Toni Morrison S A Mercy

A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

In exchange for a bad debt, an Anglo-Dutch trader takes on Florens, a young slave girl, who feels abandoned by her slave mother and who searches for love--first from an older servant woman at her master's new home, and then from a handsome free blacksmith.

Toni Morrison’s ninth novel, A Mercy, has been received with much acclaim by both the critical and lay reading public. Hailed as her best novel after the award-winning Beloved, most critics to date have concentrated on its setting in the late seventeenth century, a time in which, according to the author herself, slavery was “pre-racial,” a time before the “Terrible Transformation” irrevocably linked slavery to skin-color or “race.” Though a slender, easy to read novel, A Mercy is in fact a richly-layered text, full of multiple meanings and possibilities, a work of art that has only just begun to be “mined” for its critical import. The present volume is the first to deal with these possibilities, presenting a variety of critical approaches that include narrative theory, the eco-critical, the geographical, the allegorical, the Miltonian, the feminist, the metaphorical, and the Lacanian. As such, not only is it conceived to enrich the work of Morrison scholars and students, but also to illuminate the use of critical theory in elucidating a complex literary text. A Mercy clamors for close reading and thoughtful interrogation and promises to reward the perceptive reader.

Toni Morrison features a collection of ten new essays by noted Morrison scholars, including recipients of the Toni Morrison Society Book Award. Focusing upon Morrison's most recently published novels (Paradise, Love, A Mercy) the contributors to this volume revisit issues that continue to engage Morrison and are part of the currency of contemporary American literary and cultural history. These selections examine Morrison's ongoing "romance" with African Americans as they continue to battle the demons of race, gender, class, and poverty, to name a few. Together, these essays offer comprehensive and nuanced discussions of Morrison's latest novels and provide new directions for Morrison scholarship in the 21st century. This volume provides students of literature, cultural studies, and history with an overview of Morrison's examination of African American progress and leadership at key moments in American history and culture from the Colonial Period to the present. Through their thematic interconnectedness, the essays reveal Morrison at her most brilliant in her ability to reach into the past to comment on contemporary issues.

What exactly is goodness? Where is it found in the literary imagination? Toni Morrison, one of American letters’ greatest voices, pondered these perplexing questions in her celebrated Ingersoll Lecture, delivered at Harvard University in 2012 and published now for the first time in book form. Perhaps because it is overshadowed by the more easily defined evil, goodness often escapes our attention. Recalling many literary examples, from Ahab to Coetzee’s Michael K, Morrison seeks the essence of goodness and ponders its significant place in her writing. She considers the concept in relation to unforgettable characters from her own works of fiction and arrives at conclusions that are both eloquent and edifying. In a lively interview conducted for this book, Morrison further elaborates on her lecture’s ideas, discussing goodness not only in literature but in society and history—particularly black history, which has responded to centuries of brutality with profound creativity. Morrison’s essay is followed by a series of responses by scholars in the fields of religion, ethics, history, and literature to her thoughts on goodness and evil, mercy and love, racism and self-destruction, language and liberation, together with close examination of literary and theoretical expressions from her works. Each of these contributions, written by a scholar of religion, considers the legacy of slavery and how it continues to shape our memories, our complicities, our outcries, our lives, our communities, our literature, and our faith. In addition, the contributors engage the religious orientation in Morrison’s novels so that readers who encounter her many memorable characters such as Sula, Beloved, or Frank Money will learn and appreciate how Morrison’s notions of goodness and mercy also reflect her understanding of the sacred and the human spirit.

Collected interviews with the Nobel Prize winner in which she describes herself as an African American writer and that show her to be an artist whose creativity is intimately linked with her African American experience

Attorney Theo Buchanan - brother of seasoned FBI agent Nick Buchanan, the hero of HEARTBREAKER - is in New Orleans to receive an award for his work with the Department of Justice. When he becomes unexpectedly ill at the gala, a beautiful stranger rushes him to the hospital and saves his life. The woman - a brilliant surgeon named Michelle Renard - intrigues Theo, but before he can learn more about her, she leaves New Orleans and returns to her small clinic in Louisiana. Theo seeks her out to thank her, but finds more than he bargained for. When he arrives in the little town of Bowen, he discovers that Michelle is being followed, her house has been broken into and her clinic destroyed. Theo is in a position to return the ultimate favour. Michelle saved his life...now can he save hers?

National bestselling author of the Benni Harper mysteries Widow Love Mercy Johnson still listens for her husband's comforting laugh, but with her friend's help, she's trying to move on. Then her 18-year-old estranged granddaughter shows up, forcing them both to confront old resentments. And when disaster strikes, they must discover if they can change their lives-and the lives of those they love-for the better.