To The Other Shore

The contemporary world is increasingly defined by dizzying flows of people and ideas. But while Western travel is associated with a pioneering spirit of discovery, the dominant image of Muslim mobility is the jihadi who travels not to learn but to destroy. Journeys to the Other Shore challenges these stereotypes by charting the common ways in which Muslim and Western travelers negotiate the dislocation of travel to unfamiliar and strange worlds. In Roxanne Euben's groundbreaking excursion across cultures, geography, history, genre, and genders, travel signifies not only a physical movement across lands and cultures, but also an imaginative journey in which wonder about those who live differently makes it possible to see the world differently. In the book we meet not only Herodotus but also Ibn Battuta, the fourteenth-century Moroccan traveler. Tocqueville's journeys are set against a five-year sojourn in nineteenth-century Paris by the Egyptian writer and translator Rifa'a Rafi' al-Tahtawi, and Montesquieu's novel Persian Letters meets with the memoir of an East African princess, Sayyida Salme. This extraordinary book shows that curiosity about the unknown, the quest to understand foreign cultures, critical distance from one's own world, and the desire to remake the foreign into the familiar are not the monopoly of any single civilization or epoch. Euben demonstrates that the fluidity of identities, cultures, and borders associated with our postcolonial, globalized world has a long history--one shaped not only by Western power but also by an Islamic ethos of travel in search of knowledge.

This text is regarded as the essence of Buddhist teaching, offering subtle and profound teachings on non-duality; the letting go of all preconceived notions, opinions, and attachments, and so become open to all the wonders of our life. This book features a translation and commentary by Thich Nhat Hanh.

This book is an inquiry into the possibilities of politics in exile. The Mensheviks, driven out of Soviet Russia, functioned abroad in the West for a generation. For several years they also continued to operate underground in Soviet Russia, and succeeded in impressing their views on social democratic parties and Western thinking about the U.S.S.R.

Gao Xingjian is the leading Chinese dramatist of our time. He is also one of the most moving and literary writers for the contemporary stage. His plays have been performed all around the world, including China, Hong Kong, Taiwan, Japan, Australia, the Ivory Coast, the United States, France, Germany and other European countries. Born and educated in China, Gao studied French literature at the Beijing Foreign Languages Institute between 1957-1962. After the Cultural Revolution, he became a resident playwright at the Beijing People's Art Theatre. His works, including Bus Stop, Absolute Signal, and Wilderness Man, were trend-setting and have created many controversies and a wave of experimental drama in China. In 1987 he settled in Paris, France and continued to write in Chinese and in French. He was awarded the Chevalier de l'Ordre des Arts et des Lettres by the French Government in 1992. The present collection contains five of Gao Xingjian's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). One finds poetry, comedy as well as tragedy in the plays, which are graced by beautiful language and original imagery. Combining Zen philosophy and a modern worldview, they serve to illuminate the gritty realities of life, death, sex, loneliness, and exile, all essential concerns in Gao's understanding of the existence of modern man. The plays are also manifestations of the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance.

When the dead begin speaking to sixteen-year-old Kim Nguyen, her peaceful childhood is over. A delicate meditation on the nature of ghosts, belief, and how the future is shaped by the past. When the dead begin speaking to sixteen-year-old Kim Nguyen, her peaceful childhood is over. Suddenly everyone wants to exploit her new talent—her family, the Vietnamese government, and even the spirits themselves.

From the late nineteenth century to the eve of World War II, America's experts on Russia watched as Russia and the Soviet Union embarked on a course of rapid industrialization. Captivated by the idea of modernization, diplomats, journalists, and scholars across the political spectrum rationalized the enormous human cost of this path to progress. In a fascinating examination of this crucial era, David Engerman underscores the key role economic development played in America's understanding of Russia and explores its profound effects on U.S. policy. American intellectuals from George Kennan to Samuel Harper to Calvin Hoover understood Russian events in terms of national character. Many of them used stereotypes of Russian passivity, backwardness, and fatalism to explain the need for--and the costs of--Soviet economic development. These costs included devastating famines that left millions starving while the government still exported grain. This book is a stellar example of the new international history that seamlessly blends cultural and intellectual currents with policymaking and foreign relations. It offers valuable insights into the role of cultural differences and the shaping of economic policy for developing nations even today.

On the Other Shore explores the social history of Italian communities in South America and the transnational networks in which they were situated during and after World War I. From 1915 to 1921 Italy's conflict against Austria-Hungary and its aftermath shook Italian immigrants and their children in the metropolitan areas of Buenos Aires, Montevideo, and São Paulo. The war led portions of these communities to mobilize resources--patriotic support, young men who could enlist in the Italian army, goods like wool from Argentina and limes from Brazil, and lots of money--to support Italy in the face of "total war." Yet other portions of these communities simultaneously organized a strident movement against the war, inspired especially by anarchism and revolutionary socialism. Both of these factions sought to extend their influence and ambitions into the immediate postwar period. On the Other Shore demonstrates patterns of social cohesion and division within the Italian communities of South America; reconstructs varying transatlantic and inter-American networks of interaction, exchange, and mobility in an "Italian Atlantic"; interrogates how authorities in Italy viewed their South American "colonies"; and uncovers ways that Italians in Latin America balanced and blended relationships and loyalties to their countries of residence and origin. On the Other Shore's position at the intersection of Latin American history, Atlantic history, and the histories of World War I and Italian immigration thereby engages with and informs each of these subject areas in distinctive ways.

In this book, ethnographer and poet Michael Jackson addresses the interplay between modes of writing, modes of understanding, and modes of being in the world. Drawing on literary, anthropological and autobiographical sources, he explores writing as a technics akin to ritual, oral storytelling, magic and meditation, that enables us to reach beyond the limits of everyday life and forge virtual relationships and imagined communities. Although Maurice Blanchot wrote of the impossibility of writing, the passion and paradox of literature lies in its attempt to achieve the impossible--a leap of faith that calls to mind the mystic's dark night of the soul, unrequited love, nostalgic or utopian longing, and the ethnographer's attempt to know the world from the standpoint of others, to put himself or herself in their place. Every writer, whether of ethnography, poetry, or fiction, imagines that his or her own experiences echo the experiences of others, and that despite the need for isolation and silence his or her work consummates a relationship with them.