Tokyo Redux

The Occupation had a hangover, but still the Occupation went to work.Tokyo, July 1949, President Shimoyama, Head of the National Railways of Japan, goes missing just a day after serving notice of 30,000 job losses. In the midst of the US Occupation, against the backdrop of widespread social, political and economic reforms - as tensions and confusion reign - American Detective Harry Sweeney leads the missing person's investigation for General MacArthur's GHQ.Some men go mad, some men go missing .Fifteen years later and Tokyo is booming. As the city prepares for the 1964 Olympics and the global spotlight, Hideki Murota, a former policeman during the Occupation period, and now a private investigator, is given a case which forces him to go back to confront a time, a place and a crime he's been hiding from for the past fifteen years. Some men do both .Over twenty years later, in the autumn and winter of 1988, as the Emperor Showa is dying, Donald Reichenbach, an aging American, eking out a living teaching and translating, sits drinking by the Shinobazu Pond in Ueno, knowing the final reckoning of the greatest mystery of the Showa Era is down to him.

'Brilliant.' New York Times 'Remarkable.' Irish Times August 1946. One year on from surrender and Tokyo lies broken and bleeding at the feet of its American victors. Against this extraordinary historical backdrop, Tokyo Year Zero opens with the discovery of the bodies of two young women in Shiba Park. Against his wishes, Detective Minami is assigned to the case; as he gets drawn ever deeper into these complex and horrific murders, he realises that his own past and secrets are indelibly linked to those of the dead women and their killer. 'A feat of prodigious and intense imagination.' The Times 'A chilling tale of murder, corruption and post-war devastation.' Observer Books of the Year 'Part historical stunner, part Kurosawa crime film, an original all the way.' James Ellroy

“An extraordinary and highly original crime novel” (New York Times Book Review) that plunges us into post–World War II Occupied Japan in a Rashomon–like retelling of a mass poisoning (based on an actual event), its aftermath, and the hidden wartime atrocities that led to the crime. “Hugely daring, utterly irresistible, deeply serious and unlike anything I have ever read.”—New York Times Book Review On January 26, 1948, a man identifying himself as a public health official arrives at a bank in Tokyo. There has been an outbreak of dysentery in the neighborhood, he explains, and he has been assigned by Occupation authorities to treat everyone who might have been exposed to the disease. Soon after drinking the medicine he administers, twelve employees are dead, four are unconscious, and the “official” has fled.... Twelve voices tell the story of the murder from different perspectives. One of the victims speaks, for all the victims, from the grave. We read the increasingly mad notes of one of the case detectives, the desperate letters of an American occupier, the testimony of a traumatized survivor. We meet a journalist, a gangster-turned-businessman, an “occult detective,” a Soviet soldier, a well-known painter. Each voice enlarges and deepens the portrait of a city and a people making their way out of a war-induced hell. Occupied City immerses us in an extreme time and place with a brilliantly idiosyncratic, expressionistic, mesmerizing narrative. It is a stunningly audacious work of fiction from a singular writer.

Patricia E. Roy is the winner of the 2013 Lifetime Achievement Award, Canadian Historical Association. Canada's early participation in the Asia-Pacific region was hindered by "contradictory impulses" shaping its approach. For over half a century, racist restrictions curtailed immigration from Japan, even as Canadians manoeuvred for access to the fabled wealth of the Orient. Canada's relations with Japan have changed profoundly since then. In Contradictory Impulses, leading scholars draw upon the most recent archival research to examine an important bilateral relationship that has matured in fits and starts over the past century. As they makes clear, the two countries' political, economic, and diplomatic interests are now more closely aligned than ever before and wrapped up in a web of reinforcing cultural and social ties. Contradictory Impulses is a comprehensive study of the social, political, and economic interactions between Canada and Japan from the late nineteenth century until today.

Stylish, riveting and appalling, GB84 is a shocking fictional documentation of the violence, sleaze and fraudulence that characterised Thatcher's Britain. Great Britain. 1984. The miners' strike. It is the closest Britain has come to civil war in fifty years, setting the government against the people. In his trademark visceral prose, Peace describes the insidious workings of the boardroom negotiations and the increasingly anarchic coalfield battles; the struggle for influence in government and the dwindling powers of the NUM; and the corruption, intrigue and dirty tricks which run through the whole like a fault in a seam of coal. David Peace has written a novel extraordinary in its reach, and unflinching in its capacity to recreate the brutality and passion that changed the course of British history in the late twentieth century. 'A genuine British original.' Guardian 'Peace is a writer of such immense talent and power . . . If Northern noir is the crime fashion of the moment, Peace is its most brilliant designer.' The Times

In these twelve interconnected tales, David Peace—acclaimed author of the Red Riding Quartet, Occupied City, and Tokyo Year Zero—weaves fact and fiction as he takes up the brief but fiercely lived life of the early-twentieth-century Japanese writer Ryūnosuke Akutagawa. Unique and offbeat, Patient X delves into Akutagawa’s rich and complicated private life: his fears and battles with mental illness; his complex reaction to the Westernization of Japan; his exacting creative process; and his suicide, weaving these facets into a hauntingly evocative portrait. But Patient X is more than a paean to one remarkable writer: it is also an incandescent exploration of the act and obsession of writing itself, and of the role of the artist in times that darkly mirror our own.

FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.

The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing