To The Finland Station

One of the great works of modern historical writing, the classic account of the ideas, people, and politics that led to the Bolshevik Revolution Edmund Wilson's To the Finland Station is intellectual history on a grand scale, full of romance, idealism, intrigue, and conspiracy, that traces the revolutionary ideas that shaped the modern world from the French Revolution up through Lenin's arrival at Finland Station in St. Petersburg in 1917. Fueled by Wilson's own passionate engagement with the ideas and politics at play, it is a lively and vivid, sweeping account of a singular idea—that it is possible to construct a society based on justice, equality, and freedom—gaining the power to change history. Vico, Michelet, Bakunin, and especially Marx—along with scores of other anarchists, socialists, nihilists, utopians, and more—all come to life in these pages. And in Wilson's telling, their stories and their ideas remain as alive, as provocative, as relevant now as they were in their own time.

One of The Economist's Best Books of the Year A gripping, meticulously researched account of Lenin’s fateful 1917 rail journey from Zurich to Petrograd, where he ignited the Russian Revolution and forever changed the world In April 1917, as the Russian Tsar Nicholas II’s abdication sent shockwaves across war-torn Europe, the future leader of the Bolshevik revolution Vladimir Lenin was far away, exiled in Zurich. When the news reached him, Lenin immediately resolved to return to Petrograd and lead the revolt. But to get there, he would have to cross Germany, which meant accepting help from the deadliest of Russia’s adversaries. Millions of Russians at home were suffering as a result of German aggression, and to accept German aid—or even safe passage—would be to betray his homeland. Germany, for its part, saw an opportunity to further destabilize Russia by allowing Lenin and his small group of revolutionaries to return. Now, in Lenin on the Train, drawing on a dazzling array of sources and never-before-seen archival material, renowned historian Catherine Merridale provides a riveting, nuanced account of this enormously consequential journey—the train ride that changed the world—as well as the underground conspiracy and subterfuge that went into making it happen. Writing with the same insight and formidable intelligence that distinguished her earlier works, she brings to life a world of counter-espionage and intrigue, wartime desperation, illicit finance, and misguided utopianism. When Lenin arrived in Petrograd’s now-famous Finland Station, he delivered an explosive address to the impassioned crowds. Simple and extreme, the text of this speech has been compared to such momentous documents as Constantine’s edict of Milan and Martin Luther’s ninety-five theses. It was the moment when the Russian revolution became Soviet, the genesis of a system of tyranny and faith that changed the course of Russia’s history forever and transformed the international political climate.

One of the great works of modern historical writing, the classic account of the ideas, people, and politics that led to the Bolshevik Revolution Edmund Wilson's To the Finland Station is intellectual history on a grand scale, full of romance, idealism, intrigue, and conspiracy, that traces the revolutionary ideas that shaped the modern world from the French Revolution up through Lenin's arrival at Finland Station in St. Petersburg in 1917. Fueled by Wilson's own passionate engagement with the ideas and politics at play, it is a lively and vivid, sweeping account of a singular idea—that it is possible to construct a society based on justice, equality, and freedom—gaining the power to change history. Vico, Michelet, Bakunin, and especially Marx—along with scores of other anarchists, socialists, nihilists, utopians, and more—all come to life in these pages. And in Wilson's telling, their stories and their ideas remain as alive, as provocative, as relevant now as they were in their own time.

The last of Edmund Wilson's posthumously published journals turned out to be one of his major books, The Sixties: the Last Journal, 1960–1972--a personal history that is also brilliant social comedy and an anatomy of the times. Wilson catches the flavor of an international elite -- Stravinsky, Auden, Andre Malraux, and Isaiah Berlin -- as well as the New York literati and the Kennedy White House, but he never strays too far from the common life, whether noting the routines of his normal neighbors or the struggle of his own aging. "Candor and intelligence come through on every page--in this always absorbing journal by perhaps the last great man of American letters." - Kirkus Reviews

From a highly distinguished author on the subject, this biography is an excellent scholarly introduction to one of the key figures of the Russian Revolution and post-Tsarist Russia. Not only does it make use of archive material made newly available in the glasnost and post-Soviet eras, it re-examines traditional sources as well, providing an original interpretation of Lenin's life and historical importance. Focal points of this study are: Lenin's revolutionary ascetic personality how he exploited culture, education and propaganda his relationship to Marxism his changing class analysis of Russia his 'populist' instincts. A prominent figure at the forefront of debates on the Russina revolution, Read makes sure that Lenin remains in his place as a highly influential and significant figure of the recent past.

From the Jazz Age through the McCarthy era, Edmund Wilson (1895-1972) stood at the center of the American cultural scene. In his own youth a crucial champion of the young Ernest Hemingway and F. Scott Fitzgerald, Wilson went on to write three classics of literary and intellectual history (Axel's Castle, To the Finland Station, and Patriotic Gore), searching reportage, and criticism that has outlasted many of its subjects. Wilson documented his unruly private life--a formative love affair with Edna St. Vincent Millay, a tempestuous marriage to Mary McCarthy, and volatile friendships with Fitzgerald and Vladimir Nabokov, among others--in openly erotic fiction and journals, but Lewis Dabney is the first writer to integrate the life and work. Dabney traces the critic's intellectual development, from son of small-town New Jersey gentry to America's last great renaissance man, a deep commentator on everything from the Russian classics to Native American rituals to the Dead Sea Scrolls. Along the way, Dabney shows why Wilson was and has remained--in his cosmopolitanism and trenchant nonconformity--a model for young writers and intellectuals, as well as the favorite critic of the general reader. Edmund Wilson will be recognized as the lasting biography of this brilliant man whose life reflected so much of the cultural, social, and human experience of a turbulent century.

In examining the lives of leading revolutionaries - Nicolai Bukharin, Milovan Djilas, Imre Nagy, and Alexander Dubcek - and writers - Andre Gide, Arthur Koestler, Ignazio Silone, and even the young Alexander Solzhenitsyn - who became prisoners rather than masters of the bloodshed their adherence to socialism seemed to unleash, Murphy reveals to us the terrible moral consequences they suffered as their faith in socialism crumbled. He compellingly shows how their idealistic vision spawned a world of want, anger, terror, and death. For blind obedience to the socialist cause allowed the new state to perpetuate, indeed to incarnate, the violence out of which it was born. In so doing, the idea of revolutionary liberty was devoured. Freedom surrendered to Stalinist terror, political innocence to Communist corruption, eloquence to the silence of the gulag.

A young man leaves his bohemian lifestyle in Greenwich Village to pursue the chorus girl he loves.