Tommy Gun

The Trench Broom. The Annihilator. The Persuader. The Chopper. The Chicago Typewriter. The Tommy Gun. The Thompson submachine gun has gone by many names, and for nearly a century the gun's image has been indelibly marked on the popular consciousness. In this broad-reaching cultural and military history, Bill Yenne charts the tommy gun's unpredictable and one-of-a-kind career, from its infamy in the hands of Al Capone and the Chicago mobsters, to its shady days with the IRA, to its indelible place in the arsenal of World War II, and its truly immortal and ongoing role in Hollywood. The tommy gun is without a doubt the most famous, and the most infamous, American firearm of the twentieth century. Since its birth in the aftermath of World War I, the tommy gun has enjoyed a varied career on both sides of the law. Though General John T. Thompson invented it for the American military, it first found notoriety thanks to its part in events such at St. Valentine's Day Massacre. But when the United States entered World War II, the gun's true power as an essential, life-saving weapon made it an iconic weapon of the American GI. Full of incredible stories from the battlefields of Europe and the Pacific, America's gangland, and Hollywood studio back lots, Bill Yenne's Tommy Gun is the definitive story of this unique American icon.

John Taliaferro Thompson had a mission: to develop a lightweight, fast-firing weapon that would help Americans win on the battlefield. His Thompson submachine gun could deliver a hundred bullets in a matter of seconds—but didn't find a market in the U.S. military. Instead, the Tommy gun became the weapon of choice for a generation of bootleggers and bank-robbing outlaws, and became a deadly American icon. Following a bloody decade—and eighty years before the mass shootings of our own time—Congress moved to take this weapon off the streets, igniting a national debate about gun control. Critically-acclaimed author Karen Blumenthal tells the fascinating story of this famous and deadly weapon—of the lives it changed, the debate it sparked, and the unprecedented response it inspired.

The Thompson submachine gun, or Tommy gun developed an almost iconic status during the 20th century. It had an unusual beginning, for it was developed during the dying days of World War I as a 'one-man, hand-held machine gun.' The war ended before these first prototypes could be shipped to Europe but once the M1921 Thompson formally entered production it was used by the criminals working in Chicago and New York during the 1920s. With the police increasingly outgunned they too were forced to equip themselves with the Tommy gun. It quickly came to be used in Hollywood films, and by the end of the 1930s it would have probably faded from view had history not intervened. With the entry of the US into World War II there was an urgent need to equip and arm a force of epic proportions; the Thompson submachine gun began a second career as part of the US Army. It also became the weapon of choice for the small band of British commandos as they conducted a number of daring raids against the heart of occupied Europe.

This is the true tale of two brothers, sons of a successful Jewish contractor, who along with an MIT graduate and a minister's daughter once competed for headlines with John Dillinger, Pretty Boy Floyd and Bonnie and Clyde. The gang was led by the angry, violent, yet often charismatic Murton Millen, a small-time hoodlum and aspiring race-car driver. With his younger brother, Irv, and later joined by neighborhood buddy and MIT graduate Abe Faber, Murt launched a career of increasingly ambitious robberies. But it was only after his sudden marriage to the beautiful eighteen-year-old Norma Brighton that the gang escalated to murder. Their crime wave climaxed at a Needham, Massachusetts, bank on February 2, 1934, when Murt cut down two local police officers - Francis Haddock and Forbes McLeod - with a Thompson submachine gun stolen from state police. The killings, the dogged investigation by two clever detectives, and the record-setting trial with seventeen psychiatrists were national news. In Depression-era America this Boston saga of sex, ethnicity, and bloodshed made the trio and their "red-headed gun moll" infamous. Gorenstein's account explores the Millen, Faber, and Brighton families and introduces us to cops, psychiatrists, newspaper men and women, and ordinary citizens caught up in the extraordinary Tommy Gun Winter of 1934.

Here is a voice we have never heard--a voice full of poetry and rage, exploding onto the page with stunning urgency and force. Here is a story of several people, each of whom has private reasons for travelling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life together after his uncle's death and has come to work at the powwow to honour his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss. Fierce, angry, funny, heartbreaking, There There is a relentlessly paced multi-generational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. An unforgettable debut.

THE STORIES BEHIND EVERY STUDIO TRACK FROM THE ONLY BAND THAT MATTERS. Established in 1976 at the fore London’s punk rock insurgence, The Clash would outlast their peers while creating some of the most influential albums in rock ’n’ roll history. Author Martin Popoff dissects each of the Clash’s ninety-one studio tracks, examining the circumstances that led to their creation, the recording processes, the historical contexts and more. In addition, introductory essays set the scene for the band’s six studio releases (including the double LP London Calling and the triple Sandinista!) and feature sidebars detailing studios, release dates, personnel, and more. Illustrated with rare performance and offstage photography, along with images of 7-inch singles sleeves and gig posters, the resulting volume is a fitting tribute to the foursome whose staunch political stance and groundbreaking amalgam of punk, rockabilly, reggae, and hip-hop earned the title “The Only Band That Matters.”