To Kill Or Not To Kill

Euthanasia emerged as a talking point for progressives and secularists in the West in the 1960s. Given that they simply appropriated (without anyone’s permission) control of national and private broadcasters, newspapers and university faculties, it became, eo ipso, a matter of public controversy. Other modish enthusiasms of that period – sexual licentiousness and psychotropic drugs for example – have long been abandoned, but the quest for legislative sanctioning of the killing of the old and infirm and distressed never abated; not a parliamentary year passed in one of the Australian States, it seemed, or even at Commonwealth level, but another bill was placed on the notice paper. Well, in the states of Victoria and Western Australia, that bill is now an act as it is in Canada, various states in the USA, The Netherlands, Belgium and other nation states. It has remained an Article of Faith for the left throughout all of the decades of post-modernity – just like that other form of authorised killing: abortion. Why is this? What is it about these issues that evoke in the minds and imaginations of liberals and leftists an almost millenarian enthusiasm? It required a scholar of Father Fleming’s insight and experience to provide us with the explanation, in this, the latest and, in my view, most important of his publications. His answer takes us to a close examination of the real legacy of the enlightenment, and it is not the benign and rational one that generations of us have been taught to believe in our schools. His careful unravelling of the three centuries of the secular project from Rousseau to Safe-Schools can leave us in no doubt as to what comes next if we don’t stand up for the Christian inheritance of our institutes. It was always about power. And power always ends up being about persecution. Father Fleming has been a priest, a broadcaster, a controversialist and a scholar in his long and distinguished journey through public life. His book will be essential reading for the many Christian folk of all denominations who now understand that our age will be one that will call upon them to be soldiers as well as servants for the church. – Stuart H Lindsay, barrister and former federal circuit court judge

Twelve years of enduring domestic violence at its absolute worse. Constant abuse, control, manipulation, and threats. Sadistic sexual deviance and sexual violence. It was only going to end one way: someone would die in our bed and someone would go to prison for murder.

A world of "smart" devices means the Internet can kill people. We need to act. Now. Everything is a computer. Ovens are computers that make things hot; refrigerators are computers that keep things cold. These computers—from home thermostats to chemical plants—are all online. The Internet, once a virtual abstraction, can now sense and touch the physical world. As we open our lives to this future, often called the Internet of Things, we are beginning to see its enormous potential in ideas like driverless cars, smart cities, and personal agents equipped with their own behavioral algorithms. But every knife cuts two ways. All computers can be hacked. And Internet-connected computers are the most vulnerable. Forget data theft: cutting-edge digital attackers can now crash your car, your pacemaker, and the nation’s power grid. In Click Here to Kill Everybody, renowned expert and best-selling author Bruce Schneier examines the hidden risks of this new reality. After exploring the full implications of a world populated by hyperconnected devices, Schneier reveals the hidden web of technical, political, and market forces that underpin the pervasive insecurities of today. He then offers common-sense choices for companies, governments, and individuals that can allow us to enjoy the benefits of this omnipotent age without falling prey to its vulnerabilities. From principles for a more resilient Internet of Things, to a recipe for sane government regulation and oversight, to a better way to understand a truly new environment, Schneier’s vision is required reading for anyone invested in human flourishing.

Osvaldito’s life begins with a heartbreaking split when his father is not allowed to leave Cuba with his mother and him due to his status as a political prisoner. Later, abuse, the fear of being different, the discovery of his own homosexuality, the devastation of AIDS, and difficult family relationships mark the milestones of his journey. His dogs, his four-legged companions, always occupy a prominent place in the house of La Campina, the kingdom and refuge of the adult Osvaldito. To Kill a Cockroach is a poignant story that chronicles the experiences of Osvaldito, a Cuban-American artist and writer, traveling from his native Cuba through to his childhood and adulthood experiences in Miami, Florida. Osvaldito provides a unique perspective of the immigrant experience, as he narrates a childhood rife with challenges and loss, uncertainty and abandonment. His life journey teaches us the art of finding boundless joy in a world of relentless pain. Osvaldito’s love and longing for his mother, a “Cuban goddess,” is one of the guiding themes of this book, but so is his love of living creatures, especially dogs, and how such love saves in difficult times. Last but not least, this tale is a testament to the power of art and literature and of finding salvation and self-love through the transcendence of artistic beauty.

This “fact-filled and amusing trek through nature’s dark side” (Kirkus Reviews) reveals the fascinating, weird, and often perverted ways that Mother Nature fends only for herself. It may be a wonderful world, but as Dan Riskin (host of the Animal Planet’s TV show Monsters Inside Me) explains, it’s also a dangerous, disturbing, and disgusting one. At every turn, it seems, living things are trying to eat us, poison us, use our bodies as their homes, or have us spread their eggs. In Mother Nature Is Trying to Kill You, Riskin is our tour guide through the natural world at its most gloriously ruthless. Using the seven deadly sins as a road map, Riskin offers dozens of jaw-dropping examples that illuminate how brutal nature can truly be. From slothful worms that hide in your body for up to thirty years to wrathful snails with poisonous harpoons that can kill you in less than five minutes to lustful ducks that have orgasms faster than you can blink, these fascinating accounts reveal the candid truth about “gentle” Mother Nature’s true colors. Riskin’s passion for the strange and his enthusiastic expertise bring Earth’s most fascinating fauna and flora into vivid focus. Through his adventures—which include sliding on his back through a thick soup of bat guano just to get face-to-face with a vampire bat, befriending a parasitic maggot that has taken root in his head, and coming to grips with having offspring of his own—Riskin makes unexpected discoveries not just about the world all around us but also about the ways this brutal world has shaped us as humans and what our responsibilities are to this terrible, wonderful planet we call home.

Koenigsberg shows how Hitler's thoughts about war generated the Holocaust. While some view Hitler as an anomaly, Koenigsberg shows how both the Holocaust and two World Wars grew out of an ideology located at the heart of Western civilization: that of nationalism. Based on belief in the absolute reality and profound significance of their nations, political leaders feel that they have a right to kill and to ask their people to die.

John Wayne Cleaver is dangerous, and he knows it. He's spent his life doing his best not to live up to his potential. He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation. Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means. Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could. Dan Wells's debut novel, I Am Not a Serial Killer, is the first volume of a trilogy that will keep you awake and then haunt your dreams. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“You disgust me! You’re nothing but a bloodthirsty monster!” I shouted at him, and in return, he laughed maliciously. “I know, love. I didn’t need your confirmation,” he said in a tough tone. I was not surprised, of course. To be exact, I felt nothing but rage. “Go on, love. Shoot me. Just make sure you don’t miss, because then, you will suffer greatly at my hands,” he said aggressively and an unexpected giggle slipped through my mouth. “I never miss,” I said as I pulled the trigger..... Forget tender words and romantic scenes! In this story, the game is reigned by passion! Raw, cynical, tough, fiery passion that makes you thirsty for more! Passion for power, desire for revenge, craving for conquest, lust for life! A story similar to Romeo and Juliette’s; in its most twisted version.