Tolkien S Art

Tolkien's complete artwork for "The Lord of the Rings," presented for the first time in celebration of its 60th anniversary, includes more than 180 sketches, drawings, paintings, maps, and plans, more than half of which have not been previously published.--

Each painting is accompanied by a page of text drawn from the work that inspired it, describing the scene the artist has chosen to illustrate.

With Christopher Tolkien as your guide, take a tour through this colourful gallery of enchanting art by J.R.R. Tolkien, as published originally in the first groundbreaking Tolkien Calendars of the 1970s. This collection of pictures, with text by Christopher Tolkien, now reissued after almost 30 years, confirms J.R.R. Tolkien's considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit, The Lord of the Rings and The Silmarillion. Examples of his art range from delicate watercolours depicting Rivendell, the Forest of Lothlorien, Smaug and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien's own illustrations for his most popular books. Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries and heraldic devices associated with the world of Middle-earth. In their variety and scope they provide abundant visual evidence of the richness of his imagination. This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.

Analyzes and illuminates Tolkien's lesser-known achievements as an artist and collects the complete artwork created for "The Hobbit, " including over one hundred sketches, paintings, maps, and plans.

Tolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created. The Illustrated World of Tolkien gathers together artworks and essays from expert illustrators, painters and etchers, and fascinating and scholarly writing from renowned Tolkien expert David Day, and is an exquisite reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.

" J.R.R. Tolkien's zeal for medieval literary, religious, and cultural ideas deeply influenced his entire life and provided the seeds for his own fiction. In Tolkien's Art, Chance discusses not only such classics as The Hobbit, The Lord of the Rings, and The Silmarillion, but focuses on his minor works as well, outlining in detail the sources and influences–from pagan epic to Christian legend-that formed the foundation of Tolkien's masterpieces, his "mythology for England."

This literary study examines the scholarly and mythological roots of the author’s beloved stories, including The Hobbit and The Lord of the Rings. J.R.R. Tolkien captured the imaginations of generations with his expansive fantasy worlds and tales of high adventure. But Tolkien was also an accomplished scholar whose deep knowledge of mythology and language provided a wellspring of inspiration for his fiction. In this enlightening study, Tolkien specialist Jane Chance uncovers the many sources the author used in composing his works. Inspired by works like Beowulf and Gawain and the Green Knight, Tolkien relied on both pagan epic and Christian legend to create a distinctly English mythology. Chance traces this project through his major works as well as his minor stories and critical essays. This revised and expanded edition also examines the paradigm of the critic as monster featured in many of Tolkien’s writings.

In his Preface, Robert Morse states that both Vergil and Tolkien present myth as an aspect of an historical continuum. For these authors, myth does not seem to represent a falsehood, but rather it seems to narrate a record of experience from which humanity learns. Thus, myth is...a form of memory. In Evocation of Vergil in Tolkien's Art, Robert Morse asks the question: does this syncretism of myth and history serve a similar purpose in each author?