Time Visions Of The 60s

Forty years after they ended, the 1960s continue to fascinate us. The decade was a pivot point of the 20th century, a watershed period when society, politics and culture underwent a series of shattering changes. Abroad, it was an era bristling with confrontation and crisis, from cold war showdowns in Berlin and Cuba to a long, ugly war in Vietnam. At home, it was a time of social upheaval, as a new generation of idealistic youngsters challenged the values of their elders. Now Time captures the 1960s in all their swirling glory and lingering heartache in an expansive gallery of the photographs that define the decade. Here are the great faces: the Rev. Martin Luther King Jr. and Che Guevara; Arnold Palmer and Twiggy; Muhammad Ali and Andy Warhol. Here are the great events, from the historic landing on the moon to the high times of Woodstock to the assassinations of three inspiring young American leaders. Here are the pulsating currents that drove social change, from the streets of Birmingham, Ala., to Washington's National Mall, from London's Carnaby Street to the Fillmore Auditorium in San Francisco. Yes, the times, they were a-changin'. And, fortunately, photographers were a shootin'. The result is a close encounter with a world that has vanished, but which roars back into vivid life in this fascinating, indispensable volume. Turn the pages and tune in to the highs and lows of one of the most exciting periods in American history: the '60s.

With remarkable speed, the Sixties have gone from lived history to mythology. They remain alive in our culture in a manner different from any previous era. At the dawn of a new century, we are still debating the issues that emerged during that decade, still living in the conscious aftermath of its events and transformations. This collection looks back at the Sixties, attempting to understand the issues of the day on their own terms and to think about their meanings in today's world. Alexander Bloom has gathered ten original essays, each of which explores the gulf between history and myth regarding a central characteristic of the Sixties. Topics covered include civil rights, the student movement and the New Left, the Vietnam War, the antiwar movement, gay rights, the counterculture, and the women's movement. Long Time Gone dispels myths about the Sixties and constructs an accurate vision of the past and an understanding of its impact on the modern world. It is an invaluable resource for anyone seeking deeper knowledge of this incredible decade and its continuing influence on American culture.

One of the most controversial films of its time, The Wild Bunch is the epitome of the no-holds-barred filmmaking of the 1960s and 1970s. Since its 1969 release, it has come to be recognized not only as an iconic Western, but as one of the most important films in the American cinematic canon. Over the years a parade of filmmakers have tried to imitate its gut-punch effects but none have equaled it. The Wild Bunch revived the floundering career of volatile, self-destructive director Sam Peckinpah--it also hung on him the label "Bloody Sam." This book tells the complete story of the film's production, reception and legacy.

Chronicles the decade with photographs and accompanying text on John F. Kennedy, Lyndon B. Johnson, Woodstock, Vietnam, Martin Luther King, Muhammad Ali, the Beatles, the Rolling Stones, Bob Dylan, and Jimi Hendrix.

The war on drugs ... the campaigns against smoking cigarettes ... v-chips to control what children watch on TV ... censoring the Internet and Calvin Klein jeans ads...bipartisan lectures about the dangers of teen sex ... constant warnings about food and fat ... all are examples of what David Wagner terms the "New Temperance." The New Temperance contrasts the new obsession with personal behavior in America during the last two decades with the brief period of relative freedom in the 1960s and early 1970s and suggests strong consistencies with our past. In particular, the late twentieth century appears to have re-created the mood of the Victorian and Progressive Periods, when social movements such as the Temperance, Social Purity, and Vice and Vigilance movements held sway. The New Temperance questions the constant mantra in the media and in political debates about the dangers of personal behavior and challenges America's love affair with repression.

Decades after the massive student protest movements that consumed much of the world, the 1960s remain a significant subject of scholarly inquiry. While important work has been done regarding radical activism in the United States and Western Europe, events in what is today known as the Global South-Asia, Africa, and Latin America-have yet to receive the requisite attention they deserve. This volume inserts the Third World into the study of the 1960s by examining the local and international articulations of youth protest in various geographical, social, and cultural arenas. Rejecting the notion that the Third World existed on the periphery, it situates the events of the 1960s in a more inclusive context, building a richer, more nuanced understanding of the Global 1960s that better reflects the dynamism of the period. Samantha Christiansen is an instructor at Northeastern University. Her research interests focus on youth and student mobilizations in South Asia and Europe and international Left politics. She has also taught at Independent University Bangladesh. Zachary A. Scarlett is an instructor at Northeastern University specializing in modern Chinese history and the history of radical social movements in the twentieth century. His work examines the ways in which Chinese students imagined and co-opted global narratives during the Cultural Revolution.

Five Years Ahead of My Time: Garage Rock from the 1950s to the Present tells of a musical phenomenon whose continuing influence on global popular culture is immeasurable. The story begins in 1950s America, when classic rock ’n’ roll was reaching middle age, and teenaged musicians kept its primal rawness going with rough-hewn instrumentals, practicing guitar riffs in their parents’ garages. In the mid-1960s came the Beatles and the British Invasion, and soon every neighborhood had its own garage band. Groups like the Sonics and 13th Floor Elevators burnt brightly but briefly, only to be rediscovered by a new generation of connoisseurs in the 1970s. Numerous compilation albums followed, spearheaded by Lenny Kaye’s iconic Nuggets, which resulted in garage rock’s rebirth during the 1980s and ’90s. Be it the White Stripes or the Black Keys, bands have consistently found inspiration in the simplicity and energy of garage rock. It is a revitalizing force, looking back to the past to forge the future of rock ’n’ roll. And this, for the first time, is its story.

Style. Beauty. Passion. Vision. These are just a few of the words often used to describe the films of the single most celebrated director in Italy, and one of the most important directors the world has ever known—Federico Fellini. Fifty years since their initial releases, his films of the 1960’s still inspire, shock and delight. More than just encapsulating the 1960’s, these films also helped define the style of the decade. With a staggering twelve Academy Award nominations between his four feature films during this period, Fellini reached the heights of fame, film artistry, and worldwide prominence. Studied, analyzed and re-released over the years, these films continue to amaze each new generation that discovers them. Their impeccable style makes them timeless. Their images make them unforgettable. Their passion brings them to life. And their singular vision makes them unique in all of cinema. Fellini: The Sixties is a stunning photographic journey through the director’s most iconic classics: La Dolce Vita, 8½, Juliet of the Spirits, and Fellini Satyricon. Carefully selected imagery from the Independent Visions photographic archive, many published here for the first time, illuminate these films as they have never been seen before, and reveal fascinating details of the director’s working style and ebullient personality. With more than 150 photographs struck from original negatives, these images spring to life from the page with the depth and quality of the films themselves. Complemented with insightful essays from contemporary writers, Fellini: The Sixties is a true testament to the man and his work, a remarkable compendium to the legendary filmmaker’s greatest achievements.