Tongnaab

For many Africanist historians, traditional religion is simply a starting point for measuring the historic impact of Christianity and Islam. In Tongnaab, Jean Allman and John Parker challenge the distinction between tradition and modernity by tracing the movement and mutation of the powerful Talensi god and ancestor shrine, Tongnaab, from the savanna of northern Ghana through the forests and coastal plains of the south. Using a wide range of written, oral, and iconographic sources, Allman and Parker uncover the historical dynamics of cross-cultural religious belief and practice. They reveal how Tongnaab has been intertwined with many themes and events in West African history -- the slave trade, colonial conquest and rule, capitalist agriculture and mining, labor migration, shifting ethnicities, the production of ethnographic knowledge, and the political projects that brought about the modern nation state. This rich and original book shows that indigenous religion has been at the center of dramatic social and economic changes stretching from the slave trade to the tourist trade.

Although the Koma are known throughout the world as a result of the so-called Komaland-terracottas, excavated in the 1980s, no extensive ethnographic publication about their culture has appeared yet. The present book comprises some of the results of author Franz Kroger's surveys during six field research trips between 1984 and 2008. It is also based on the profound knowledge of the co-author, Ben Baluri Saibu, a lawyer from the Koma village of Yikpabongo. The main focus of the book is the social, political and economic structure of the Koma, as well as their material culture, and, above all, their traditional religion and the extraordinarily dynamic history. A Konni-English word list with approximately 2400 entries might be interesting for linguists specialised in the West African Gur languages.

This volume contains the results of significant fieldwork completed in the Tong Hills of Northern Ghana, an area currently inhabited by the Talensi ethno-linguistic group. Although made anthropologically renowned by the anthropologist Meyer Fortes, the archaeology and material culture of the Talensi Tong Hills had largely been neglected until the research initiated by the authors. Extensive archaeological surveys and excavations were completed allied with ethnoarchaeological and ethnobotanical research on shrines, sacrifice, and indigenous medicine. The data is presented and described, and a settlement chronology for the region reconstructed. The results of the geological, organic geochemical, petrographic, and archaeometallurgical analysis are provided. The function of shrines and the meaning of 'shrine' as a concept are evaluated, and indigenous medicinal practices, their links with shrines, and their substances, materiality, and archaeological implications assessed with reference to the primary empirical material gathered. Ritual, performance, and its inter-relation with the past and the archaeological record are also considered so as to question the 'timelessness' of previous anthropological presentations. The Tong Hills are also discussed with reference to their place in the wider history and archaeology of the region. This book will be useful to anyone interested in the archaeology and anthropology of African indigenous religions and ritual practices, as well as those interested in West African history, and the relationship between archaeology and anthropology.

What are African religions? African Religions: A Very Short Introduction answers this question by examining primarily indigenous religious traditions on the African continent, as well as exploring Christianity and Islam. It focuses on the diversity of ethnic groups, languages, cultures, and worldviews, emphasizing the continent's regional diversity. Olupona examines a wide range of African religious traditions on their own terms and in their social, cultural, and political contexts. For example, the book moves beyond ethnographic descriptions and interpretations of core beliefs and practices to look at how African religion has engaged issues of socioeconomic development and power relations. Olupona examines the myths and sacred stories about the origins of the universe that define ethnic groups and national identities throughout Africa. He also discusses spiritual agents in the African cosmos such as God, spirits, and ancestors. In addition to myths and deities, Olupona focuses on the people central to African religions, including medicine men and women, rainmakers, witches, magicians, and divine kings, and how they serve as authority figures and intermediaries between the social world and the cosmic realm. African Religions: A Very Short Introduction discusses a wide variety of religious practices, including music and dance, calendrical rituals and festivals, celebrations for the gods' birthdays, and rituals accompanying stages of life such as birth, puberty, marriage, elderhood, and death. In addition to exploring indigenous religions, Olupona examines the ways Islam and Christianity as outside traditions encountered indigenous African religion. He shows how these incoming faith traditions altered the face and the future of indigenous African religions as well as how indigenous religions shaped two world religions in Africa and the diaspora. Olupona draws on archaeological and historical sources, as well as ethnographic materials based on fieldwork. He shows that African religions are not static traditions, but have responded to changes within their local communities and to fluxes caused by outside influences, and spread with diaspora and migration.

