Toronto S Visual Legacy

Twenty-five fascinating images that offer a 360º panorama of the Toronto's downtown in 1856-57 mark the beginning of the use of photographs to document Toronto's growth, its achievements, its great civic works, and its citizenry. Since 1856, the City of Toronto has been commissioning photographs to document and to promote it. This book, published to celebrate the 175th anniversary of the city's incorporation, brings together more than 100 of these images, selected by city archivists from their collection of hundreds of thousands. Waterworks, roads, and bridges, many of them familiar landmarks today, are seen as they are being built. The Bloor Street Viaduct, the R. C. Harris water filtration plant, and the old and new city halls are all celebrated in these images. Toronto's citizens are also captured in these photographs, going about their affairs on the street, as proud workers, or as spectators at public events. At times, in an effort to raise public concern about poverty and poor housing conditions, city photographers have documented conditions for residents in low-income neighbourhoods. Some of these photographs are included here, in an impressive series of poignant images. In the past fifty years, as Toronto has grown into the cosmopolitan metropolis it is now, city photographers have recorded the construction of key projects like the Yonge Street subway, the new City Hall and the CN Tower while documenting major public events and celebrations. This book offers a visual overview of Toronto's history and at the same time documents attitudes and values expressed by City officials, from 1857 to the present.

Unbuilt Toronto explores never-realized building projects in and around Toronto, from the city’s founding to the twenty-first century. Delving into unfulfilled and largely forgotten visions for grand public buildings, landmark skyscrapers, highways, subways, and arts and recreation venues, it outlines such ambitious schemes as St. Alban's Cathedral, the Queen subway line and early city plans that would have resulted in a Paris-by-the-Lake. Readers may lament the loss of some projects (such as the Eaton’s College Street tower), be thankful for the disappearance of others (a highway through the Annex), and marvel at the downtown that could have been (with underground roads and walkways in the sky). Featuring 147 photographs and illustrations, many never before published, Unbuilt Toronto casts a different light on a city you thought you knew.

The Toronto Neighbourhoods bundle presents a collection of titles that provide fascinating insight into the history and development of Canada’s largest and most diverse city. Beginning with histories of Canada’s longest street and the early days of what was once called York (The Yonge Street Story, 1793-1860; A City in the Making; Opportunity Road), the titles in the bundle go on to examine the development of particular unique neighbourhoods that help give the city its character (Willowdale, Leaside). Finally, Mark Osbaldeston’s acclaimed, award-winning Unbuilt Toronto and Unbuilt Toronto 2 go beyond history and into the arena of speculation as the author details ambitious and possibly city-changing plans that never came to fruition. For lovers of Toronto, this collection is a bonanza of insights and facts. Includes A City in the Making Leaside Opportunity Road Unbuilt Toronto Unbuilt Toronto 2 Willowdale The Yonge Street Story, 1793-1860

In 1911, when Arthur Goss was hired as Toronto’s first official photographer, the city was at a critical juncture. Industry expansion and population growth produced pressing concerns about housing shortages, sanitation, and the health and welfare of citizens. Dispelling popular misconceptions, Picturing Toronto demonstrates that Goss and other photographers did not simply document the changing conditions of urban life – their photography contributed to the development of modern Toronto and shaped its inhabitants. Drawing on archival sources from the early twentieth century, Sarah Bassnett investigates how a range of groups, including the municipal government, social reformers, and the press, used photography to reconfigure the urban environment and constitute liberal subjects. Through a series of case studies, including the construction of the Bloor Viaduct, civic beautification plans, urban reform in “the Ward,” immigration and citizenship, and Goss’s portrait photography, Bassnett exposes how photographs were at the heart of debates over what the city should look like, how it should operate, and under what conditions it was appropriate for people to live. This lavishly illustrated book is the first study to treat images as vital elements that shaped Toronto’s social and political history. Interdisciplinary in its approach, Picturing Toronto displays the complex entanglements between photography and urban modernity.

When looking at old pictures of Toronto, it is clear that the city’s urban, economic, and social geography has changed dramatically over the generations. Historic photos of Toronto’s streetcar network offer a unique opportunity to examine how the city has been transformed from a provincial, industrial city into one of North America’s largest and most diverse regions. Streetcars and the Shifting Geographies of Toronto studies the city’s urban transformations through an analysis of photographs taken by streetcar enthusiasts, beginning in the 1960s. These photographers did not intend to record the urban form, function, or social geographies of Toronto; they were "accidental archivists" whose main goal was to photograph the streetcars themselves. But today, their images render visible the ordinary, day-to-day life in the city in a way that no others did. These historic photographs show a Toronto before gentrification, globalization, and deindustrialization. Each image has been re-photographed to provide fresh insights into a city that is in a constant state of flux. With gorgeous illustrations, this unique book offers an understanding of how Toronto has changed, and the reasons behind these urban shifts. The visual exploration of historic and contemporary images from different parts of the city helps to explain how the major forces shaping the city affect its form, functions, neighbourhoods, and public spaces.

Finalist for the Governor General’s Literary Award, Young People’s Literature – Illustrated Books When a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like — the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion/Festival. Africville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing. Today, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.

Toronto has long been a financial powerhouse in North America, and this is represented by its many grand bank buildings. Canada's capital may be Ottawa, but the financial power emanates from this thriving city, the fourth most populous in North America.Sites include: Toronto Harbour, Fort York, Queen's Quay Lighthouse, Toronto Island Ferries, Queen's Quay Terminal, Canadian National Exhibition, Sunnyside Bathing Pavilion, Princes' Gates, Royal York Hotel, Union Station, City Hall, St. Lawrence Market, St. James Cathedral, Canadian Pacific Building, Bank of Montreal, Dineen Building, Elgin Theatre, Arts and Letters Club, Old Bank of Nova Scotia, Ryrie Building, Masonic Temple, Osgoode Hall, Royal Alexandra Theatre, Gurney Iron Works, Boer War Monument, CN Tower, Old Knox College, Victory Burlesque Theatre, Maple Leaf Gardens, University of Toronto and much more.

One of Canada's leading visual artists, Charles Pachter, adds a Canadian twist to the alphabet book with his M is for Moose, a delightful and unexpected take on a form we thought we knew well. Combining words and images, M is for Moose is both visually stunning and full of fun. It includes images from Pachter's portfolio of famous paintings, including Joy Ride, with the Queen on a moose, and a young Margaret Atwood with flaming red hair. Covering the iconic to the playful, it celebrates our country, history, and culture while offering a spirited lesson in the ABCs. An icon himself, Pachter's work is collected globally. His M is for Moose is destined to become a classic of Canadian children's literature.