Too Young To Kill

The New York Times bestselling author of Love Her to Death shares the true-crime story of a small-town Midwestern teenager murdered by her own friends. Sixteen-year-old Adrianne Reynolds couldn't unravel the twisted tangles of jealousy and domination complicating her new life in East Moline, Illinois. What began as a fresh start after a troubled home life in Texas ended with Adrianne's body charred, stuffed into garbage bags, and scattered. It seemed the work of hardened criminals, but the truth was far more astonishing: her own “best friends” choked Adrianne to death and cut her up. Now, master crime writer M. William Phelps recounts this horrific saga of teen lust and violence in every gripping detail. Praise for Too Young to Kill “Phelps is the Harlan Coben of real-life thrillers.” —Allison Brennan, New York Times bestselling author of Tell No Lies Includes sixteen pages of revealing photos

Raw, hard hitting, not politically correct, as it was during the early years of the 1970s. See through the soldiers eyes his perspectives, as he takes you visually through his personal slice of the non-winnable Vietnam War. Feel his fear and euphoria from the mundane to the cracking sounds of AK 47 rounds zipping past his head. Meet the friendly creatures persecuting the Grunts daily, while on operations. Feel his feelings on the few rest days, trying to unwind. A must to read, if you want the feeling of a simple private soldier, living his own private hell.

Raw, hard hitting, not politically correct, as it was during the early years of the 1970's. See through the soldier's eyes his perspectives, as he takes you visually through his personal slice of the non-winnable Vietnam War. Feel his fear and euphoria from the mundane to the cracking sounds of AK 47 rounds zipping past his head. Meet the friendly creatures persecuting the Grunts daily, while on operations. Feel his feelings on the few rest days, trying to unwind. A must to read, if you want the feeling of a simple private soldier, living his own private hell.--Back cover.

Jonathan Paul goes behind the sensationalist headlines of 'child killers' to investigate why these crimes happen. He examines child homicide in today's violent, confusing world and contextualises it against the cruel unforgiving retribution of yesterday. Children are increasingly experimenting with drugs and committing offences, but there are those who commit the worst possible crimes: to end another person's life before their own could properly have begun. The cases are shocking but sometimes the path towards them is even more so. This is a fascinating exploration of disturbing events aimed at discovering what happens when childhood is trodden underfoot, and when and why kids kill.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • Everyone is talking about A Good Girl's Guide to Murder! With shades of Serial and Making a Murderer this is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The family of Jo Reynolds, Tony’s wife, had a difficult time dealing with Adrianne, Tony’s sixteen-year-old daughter. They had reconciled and were on the path of healing a broken relationship. #2 When Jo passed by Adrianne’s room, she noticed her work clothes laid out. She was not the least bit worried, as she knew Adrianne would never blow off her shift. She had made lots of friends since moving into town. #3 When Tony and Jo got to Checkers, Adrianne’s boss said that she hadn’t heard from her. Something wasn’t right. They took off home and thought about the past few weeks at the house, and all the stress between Jo and Adrianne. They thought about what might have happened to Adrianne. #4 Adrianne had gone out and gotten her eyebrow pierced, just like her friends had told her not to. She was also interested in the Juggalo culture, which was a mix of antiestablishment, two-man band Insane Clown Posse and violent, sexist, and vulgar music.

The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results. Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying. We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets. We were not planning on what happened next. We swear. Praise for Kill the Boy Band “Moldavsky’s sharp, shocking debut is like no other.” —Entertainment Weekly “Fiercely entertaining . . . One of the smartest YA releases of the year.” —New York Daily News “Misery for the Belieber generation.” —Observer.com “Boy bands gets the Heathers treatment in this madcap macabre . . . A sendup of the artificiality of the fame-making machine from both sides, the novel’s humor is mercilessly black, and no one comes up smelling like roses.” —Kirkus Reviews “Wickedly funny.” —NPR.org “Bitingly satirical.” —Publishers Weekly “[For] anyone who’s ever had the fortune-or misfortune-of being a fan.” —Booklist “Hilarious . . . A must-have.” —School Library Journal

A Finalist for the NAACP Image Award A Finalist for the Hurston/Wright Legacy Award for Nonfiction A Finalist for the Thurber Prize for American Humor Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay An NPR Best Book of the Year A Washington Independent Review of Books Favorite of the Year From the host of podcast "Stuck with Damon Young," cofounder of VerySmartBrothas.com, and one of the most read writers on race and culture at work today, a provocative and humorous memoir-in-essays that explores the ever-shifting definitions of what it means to be Black (and male) in America For Damon Young, existing while Black is an extreme sport. The act of possessing black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant. What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him. It’s a condition that’s sometimes stretched to absurd limits, provoking the angst that made him question if he was any good at the “being straight” thing, as if his sexual orientation was something he could practice and get better at, like a crossover dribble move or knitting; creating the farce where, as a teen, he wished for a white person to call him a racial slur just so he could fight him and have a great story about it; and generating the surreality of watching gentrification transform his Pittsburgh neighborhood from predominantly Black to “Portlandia . . . but with Pierogies.” And, at its most devastating, it provides him reason to believe that his mother would be alive today if she were white. From one of our most respected cultural observers, What Doesn’t Kill You Makes You Blacker is a hilarious and honest debut that is both a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.