To The Moon And Back A Childhood Under The Influence

The best seats Lisa Kohn ever had at Madison Square Garden were at her mother's mass wedding, and the best cocaine she ever had was from her father's friend, the judge. Born to hippie parents and raised in New York City's East Village in the 1970s, Lisa's early years were a mixture of encounter groups, primal screams, macrobiotic diets, communes, Indian ashrams, Jefferson Airplane concerts in Central Park, and watching naked actors on off-Broadway stages during the musical HAIR. By the time her older brother was ten, Lisa's father had him smoking pot. By the time Lisa was ten, Lisa's mother had them pledging their lives to the Unification Church (the "Moonies") and self-appointed Messiah, Reverend Sun Myung Moon. As a child Lisa knew the ecstatic comfort of inclusion in a cult and as a teenager the torment of rebelling against it. As an adult, Lisa struggled to break free from the hold of abuse and the scars in her heart, mind, and psyche--battling her own addictions and inner demons and searching her soul for a sense of self-worth. Told in spirited candor, to the moon and back reveals how one can leave behind absurdity and horror and create a life of intention and joy. This is the fascinating tale of a story rarely told in its full complexity.

FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD This sumptuous oral biography of Eugene Walter, the best-known man you’ve never heard of, is an eyewitness history of the heart of the last century—enlivened with personal glimpses of luminaries from William Faulkner and Martha Graham to Judy Garland and Leontyne Price—and a pitch-perfect addition to the Southern literary tradition that has critics cheering. In his 76 years, Eugene Walter ate of “the ripened heart of life,” to quote a letter from Isak Dinesen, one of his many illustrious friends. Walter savored the porch life of his native Mobile, Alabama, in the the l920s and ‘30s; stumbled into the Greenwich Village art scene in late-1940s New York; was a ubiquitous presence in Paris’s expatriate café society in the 1950s (where he was part of the Paris Review at its inception); and later, in 1960s Rome, participated in the golden age of Italian cinema. He was somehow everywhere, bringing with him a unique and contagious spirit, putting his inimitable stamp on the cultural life of the twentieth century. “Katherine Clark…has edited Eugene Walter’s oral history into a book as amazing as the man himself.” JONATHAN YARDLEY, WASHINGTON POST BOOK WORLD “Milking the Moon has perfect pitch and flawlessly captures Eugene’s pixilated wonderland of a life…. I love this book—and I couldn’t put it down.” PAT CONROY “Surprising and serendipitous.” NEW YORK TIMES BOOK REVIEW “Anecdotes so frothy they ought to be served with a paper parasol over crushed ice.” PEOPLE “A rare literary treat…the temptation is to wolf it down all at once, but it’s much more satisfying to take your sweet time. The most unique oral history of the mid-twentieth century.” TIMES-PICAYUNE (NEW ORLEANS) “An exceptionally fun read.” ATLANTA JOURNAL-CONSTITUTION

2023 Canada Reads Longlist Selection National Bestseller Winner of the 2019 OLA Forest of Reading Evergreen Award Shortlisted for the 2019 John W. Campbell Memorial Award Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award 2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick January 2020 Reddit r/bookclub pick of the month “This slow-burning thriller is also a powerful story of survival and will leave readers breathless.” — Publishers Weekly “Rice seamlessly injects Anishinaabe language into the dialogue and creates a beautiful rendering of the natural world … This title will appeal to fans of literary science-fiction akin to Cormac McCarthy as well as to readers looking for a fresh voice in indigenous fiction.” — Booklist A daring post-apocalyptic novel from a powerful rising literary voice With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision. Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.

In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times

Vast legions of gods, mages, humans, dragons and all manner of creatures play out the fate of the Malazan Empire in this first book in a major epic fantasy series from Steven Erikson. The Malazan Empire simmers with discontent, bled dry by interminable warfare, bitter infighting and bloody confrontations with the formidable Anomander Rake and his Tiste Andii, ancient and implacable sorcerers. Even the imperial legions, long inured to the bloodshed, yearn for some respite. Yet Empress Laseen's rule remains absolute, enforced by her dread Claw assassins. For Sergeant Whiskeyjack and his squad of Bridgeburners, and for Tattersail, surviving cadre mage of the Second Legion, the aftermath of the siege of Pale should have been a time to mourn the many dead. But Darujhistan, last of the Free Cities of Genabackis, yet holds out. It is to this ancient citadel that Laseen turns her predatory gaze. However, it would appear that the Empire is not alone in this great game. Sinister, shadowbound forces are gathering as the gods themselves prepare to play their hand... Conceived and written on a panoramic scale, Gardens of the Moon is epic fantasy of the highest order--an enthralling adventure by an outstanding new voice. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Brady Bradshaw was a child when the Oklahoma City bombing took his mother from him. Every year, Brady visits the site on the anniversary to remember her. A decade ago he met Jenna Phillips, whose parents were also killed in the attack. Every year when he returns, he leaves a note for Jenna. Ashley Baxter Blake and her sister Kari Ryan take a spring break trip with their families that includes a visit to the site to see the memorial's famous Survivor Tree. She talks to Brady, and becomes determined to find Jenna and bring them together. But is shared heartache enough reason to fall in love? -- adapted from publisher info.

A beautiful young Healer flees from two lethal sorcerers. One is smitten with her. The other wants her dead... Tekoah wants a quiet life, but instead is hurtled into danger when she attracts the attention of two rival shapeshifters. Zant’s sole aim—eternal power. But Tekoah’s clan of Anniste healers defy him, so he targets them in his deadly plan for domination. Moody Braith is younger, but his abilities already surpass that of any sorcerer ever spawned. His one vulnerability: a hopeless passion for Tekoah, who wants nothing to do with him. A momentous clash between the wizards becomes inevitable, deciding the fate of the world. As the final battle looms, Tekoah discovers her own magic. And she must make a choice: Save herself, or help her clan. Set in the mythical land of Miraven, Where the Moon Has Been is a haunting epic fantasy tale of obsession and revenge—and one girl’s fight to save the ones she loves, amid a violent struggle between dark magic and light.

Have you ever seen the moon on a clear blue day and wondered why? “...Emotive watercolors...The well-told tale works on multiple levels....” --School Library Journal There once was a time when the sun alone ruled the day, the moon graced the night, and little children were sent to bed before sunset. Then early one dawn, the moon heard sounds of children laughing, and she yearned to see them by daylight. "Certainly not!" snapped the sun. "The day is mine. The night is yours!" But the moon had a clever plan... Carmen Agra Deedy and Jim LaMarche have brilliantly crafted an original pourquoi tale about finding one's place in the universe.