Includes Proceedings of the Executive council and List of members, also section "Review of books".

The crafts of governance and diplomacy are spectacular, theatrical, and performative. Performing Statecraft investigates the performances of states, their leaders, and their citizens on an expanded field of the global arts of statecraft to consider the role of performance in the domestic and international affairs of states, and the interventions into global politics by artists, scholars, and activists. Treating theatre as both an art form and a practice of political actors, this book draws together scholarship on the embodied dimensions of governance, the stagecraft of revolution, arts activism on the world stage, sports performance by heads of state, the performativity of national dress, speechmaking and colonialism, war and medicine, singing diplomats, indigenous sovereignties, and performed nationalisms. It brings the perspective and methods of performance studies to bear on global politics, offering exciting new insights into encounters between states, sovereigns, and people. Whether one is watching a campaign speech, a nightly news broadcast, a sacred dance, or a play about global conflict, these chapters make clear the importance of performance as a tool wielded by amateurs and professionals to articulate the nation in global spaces.

A robust historical case study that demonstrates how village development became central to the rhetoric and practice of statecraft in rural Ghana. Combining oral histories with decades of archival material, Village Work formulates a sweeping history of twentieth-century statecraft that centers on the daily work of rural people, local officials, and family networks, rather than on the national governments and large-scale plans that often dominate development stories. Wiemers shows that developmentalism was not simply created by governments and imposed on the governed; instead, it was jointly constructed through interactions between them. The book contributes to the historiographies of development and statecraft in Africa and the Global South by emphasizing the piecemeal, contingent, and largely improvised ways both development and the state are comprised and experienced providing new entry points into longstanding discussions about developmental power and discourse unsettling common ideas about how and by whom states are made exposing the importance of unpaid labor in mediating relationships between governments and the governed showing how state engagement could both exacerbate and disrupt inequities Despite massive changes in twentieth-century political structures—the imposition and destruction of colonial rule, nationalist plans for pan-African solidarity and modernization, multiple military coups, and the rise of neoliberal austerity policies—unremunerated labor and demonstrations of local leadership have remained central tools by which rural Ghanaians have interacted with the state. Grounding its analysis of statecraft in decades of daily negotiations over budgets and bureaucracy, the book tells the stories of developers who decided how and where projects would be sited, of constituents who performed labor, and of a chief and his large cadre of educated children who met and shaped demands for local leaders. For a variety of actors, invoking “the village” became a convenient way to allocate or attract limited resources, to highlight or downplay struggles over power, and to forge national and international networks.

How people engaged with materials such as clay or stone, why people dug features such as pits, why they decorated their bodies, or treated their dead in certain ways, were all meaningful in the African past. However, these are subjects that have been generally neglected by archaeologists working in Africa until recently. Material Explorations in African Archaeology examines materiality in African archaeology by exploring concepts of material agency and material engagement and entanglement in relation to their manifest presence in persons, animals, objects, substances, and contexts. It investigates the magnificent and complex world of past African materiality by considering a range of case studies. These include, for example, why standing stones were erected, the potential meanings of bodily alteration practices such as scarification and dental modification, and why, recurrently, Africans in the past gave ritual importance to objects, materials, and locations thought of as exotic or different. Adopting a multidisciplinary focus, the volume draws not only on archaeology but also, among other areas, ethnography and history, discussing themes such as bodies, landscape, healing and medicine, and divination, as well as concepts such as memory and biography, transformation, and metaphor and metonym.