Tinig

Drawing on ethnographic research with underrepresented communities in the Caribbean, Europe, South America, and the United States, this wide-ranging anthology examines the gendered dimensions of citizenship experiences and uses them as a point of departure for rethinking contemporary practices of social inclusion and national belonging.

This book is about a fundamental aspect of the feminist project in the Philippines: rethinking the Filipino woman. It focuses on how contemporary women's organizations have represented and refashioned the Filipina in their campaigns to improve women's status by locating her in history, society and politics; imagining her past, present and future; representing her in advocacy; and identifying strategies to transform her. The drive to alter the situation of women included a political aspect (lobbying and changing legislation) and a cultural one (modifying social attitudes and women’s own assessments of themselves). In this work Mina Roces examines the cultural side of the feminist agenda: how activists have critiqued Filipino womanhood and engaged in fashioning an alternative woman. How did activists theorize the Filipina and how did they use this analysis to lobby for pro-women’s legislation or alter social attitudes? What sort of Filipina role models did women’s organizations propose, and how were these new ideas disseminated to the general public? What cultural strategies did activists deploy in order to gain a mass following? Analyzing data from over seventy five interviews with feminist activists, radio and television shows, romance novels, periodicals and books published by women’s organizations and feminist nuns, comics, newsletters, and personal papers, Roces shows how representations of the Filipino woman have been central to debates about women’s empowerment. She explores the transnational character of women’s activism and offers a seminal study on the important contributions of feminist Catholic nuns. Women’s Movements and the Filipina provides an original and passionate account of the contemporary feminist movement in the Philippines, bringing to light how women’s organizations have initiated change in cultural attitudes and had a significant impact on contemporary Philippine society.

The forms of discipline range from physical abuse to intrusive regulations including restrictions on hair length and the prohibition of lipstick.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, The Archival Afterlives of Philippine Cinema shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creativity of audiovisual archivists, collectors, advocates, and amateurs who embrace imperfect access in the face of inhospitable conditions.

This project on the book community "BookRix" shall contribute to spread the message of Jesus Christ in a very original way. God's Word - the Bible - will be made available for reading and downloading as licence free e-books in as many languages and translations as possible. The aim and vision of the foundation “Helfen aus Dank” ("Helping out of gratitude") is to offer an own translation of the Bible, also to people who speak only a very rare language, so that they understand the message and can read it, for example, on their mobile phone.