Tony Pastor Father Of Vaudeville

"Pastor made contributions to the success of American vaudeville as a songwriter, variety performer, and theater owner. From his early success as the owner of Tony Pastor's Opera House to his role as "Little Man Tony", this work offers a look at Pastor'sr

Short scripts, chiefly comedies, from Tony Pastor who pioneered Vaudeville in the late 1800s ; includes commentaries.

The Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine line between the family’s conservative politics and his own pro-Lincoln sentiments. Foster lived most of his life just outside of industrial, smoke-filled Pittsburgh and wrote songs set in a pastoral South—unsullied by the grime of industry but tarnished by the injustice of slavery. Rather than defining Foster by his now-controversial minstrel songs, JoAnne O’Connell reveals a prolific composer who concealed his true feelings in his lyrics and wrote in diverse styles to satisfy the changing tastes of his generation. In a trenchant reevaluation of his NewYork Bowery years, O’Connell illustrates how Foster purposely abandoned the style for which he was famous to write lighthearted songs for newly popular variety stages and music halls. In the last years of his life, Foster’s new direction in songwriting stood in the vanguard of vaudeville and musical comedy to pave the way for the future of American popular music. His stylistic flexibility in the face of evolving audience preferences not only proves his versatility as a composer but also reveals important changes in the American music and publishing industries. An intimate biography of a complex, controversial, and now neglected composer, The Life and Songs of Stephen Foster is an important story about the father of American music. This invaluable portrait of the political, economic, social, racial, and gender issues of antebellum and Civil War America will appeal to history and music lovers of all generations.

When the Swedish concert singer Jenny Lind toured the U.S. in 1850, she became the prototype for the modern pop star. Meanwhile, her manager, P.T. Barnum, became the prototype for another figure of enduring significance: the pop culture impresario. Starting with Lind's fabled U.S. tour and winding all the way into the twenty-first century, Live Music in America surveys the ongoing impact and changing conditions of live music performance in the U.S. It covers a range of historic performances, from the Fisk Jubilee Singers expanding the sphere of African American music in the 1870s, to Benny Goodman bringing swing to Carnegie Hall in 1938, to 1952's Moondog Coronation Ball in Cleveland - arguably the first rock and roll concert - to Beyoncé's boundary-shattering performance at the 2018 Coachella festival. More than that, the book details the roles played by performers, audiences, media commentators, and a variety of live music producers (promoters, agents, sound and stage technicians) in shaping what live music means and how it has evolved. Live Music in America connects what occurs behind the scenes to what takes place on stage to highlight the ways in which live music is very deliberately produced and does not just spontaneously materialize. Along the way, author Steve Waksman uses previously unstudied archival materials to shed new light on the origins of jazz, the emergence of rock 'n' roll, and the rise of the modern music festival.

This handbook is the first to provide a systematic investigation of the various roles of producers in commercial and not-for-profit musical theatre. Featuring fifty-one essays written by international specialists in the field, it offers new insights into the world of musical theatre, its creation and its promotion. Key areas of investigation include the lives and works of producers whose work is part of a US and worldwide musical theatre legacy, as well as the largely critically-neglected role of the musical theatre producer in the making, marketing, and performance of musicals. Also explored are the shifting roles of producers in musical theatre and their popular portrayals, offering a reader-friendly collection for fans, scholars, students, and practitioners of musical theatre alike.

Over the last couple of decades, minor league baseball games have shown substantial attendance figures, with more than forty-one million spectators in both 2010 and 2011. With all the high-tech, live-streaming, fast-paced entertainment available to consumers, what is it about minor league baseball that still holds appeal with today’s audiences? With access to major league games broadcast on countless cable networks, what draws fans to small stadiums to watch obscure players struggle to make the big time? Sports historian David M. Sutera set out to answer these questions by visiting fourteen minor league baseball parks around the country. In Vaudeville on the Diamond, Sutera discusses the lure of minor league baseball with fans, players, and team representatives, examining how teams have survived and thrived in today’s competitive entertainment world. Combining interviews with game-day observations, Sutera argues that minor league baseball’s key to survival lies in the creation of on- and off-field attractions that invoke the traditions of vaudeville with their unique and quirky spectacle. From inviting fans to participate in dizzy bat competitions and races against the mascot to featuring Star Wars theme nights and monkeys riding border collies, teams have created a multifaceted form of entertainment that transcends the game itself. Part study and part travelogue, Vaudeville on the Diamond features numerous photographs of on-field entertainment, showcasing the vaudevillian side of minor league baseball. A light-hearted and engaging look at the minor leagues, this book will appeal not only to scholars and students of popular culture, sports and leisure studies, and sports management but to all fans of baseball and minor league sports.