Tommy S War A First World War Diary 1913 1918

The extraordinary diaries of Thomas Cairns Livingstone represent twenty years of gorgeously idiosyncratic daily records of a middle-class Glasgow household, over a period spanning shortly before the Great War to the early 1930s.

The extraordinary diaries of Thomas Cairns Livingstone represent twenty years of gorgeously idiosyncratic daily records of a middle-class Glasgow household, over a period spanning shortly before the Great War to the early 1930s.

One of the crucial factors which kept Tommy going on the Western Front was his facility to see what was comic in the horror, deprivation and discomfort of trench warfare, an attitude which blossomed further in the rest areas behind the lines. The nature of the comedy ranged from gentle irony to a rougher hilarity that produced on belly laughs. Such laughter could arise from extreme physical pain and discomfort, from the provision of sustenance and from matters relating to dress, equipment and weapons. A further source of fun was bizarre events not dissimilar to situation comedy and pantomime. Moreover, a whole culture of humour surrounded Tommy's words and songs, and many trench pets – cats, dogs, horses, goats, even rats – were in on the joke in one way or another. Nor was it only the British soldiers who managed to find something to laugh about in the trenches – the Germans could sometimes see the funny side as well. A Bloody Picnic provides an unusual perspective on how soliders coped with the grim realities of the First World War.

Shares excerpts from the personal diaries and photographs of British soldiers to depict the daily life of a Tommy in the trenches between 1914 and 1918.

In late 2007 and early 2008, world-renowned historians gathered in Kansas City for a series of public forums on World War I. Each of the five events focused on a particular topic and featured spirited dialogue between its prominent participants. In spontaneous exchanges, the eminent scholars probed each other’s arguments, learned from each other, and provided insights not just into history but also into the way scholars think about their subject alongside and at times in conflict with their colleagues. Representing a fourth generation of writers on the Great War and a transnational rather than an international approach, prominent historians Niall Ferguson and Paul Kennedy, Holger Afflerbach and Gary Sheffield, John Horne and Len Smith, John Milton Cooper and Margaret MacMillan, and Jay Winter and Robert Wohl brought to the proceedings an exciting clash of ideas. The forums addressed topics about the Great War that have long fascinated both scholars and the educated public: the origins of the war and the question of who was responsible for the escalation of the July Crisis; the nature of generalship and military command, seen here from the perspectives of a German and a British scholar; the private soldiers’ experiences of combat, revealing their strategies of survival and negotiation; the peace-making process and the overwhelming pressures under which statesmen worked; and the long-term cultural consequences of the war—showing that the Great War was “great” not merely because of its magnitude but also because of its revolutionary effects. These topics continue to reverberate, and in addition to shedding new light on the subjects, these forums constitute a glimpse at how historical writing happens. American society did not suffer the consequences of the Great War that virtually all European countries knew—a lack of perspective that the National World War I Museum seeks to correct. This book celebrates that effort, helping readers feel the excitement and the moral seriousness of historical scholarship in this field and drawing more Americans into considering how their own history is part of this story.

Part scrapbook, part memoir, this wonderfully colourful and eloquent diary brims with vivid observations, providing a rare snapshot of what life was like on the Home Front during the First World War. Amateur artist, animal lover and keen writer of letters to the papers, Mrs Bilbrough witnessed the men leaving for war (her husband, Kenneth, a banker in the City, was fortunately too old to be called up); the horses at Waterloo waiting to be transported to France; bombings and airraids; the introduction of the Daylight Saving Bill and food price increases (her consternation as the price of a tin of tongue rose from 2/- to 4/6 is clear!). She also writes at her outrage at the shooting of British nurse Edith Cavell; her sadness when Lord Kitchener is drowned at sea; her alarm as Zeppelins flew over Kent and her anger at the wide-ranging German atrocities. Her relief as war ended is palpable ('PEACE! The armistice is signed, "the day" has come at last! And it is ours!'). Interspersed with her daily jottings are cuttings and cartoons, her own watercolours and drawings and the colourful flags that were sold to raise money for the troops. Charming yet moving, this diary gives us a taste of what it was really like to live through the Great War, seen from the perspective of an acute social observer.

2014 marks the centenary of the outbreak of the Great War, arguably the definitive conflict in the history of Europe. Never before or since has such a great swell of popular sentiment produced such a patriotic rush to arms. In the trenches and on the battlefield, British soldiers united with their allies to fight valiantly for the cause. At very great cost, they delivered Western Europe from a new Dark Age. Providing a vital insight into this pivotal period, historians John Sadler and Rosie Serdiville disclose the poignant and emotive experiences of war, in the front line and behind, from men and women of every class and background. Combining rich anecdote and unique testimony, the stories of those that passed through the ordeal of war reveal remarkable tales of horror and suffering, but also the comradeship, exhilaration and adventure of the Western Front. This is the human story of the Great War, told by those who lived through it.