Time Stitches

Winner of the State Prize for Poetry in Cyprus, these experimental linked poem-threads move across time, linking a young Cypriot to ancestors, contemporaries, and descendants through striking, disparate polyphony. In this bilingual collection of linked poems, Kefala creates a tapestry of motifs that transcend time and identity across early 20th Century Cyprus, 16th Century Scotland, a sailor on Christopher Columbus’ ship La Pinta, and more. As the poem threads draw together, it is as if the protagonist, in his travels through the twentieth century, encounters Odysseus, Cervantes, Columbus, Rembrandt, and others, all moving in multidimensional synchronicity. In this way, the readers take part in the production of meaning by pulling the threads together, stitching together their own reading of the story. Through the reading of these threads, time remains fluid, creating a masterful declaration about the function of poetry: perhaps history is nothing more than the presence of innumerable human voices, some more and some less powerful, coexisting in an eternal present.

Riffling through the wardrobes of years gone by, costume historian Lucy Adlington reveals the rich stories underlying the clothes we wear in this stylish tour of the most important developments in the history of fashion, from ancient times to the present day. Starting with underwear – did you know Elizabeth I owned just one pair of drawers, worn only after her death? – she moves garment by garment through Western attire, exploring both the items we still wear every day and those that have gone the way of the dodo (sugared petticoats, farthingales and spatterdashers to name but a few). Beautifully illustrated throughout, and crammed with fascinating and eminently quotable facts, Stitches in Time shows how the way we dress is inextricably bound up with considerations of aesthetics, sex, gender, class and lifestyle – and offers us the chance to truly appreciate the extraordinary qualities of these, our most ordinary possessions.

Mary Katherine is caught between the traditions of her Amish faith and the desire for a life away from farming. When Daniel, an Amish man from Florida, arrives, Mary Katherine feels drawn to him and curious about the life he leads away from Lancaster County. But her family and her friend Jacob, who is in love with her, are here. Will Mary Katherine leave the life she knows or find satisfaction where she is?

Detachment had worked well as a life strategy for horse trainer Sam Schrock. Until he met Mollie Graber . . . New to Stoney Ridge, schoolteacher Mollie has come to town for a fresh start. Aware of how fleeting and fragile life is, she wants to live it boldly and bravely. When Luke Schrock, new to his role as deacon, asks the church to take in foster girls from a group home, she's the first to raise her hand. The power of love, she believes, can pick up the dropped stitches in a child's heart and knit them back together. Mollie envisions sleepovers and pillow fights. What the 11-year-old twins bring to her home is anything but. Visits from the sheriff at midnight. Phone calls from the school truancy officer. And then the most humiliating moment of all: the girls accuse Mollie of drug addiction. There's only one thing that breaks through the girls' hard shell--an interest in horses. Reluctantly and skeptically, Sam Schrock gets drawn into Mollie's chaotic life. What he didn't expect was for love to knit together the dropped stitches in his own heart . . . just in time. Suzanne Woods Fisher invites you back to the little Amish church of Stoney Ridge for a touching story of the power of love.

When an antique bridal quilt appears under mysterious circumstances at the vintage clothing shop where Rachel Grant works, she is fascinated. She has never been able to resist handmade textiles from the past, for she believes that through the ages, women wove protective magic into their fabrics in order to mark the important events of their lives: birth, marriage, and death. But there is more than good in the quilt's magic power. Day by day Rachel sees and feels the power growing, as she senses the quilt influencing her thoughts and actions. Much as Rachel's logical mind longs to deny the supernatural, the aura of evil coming from the quilt is terrifyingly real, and it seems to carry a sinister legacy into the lives of the people Rachel loves.

Destined to become a key work of subaltern studies and a crucial intervention in postcolonial scholarship, Stitches on Time probes the relationships between empire and modernity, nation and history, the colonial and the postcolonial, and power and difference. Saurabh Dube combines history and anthropology to provide critical understandings of the theory and practice of historical ethnography and contemporary historiography. Drawing on extensive archival research and innovative fieldwork as well as political economy and social theory—including considerations of gender—he unpacks the implications of specific Indian pasts from the middle of the nineteenth century through the end of the twentieth century. Dube provides incisive accounts of the interactions between North American evangelical missionaries and Christian converts of central India, and between colonial legal systems and Indian popular laws. He reflects on the difficulties of history writing by considering the production and reception of recent Hindu nationalist histories. Assessing the work of the South Asian Subaltern Studies Collective, he offers substantial critical readings of major writings by Ranajit Guha, Dipesh Chakrabarty, Partha Chatterjee, and others. Dube develops the concept and practice of a “history without warranty” as a means of rigorously rethinking categories such as modernity, colonialism, the West, the postcolonial, and the nation.

Her writing is about being born in a much earlier and simpler time, before the great technological advances. She writes about childhood memories and experiences and education in a rural area in a small community in North Western Ontario. Life raising a large family, working and eventual changes are also described to some extent. Some of her thoughts in poetry are included and, as well as some thoughts on certain aspects of life.

A Publishers Weekly Top Ten Best Book of the Year An Amazon.com Top Ten Best Book of 2009 A Washington Post Book World’s Ten Best Book of the Year A California Literary Review Best Book of 2009 An L.A. Times Top 25 Non-Fiction Book of 2009 An NPR Best Book of the Year, Best Memoir With this stunning graphic memoir, David Small takes readers on an unforgettable journey into the dark heart of his tumultuous childhood in 1950s Detroit, in a coming-of-age tale like no other. At the age of fourteen, David awoke from a supposedly harmless operation to discover his throat had been slashed and one of his vocal chords removed, leaving him a virtual mute. No one had told him that he had cancer and was expected to die. The resulting silence was in keeping with the atmosphere of secrecy and repressed frustration that pervaded the Small household and revealed itself in the slamming of cupboard doors, the thumping of a punching bag, the beating of a drum. Believing that they were doing their best, David’s parents did just the reverse. David’s mother held the family emotionally hostage with her furious withdrawals, even as she kept her emotions hidden — including from herself. His father, rarely present, was a radiologist, and although David grew up looking at X-rays and drawing on X-ray paper, it would be years before he discovered the shocking consequences of his father’s faith in science. A work of great bravery and humanity, Stitches is a gripping and ultimately redemptive story of a man’s struggle to understand the past and reclaim his voice.