitional—that are shaping twenty-first century environmental experience and vision. Read together, the essays included in American Studies, Ecocriticism, and Citizenship create a "methodological commons" where environmental justice case studies and interviews with activists and artists living in places as diverse as the U.S., Canada, Haiti, Puerto Rico, Taiwan and the Navajo Nation, can be considered alongside literary and social science analysis that contributes significantly to current debates catalyzed by nuclear meltdowns, oil spills, hurricanes, and climate change, but also by hopes for a common future that will ensure the rights of all beings--human and nonhuman-- to exist, maintain, and regenerate life cycles and evolutionary processes

Many people have lamented the pollution and outright loss of beaches along the coasts of California and Mexico, but very few people have fought on behalf of beaches as hardÑor as successfullyÑas Serge Dedina. Whether taking on an international conglomerate or tackling a state transportation agency, Dedina is truly an eco-warrior. In this sparkling collection of articles, many written for popular magazines, Dedina tells the stories as only an insider could. He writes with a firm grasp of facts along with an advocateÕs passion and outrage. Sprinkled with just the right mix of humor and surf lingo, DedinaÕs writing is Òweapons gradeÓÑsurfer speak for totally awesome. Dedina grew up in Imperial Beach, California, just north of the Mexican border, and he feels equally at home in Mexico and the States. An expert on gray whales, he eloquently describes the fight he helped to lead against the Mitsubishi Corporation, whose plan to build a salt-processing plant in the San Ignacio Lagoon in Baja California would have destroyed the worldÕs last undeveloped gray whale lagoon. With similar fervor, Dedina describes helping to construct the unlikely coalition that succeeded in defeating a proposed toll road that would have decimated a legendary California surf spot. In between, he writes about the first surfers in Baja, the Great Baja Land Rush of the 1990s, TijuanaÕs punk music scene, the pop-culture wrestling phenomenon lucha libre, the reasons why ocean pollution must be stopped, and the way HBO took over his hometown. Anyone interested in whatÕs happening to our natural places or just yearning to read about someone really making a difference in the world will find this a book worth sinking their teeth into.

Philip L. Fradkin, one of California’s most acclaimed environmental historians, felt drawn to the coast as soon as he arrived in California in 1960. His first book, California: The Golden Coast, captured the wonder of the shoreline’s natural beauty along with the controversies it engendered. In The Left Coast, the author and his photographer son Alex Fradkin revisit some of the same places they explored together in the early 1970s. From their written and visual approaches, this father-son team brings a unique generational perspective to the subject. Mixing history, geography, interviews, personal experiences, and photographs, they find a wealth of stories and memorable sights in the multiplicity of landscapes, defined by them as the Wild, Agricultural, Residential, Tourist, Recreational, Industrial, Military, and Political coasts. Alex Fradkin’s expressive photographs add a layer of meaning, enriching the subject with their distinctive eloquence while bringing a visual dimension to his father’s words. In this way, the book becomes the story of a close relationship within a probing study of a varied and contested coastline.

Greening the Media rethinks media technologies from an ecological perspective, developing a new approach to historical and social analysis of information and communication technology.

Heart Attacks is California’s last secret spot—the premier mysto surf haunt, the stuff of rumor and legend. The rumors say you must cross Indian land to get there. They tell of hostile locals and shark-infested waters where waves in excess of thirty feet break a mile from shore. For down-and-out photographer Jack Fletcher, the chance to shoot these waves in the company of surfing legend Drew Harmon offers the promise of new beginnings. But Drew is not alone in the northern reaches of the state. His young wife, Kendra, lives there with him. Obsessed with the unsolved murder of a local girl, Kendra has embarked upon a quest of her own, a search for truth—however dark that truth may prove to be. The Dogs of Winter is a portrait of two men and an appealing yet troubled young woman set against an unforgettable background of stark and violent beauty.